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REPORT OF MAYOR GIUSEPPE MIGLIORATI IN 1944 on the general situation of the Municipality which he sent to the Prefect of Perugia on 19 September 1944 with a letter bearing the Protocol number 999. It is of the utmost importance because it allows us to know the disastrous state in which the entire territory of the Municipality was immediately after the Liberation. Appointed on 15.8.1944 (1) Mayor of this Municipality by the Governor of the Allied Military Command, I fulfill the duty to submit to the EV this report on the general situation of the Municipality determined after the aerial bombardments suffered by this city, the withdrawal of the troops Germans and the consequent liberation by the allied troops. I state that the situation of the Municipality, as will be demonstrated below, is one of the most critical and consequently I am interested in the EV to be pleased to resolve, in the best way, what is possible. I begin with the municipal offices. MUNICIPAL OFFICES The municipal offices, immediately after the bombing of 25 April in which 88 (2) people were killed and 20 wounded, were transported to the countryside and precisely in the word Brecce. Here they remained until 12 June, until the German troops ordered a subsequent move, which was carried out by transporting what was possible to save from the devastation of the German troops themselves, in the locality of Fontanelle and precisely in the Rinaldi house. After the war operations, all the employees abandoned the offices, the deeds and the furnishings they had been given. The German troops therefore carried out even better the removal of all that they considered useful and the destruction of all that their vandalism advised. From a summary investigation in the process of greater investigations, it is removed or destroyed: 1. The ten typewriters and the calculator supplied to the offices. Now the municipality has no typewriter of its own. 2. The complete furnishings of the Mayor's Cabinet, the Secretary and other offices. 3. The technical tools of the Technical Office. 4. All prints, stationery, etc. supplied to the Offices. 5. Many documents of the Secretariat including all municipal regulations, tariffs, some volume of contract, etc. 6. Almost all the documents of the Bursar. 7. The following acts of the Civil Status: • Much of the personal data (family statuses and personal data sheets); • Migration practices defined relating to the years from 1937 to 1941; • Various procedures defined and being defined relating to the current year; • Files of marriage, birth and death certificates; • The register of list of the poor with the relative file; • Monthly statistics on the natural and migratory movement of the population; • The register of collection of civil status rights, secretariat and urgency; • 24 wooden boxes with automatic closing for the conservation of family statuses; • Lists of the military conscription of the classes from 1913 to 1920. 8. All the existing material in the warehouses, consisting of wood of various kinds and species, pipes for aqueducts, water meters, wheelbarrows, shovels, picks, etc. for a significant value. 9. Two "Beretta" 7.65 caliber automatic pistols supplied with the guards. 10. Motterl rifles also supplied to the guards. 11. The sum of Lire 10,000 located in part at the Treasury Office (approximately Lire 2,500), partly at the Police Office and Lire 5,000 at the milk shop. Much has been done in order to restore the offices to full efficiency, but much more needs to be done. It is necessary to equip them with the essential furniture, for which reason a contribution of at least 500,000 lire is requested from this Prefecture, with which they can buy the essential typewriters, a calculator, the tools for the Technical Office, the furniture for the decor of one room at least. Many deficiencies were found in the internal functioning of the Offices. Among the main notes, the failure to review municipal taxes annually, the failure to collect the fee for drinking water granted to individuals, the regular and complete collection of the amount of the niches and cemetery areas, the failure to stipulate contracts for concessions the aforementioned, the failure to recover the hospitals by the wealthy, the total failure to collect the assets, the neglect in requesting the repayment of the sums advanced on behalf of the State, etc., shortcomings to which he attributes the disastrous financial situation of the Municipality and which currently it is summed up by a cash deficit of over 2,000,000. I have already made provisions for the elimination of these serious drawbacks. Of course, the resolution of the same is subject to the needs of the reconstruction service based on the healthiest principles of almost all services. STAFF A first purge of staff was carried out and 16 elements were suspended among employees, salaried workers and health workers. The seats have been replaced with temporary staff, new to the services to which they have been entrusted. However, after the first period of adjustment, now almost everyone is doing quite well in the tasks entrusted to them. However, I would add that the purge has not finished and that investigations are being undertaken for other elements to ascertain their responsibilities. HOUSES The damage caused to civilian buildings by air raids and war actions are significant. A survey carried out shows that about 50 per cent of the homes have been destroyed or reduced to a condition to be demolished. Two hundred and fifty families were damaged and 900 people left homeless. To regulate the return of the population to the capital, which after the air raids had spread a little everywhere, I set up a special office and a special commission that oversees the relevant services. Despite all the provisions adopted by the Municipality such as those of placing at least two people per room and requisitioning all possible premises, not excluding the placement of families with other families (as many as 2,000 people are currently accommodated in this way, as many as 250 people are now homeless and still provisionally placed in the countryside, in barns, huts and similar premises. Twenty-five percent of homes inhabited and crammed by people need roof repairs before the winter season and window and window repairs. Such a situation cannot last long and this is also to avoid the occurrence of any epidemic diseases. It is therefore necessary to address the resolution of the important problem for which I take the liberty of proposing: 1. to promote, favor and encourage the private initiative of the reconstruction of the destroyed houses, under the control of the Civil Engineers who will have to establish the amount of the damages suffered and which will have to be reimbursed by the State; 2. that the following materials be assigned to this Municipality: a) at least 200,000 tiles; b) a suitable quantity of cement and other binders; c) at least 5,000 square meters of glass; d) timber for reinforcements and fixtures; e) that the necessary investigations to establish which buildings must be demolished and which can be restored are ordered to the Civil Engineering Office. SUPPORT Assistance was very neglected. In fact, only at the beginning of September it was possible to order the continuation of the displacement subsidy which had been suspended since 15 June 1944. However, all services are now being normalized. However, it is necessary that an assignment of clothing, clothing, footwear, blankets, sheets, mattresses, etc. be made. to be distributed to the victims and who cannot be left in such conditions in the approaching winter. POWER SUPPLY Apart from the ration of bread and pasta, given in grain, this population had only 100 grams of sugar per person and 150 grams of salt. Contrary to what was practiced for the other municipalities, this population was not distributed the ration of pig fats for the entire year. These greases were in fact removed by the German troops from the local warehouses of the Municipality where they were still stored. In consideration of this, the population of this Municipality, which following the bombings and the looting of the German troops has seen all the minimum stocks that any provident family could have had destroyed and removed, is in a state of real hardship. The EV is therefore interested in order for the distribution of the following genres to be urgently arranged in favor of this population: • oil (he hasn't had any since January); • pig fat (has not had any more since March); • sugar; • salt; • pasta as a replacement for the flour it has been receiving in wheat for a few months. Furthermore, given that the Municipality has no means of transport, it is necessary that a vehicle be assigned to transport the rationed goods. Cade acconcio that you are speaking here of an initiative taken by the Municipality for the sale of rationed and quoted goods, an initiative that was imposed following the destruction of many shops in the capital and the failure to reopen the others by the owners, who are proving of complete absenteeism. A Bottegone Comunale del Popolo has been established on which the distribution of rationed products, milk is made, which by the Municipality itself is collected from the collection centers where the various producers meet, and what else it is possible to have, to search on the site. This Bottegone will continue to function until normal commercial activity is resumed, unless the opportunity to transform it into a consumer cooperative appears. The Bottegone is currently managed by the members of the Board: Rometti Aspromonte for the technical-commercial part and Cerrini Tramaglino for the accounting part, who have taken care of its organization and operation. Bottegone himself does not affect the municipal budget in any way. MILLS Currently, given the lack of electricity, the grain is milled by means of the eleven mills operated partly by hydraulic power and partly by internal combustion engines. To ensure the functioning of the important service, however, it is necessary to ensure regular refueling. PUBLIC HEALTH Many cases of typhus have occurred and many are still ongoing among the population of this municipality. It is necessary for the EV to be assigned suitable medicines and disinfectants to prevent and fight such diseases. Two of the five doctors are in possession of a permit to circulate; however, it is necessary that the Municipality be made a monthly allocation of petrol to be allocated for this use. ROADS A total of 16 bridges were destroyed by the German troops. The damages suffered for those on municipal roads exceed 5,000,000 lire. Practices have begun for the construction of a voluntary consortium between the interested parties for the construction of footbridges to replace said bridges, in order to ensure in some way the restoration of the viability. The financing of the expenditure, while waiting for the State to do so, will be done by the interested parties through the Municipality. AQUEDUCTS In addition to the aqueduct of the capital, those in the hamlets of Pierantonio, Preggio, Niccone, Cioccolanti, Santa Giuliana and Palazzetto Nese were also damaged, for the repair and efficiency of which is expected to cost around 400,000 lire. PUBLIC BUILDINGS Almost all public buildings have suffered significant damage. These buildings are: Town Hall damages suffered approximately 200,000 lire Center school buildings damages suffered approximately 225,000 lire Rural school buildings damage suffered about lire 80,000 Start-up building damages suffered approximately 225,000 lire Kindergarten damage suffered about lire 45,000 Municipal warehouses damage suffered about lire 35,000 Slaughterhouse damage suffered about lire 28,000 Washhouse damage suffered about lire 30,000 Public latrines damage suffered about lire 21,000 Public hospital damages suffered approximately 100,000 lire Unable to work hospitalizations damage suffered about lire 30,000 Total 1,019,000 lire For the removal of the rubble of the streets and squares of the capital, for the reactivation of the aqueducts, for the clearing of the rubble from the bridges, from the riverbeds, an estimate was compiled by the Technical Office which rises to 1,141,000 lire. This estimate has already been sent to the Civil Engineering Office for approval and to give the authorization to continue the work and the assurance that the same Office will reimburse the expenses that this Municipality will sustain for this reason. UNEMPLOYMENT It is essential that the Civil Engineers assign the aforementioned sum not only for the execution of the urgent and deferrable works for the recovery, albeit minimal, of the normality of the Municipality, also to eliminate the unemployment that is currently relevant. No less than three hundred workers and over fifty employees of different categories (potters, railway workers, etc.) are unemployed. As for the materials necessary for the aforementioned works, since there are two brick kilns in the Municipality, this could ensure the needs if they are assigned the necessary fuel, which is being partially provided with the help of the Allied Military Governor. In order to guarantee the supply of the indispensable materials, this Municipality blocked all the production of the aforementioned two furnaces. The materials themselves are assigned to the owners of buildings following the division of the Technical Office, which in advance checks the requests one by one. I therefore strongly interest the EV because it wants to arrange for the Civil Engineers to assign the requested sum of 1,141,000 lire to the Municipality. PUBLIC SERVICES Currently no public service works. Only the postal service works partially. This Municipality is proceeding so that it can have the premises necessary for the disengagement of the services, but it is not easy to solve the problem given that the Umbrian Central Management, the only owner of suitable premises, puts forward many reasons not to sell them. The electric light doesn't work either. The Unione Esercizi Elettrici has been assured that in a month it will be able to reactivate the supply of electricity to a limited extent and in turn. SCHOOLS Almost all the furniture of the schools, both elementary and secondary, has been removed and destroyed. In order for them to resume their activities, it is necessary that the Municipality be assigned a suitable sum that cannot be less than 1,000,000 lire. It is also essential that all schools be reopened. In this regard, given the serious housing situation and therefore in consideration of the housing difficulties of the teachers who are not resident here, the opportunity arises that professors and teachers resident in this municipality are in charge of teaching, who, both in terms of number and by capacity, they are able to ensure smooth operation. AGRICULTURE The harvest of wheat, maize and secondary products was good and there was no significant damage from the war events. The wine, although promising very well, has recently been very damaged by iodine and therefore will be scarce and of poor quality. The olive harvest, on the other hand, promises very well. The placing of the grain in storage was very satisfactory. Over 30,000 quintals are already piled up. It is essential that provision is made for the assignment of carbon sulphide in order to prevent both the stored grain and that stored in their warehouses by the producers from going bad. It is also essential, given the approach of the sowing season, that both nitrogen fertilizers and fungicides are assigned. It is also necessary that it be arranged for the concession of electricity for oil mills in consideration of the approaching period of processing. CONCLUSION I conclude this report by insisting on the following essential points: 1. that at least the sum of 500,000 lire is assigned for the arrangement and reorganization of the Offices; 2. that the sum of 1,141,000 necessary for the removal of the rubble be assigned; 3. that the sum of 1,000,000 lire be assigned for the construction of school furnishings; 4. that the building materials are assigned: • 200,000 tiles; • cement and binding materials; • timber for reinforcement and window frames; • at least sqm. 5,000 glasses; 5. that fuel be assigned for the grain mills, brick kilns and municipal health services; 6. that carbide and oil are assigned for lighting; 7. that fats and oil are assigned for the population. I trust in the interest of the EV and I am sure that with this valid help I will be able to do some good to this population so tried by the pains of war. MAYOR G. Improve Note: 1. There is an inaccuracy in the date. The post of mayor was formally assumed on 3 September. Perhaps Migliorati refers to the interview with the Allied Military Governor who communicated the purpose of the appointment and which may have occurred on August 15, 1944. 2. Here, too, Migliorati runs into an easily explainable inaccuracy. The dead were 70, but another 14 people had fled the country without reporting it and it was feared that they were buried under the rubble still to be cleared. Sources: "Umbertide in the XX Century 1900 - 1946" by Roberto Sciurpa - Municipality of Umbertide, Gesp - January 2006 THE CITY AFTER LIBERATION 1944 - 1952 Rendiconto Giunta 1946 - 1952 Relazione del Sindaco Giuseppe Migliorati nel 1944 Relazione del Sindaco Giuseppe Migliorati nel 1944 Rendiconto Giunta 1946 - 1952 RELATION SOCIAL-COMMUNIST MUNICIPAL ADMINISTRATION ON THE ACTIVITY CARRIED OUT FROM 1946 TO 1952 curated by Fabio Mariotti We feel the duty to give an account to the population of the activity carried out in our municipality in the period from the elections of 1946 to today. We do not want to judge our work, since it is not up to us to judge; however, we feel we have the right to affirm that we have made an effort to do everything in our power to meet the needs of citizens and to honestly fulfill the mandate they have entrusted to us. PUBLIC WORKS In order to be able to judge our work serenely, it is first of all necessary to recall the disastrous conditions in which we found our country due to the war: the capital, in particular, was reduced to a heap of rubble, so it was dedicated to it. more attention than to fractions. The transitory period of municipal administration, which took place under the aegis of the Allied Military Government and controlled by the latter with the Mayors of the then Liberation Committee, made it possible to begin the reorganization of the administrative offices as soon as possible. Citizens suffered severely from the hardships caused by the war. Almost all the families lacked the essentials: house, food, medicines, electricity, water, household goods, etc. Everything had been destroyed by bombing or removed by the retreating Germans. The city was littered with rubble; traffic was difficult due to the numerous road works that had been destroyed (as many as 27 bridges had been destroyed in our municipality). The lack of housing considerably aggravated the tragic situation of the moment: half of Umbertide's houses were destroyed or seriously damaged. It was an imperative duty of the municipal administration to face all these problems; and faithful to our general program, set out during the electoral campaign, we promptly set them out for a solution. Priority was given to the sanitation and welfare problem, having all the rubble removed; which, in addition to removing the sad vision of the ruins, averted the danger of spreading infectious diseases; Supplementary rations of bread, meat, wine, firewood were distributed. The prompt reactivation of the aqueducts both in the center and in the hamlets was provided. The schools, despite the damage suffered, were repaired and returned to their important function. Only the perimeter walls remained of our hospital; in a short time it was put back into efficiency and thus it was possible to meet those who needed hospital care. Today our hospital has very modern equipment, and it would have perfected its systems again if the Prefecture, without any reason, had not sent a Commissioner to manage the institution. The rapid rehabilitation of the hospital is due to the intelligent activity of its President, comrade Rometti Aspromonte and of the Board of Directors who dedicated so much diligence and passion to this humanitarian work, always supported in their work by the municipal administration and by the esteem of the entire population. The war had completely destroyed the Umbertide-Terni railway and the Fossato-Arezzo railway. Following our concern it was possible to reactivate the Terni-Umbertide section and the reconstruction of its warehouse-workshop in Umbertide. This work could be carried out with the help of the Minister of Transport Hon. Ferrari of the PCI and the Communist and Socialist Deputies of the district, who met in Umbertide at our invitation, to give instructions to the managers of the Mediterranea. The serious problem of the workforce has been tackled by overcoming all our budget possibilities many times, but the scourge of unemployment persists and certainly cannot be resolved with local interventions. This problem will find its complete solution only when it is possible for a truly democratic government to come to power which dedicates its national wealth to works of peace and which translates into action what is enshrined in the constitution. The workforce employed by the Municipality has always been significant and has had a strong impact on the budget. The severe shortage of housing that existed before the war, aggravated by the destruction, raised the urgent problem of building reconstruction and the Administration directed all energy to this. Sixty residential neighborhoods have already been built and occupied (public housing and homes for the victims) and ten neighborhoods have been built by INA-Casa; public housing is now being built in Preggio for 10,000,000 Lire. With all this we are still a long way off to be able to say that all citizens have a modest home. Dozens of families still live in attics, woodsheds, and in places that offend human dignity. The main cause of this was the ministerial provision which suppressed the Prefectural Housing Commissioner; This suppression has led to this inequality: the owners of buildings occupy fifteen rooms in four or five people, while large families live in unhealthy and unsafe hovels (this is certainly not Christian charity!) The streets in the center of Umbertide have been reactivated and asphalted. The damage of the war and the neglect of the past administrations had reduced the eighteenth-century Palazzo del Comune in bad conditions. This Administration has provided for the repair of all the rooms and on the first floor has particularly taken care of the restoration of the frescoed vaults, with a total cost of L. 1,520,000. The work must be continued, as it is a building that due to its style deserves to be preserved and restored to its primitive beauty. The restoration work on the façade has already been contracted for 1,500,000 Lire. The avenues have been enriched with hundreds of ornamental plants; a small garden has also been arranged in Largo Antonio Gramsci, as well as another in a corner of Piazza Mazzini. A small park was built between the council houses and those of the victims; another park was built in Largo Vittorio Veneto. The post office building has been rebuilt and enlarged, which will soon give back to the public a very modern post office. In the space behind the post office building, the reconstruction of old huts was prevented, giving air and sun to buildings that did not have them and creating the vast Piazza 25 Aprile. In addition to the paving of via Petrogalli, works for the pavement with asphalt tiles of the pavements of Via Garibaldi for L. 3,000,000 have already been contracted out. In the streets of our territory they have been 26 bridges rebuilt. It was in Ascagnano rebuilt the footbridge over the Tiber and it is proceeded at the same time to the arrangement of the road that leads to Palazzetto Nese. A stretch of road from Serra was also built Partucci in Campaola. Every possible cure has been dedicated to school problems, element indispensable for creating a better tomorrow. All the buildings have been restored municipally owned school, it was partly renewed the teaching material and furniture; 250 new ones are now under construction desks and 20 professorships in the amount of L. 2,000,000. Not being able to deal with means financial problems of the City the serious problem of school building, we asked insistently the intervention of the state. Three projects to build school buildings in Civitella, Niccone and Montecastelli are al Ministry of Public Works for a total cost of L. 28,000,000. They are complete in each their part and approved in technical and administrative terms; for over two years, however, they have been piled up and forgotten, because unfortunately at this moment the Christian Democratic regime has to satisfy other customers and therefore cannot satisfy the needs of the municipalities governed by popular administrations. A project for a school building site for the construction of the Pian di Nese-Racchiusole road has been at the Ministry of Labor for several years; despite our pressure on the Ministry and the Prefecture, the funding has not yet been granted. The local population insistently claims it as an area devoid of any trace of road; in the winter season it is really a problem to move from the houses scattered in that area. There are still fractions without light. The Municipality has expanded and built plants in Cioccolanti and Montecastelli; a new plant was built in the hamlets of Buzzacchero and Pian d'Assino, for an amount of L. 1,800,000; the lighting in the capital and in the hamlets was improved for a cost of L. 1,000,000. The possibility of giving electric light to the areas of San Benedetto, Petrella, Ospedalicchio, Mita and Banchetti is being studied. Substantial repairs were made to the Cemeteries of Racchiusole, Santa Giuliana, Polgeto, San Bartolomeo, Migianella, San Paolo, Comunaglia, Verna, Leoncini, with a total cost of L. 4,500,000. Modern public urinals have been installed in the center and in the hamlets. New sewers were built in the capital, in Preggio and in Niccone. The lower butcher's shop has been completely transformed according to hygiene requirements; now the restoration works of the municipal slaughterhouse are in progress; for these two works an expense of L. 1,000,000 is required. Taking into account the serious conditions in which many farmhouses are found, especially in the high hills, a municipal commission has been set up for the application of the health law, art. 223 of 27 July 1934, which forces the owners to carry out the necessary repairs: n. 69 farmhouses; the related practices are in progress, with the result that some owners have already had to carry out the required work. The problem of greatest concern is that of aqueducts, also because our area is very poor in second-layer water to feed them. To improve the existing plants in Cioccolanti, Preggio, Montecastelli and in the provincial capital, Lire 2,600,000 was spent, but more remains to be done, especially in the capital. For this reason, after having carried out all the necessary technical and bureaucratic procedures, last year the survey was carried out for the research of underground waters; the outcome was negative due to insufficient means available (Lire 1,000,000 was used). In our opinion it is necessary to insist on drilling, and this is also the suggestion of the technicians in the field of hydraulics, hoping to find sufficient water for the needs of the population, and then get to the financing of the work. However, at present to make up for this deficiency wells and cisterns have been built, subsidiary works that have reduced the serious shortage of water that has worried citizens for over 30 years in the peak months. The sewer system is linked to the problem of the aqueduct; those already existing have been built with antiquated and unsanitary criteria; in the summer they constitute a serious danger to public health. The problem is urgent and must be addressed with an adequate financial plan. The construction of a well-equipped sports field and a theater capable of satisfying the increased needs of the population also remains to be tackled. SUPPORT Assistance has never been neglected within the maximum limits allowed by the budget, especially with regard to hospital admissions for needy citizens, the distribution of medicines, school meals, marine and mountain colonies. But what the Municipality can do in today's society is very little in the face of the real problem of assistance and the great need of most. The state has the duty to provide for the complete solution of the problem, but a bourgeois government will never be able to allocate billions for relief works. The Municipality spent 11 million Lire on assistance to the poor in the financial year 1951 alone. FINANCIAL PROBLEM The current tax system still regulated by the local finance law of 1931 is now outdated by the times, does not allow the Municipalities any autonomy in this matter and is not suitable for ensuring the indispensable means for the financing of institutional services; moreover, it unjustly distributes the tax burden. The needs of the times, made more acute by the backwardness found in all the most elementary collective services, therefore make it extremely difficult for the municipal administrations to carry out their tasks. These difficulties are noted to a greater extent in the administrations run by Social Communists because they, as far as possible, try to relieve the workers from the tax burden, however they reduce budget revenues, since with the system in place, it is difficult for them to find an adequate counterpart by increasing the taxes to the employer class as appropriate, which by resorting to the GPA escapes its duty towards the community. This state of affairs also forced our Administration to have to apply taxes, albeit to the most limited extent, even to the working class, while its intention was substantially the opposite. On the other hand, in order to ensure a minimum of administrative functioning and to resolve, even partially, the serious problems arising from the war and described above, the municipal administration in the current state of affairs cannot dispose of other resources. State funding is almost nil, all engaged in rearmament. We have always granted municipal employees all increases in allowances to the maximum extent permitted by law. The staff of permanent staff has been expanded. ADMINISTRATION AND POLITICAL LIFE This Administration has not failed to give, within the limits of the right, its support to the initiatives taken by the various city organizations in defense of peace and workers' rights. However, this was not to the satisfaction of the higher Authorities, inspired by an antisocial and intolerant mentality, and the Mayor suffered the consequences: he was repeatedly suspended from office and reported to the Judicial Authority for having authorized the posting of posters in the who criticized the work of the Government, for having spoken in a public rally in favor of peace against the threat of war deriving from the well-known adhesion of our Government to the Atlantic Pact. Some might argue that those provisions were just, since the Mayor must be concerned exclusively with administrative problems; but such an objection appears naive if we consider that administrative problems are always closely linked to political problems, that the inhabitants of a city are not abstract numerical entities, but men animated by demands and needs, moved by hopes and ideals. The problems of the municipal administration are closely linked to the struggles that its citizens wage throughout the country for their emancipation. We could not remain insensitive to the events taking place in Italy and in the world; we knew that by fighting against the war, at the same time we were fighting so that the millions allocated for weapons were again converted into civilian expenses, for our homes, for our aqueduct, for our hospital, for our schools, for our streets. When we fought for peace we felt the duty to do so; in memory of the dead of the sad bombings of 1944, worried about the future of the entire citizenry. THE COUNCIL MINORITY Our work as administrators has lacked the contribution of the Christian Democratic minority, which has deserted almost all the meetings of the Council. It, while remaining in the opposition, could have benefited the country if it had limited itself to a serene criticism and had at least supported us in asking for the intervention of its government friends to finance the public works of greatest interest. When, after the liberation, our representatives also sat in the government, Umbertide was able to quickly carry out public works for several hundreds of millions (2 bridges, railway, warehouse-workshop, public houses, etc.). Since the leftist parties have been expelled from the government, the latter has given priority to the expenses of rearmament and has become deaf to the requests of the populations who want to see at least their most urgent problems solved (the construction of school buildings and the school sites for the construction of rural roads has been waiting for funding from the Ministries for years). Leaving the Administration of the Municipality, due to the expiry of the mandate received, we express our gratitude to the employees, to the Bodies, Associations and individuals who have given us their precious collaboration, we thank the working people who have supported us in our efforts, we wish the Directors who will be elected, to be able to continue our work even more profitably for the good of our country. To this end, we make votes so that the future Municipal Administration can carry out its work with the help of a better Government, which instead of hindering the initiatives of the Municipality through the Prefectural Bodies, understands their needs and gives its concrete support to meet them. . We wish peace and freedom to the hard-working population of our municipality for an ever better tomorrow. and social justice. P. THE MUNICIPAL ADMINISTRATION A. BELLAROSA - Mayor A. RENZINI - V. Mayor C. PALAZZETTI - Councilor G. RONDONI - " B. BOLDRINI - " M. BELARDINELLI - “Suppl. A. ROSSETTI " Part of the Palazzo delle Poste and via Petrogalli (destroyed by the war) Casa Borgarelli (from Piazza XXV Aprile, demolished by the air raid Building reconstruction in via Andreani (homes for the victims) The back of the Palazzo delle Poste

Arrivals Who arrived ... or was practically born in Umbertide, here are some of our stories: Dritan Kamel e Kalida Adil Tiziana Dritan Kamel e Kalida Adil Dritan (edited by Francesco Deplanu) Dritan arrived in Italy at the age of 19, in March 1991; on that same date Albanian immigration to Italy resumed. Today in our Umbertide more than 500 citizens are of the first generation Albanian or already born Italian, a population attributable to this emigration wave. It was not the first in the centuries: “Piana degli Albanesi” in Sicily, several towns of the Pollino in Calabria, Campomarino in Molise are some of the areas that were populated by Albanians since the Middle Ages; migratory flows also connected with the crisis and then the fall of the Eastern Roman Empire, in addition to the death of Scanderbeg which marked the apex of Albanian independence from the Ottoman Empire (here the biography of the Albanian identity hero in Italian, downloadable in .pdf , written by Fan S. Noli). These arbëreshe communities remind us of the proximity of the Italian and Albanian coasts and the history that concerned them. "Skanderbeg and his warriors" in National Museum " Gjergj Kastrioti Skënderbeu " By Avi1111 dr. avishai teicher - Own work, CC BY-SA 4.0, https://commons.wikimedia.org/w/index.php?curid=34192184 In the last months of 1989, however, the Berlin Wall collapsed. For the "popular democracies" of Eastern Europe, which had become dictatorial regimes, a period of instability began which quickly led to the implosion of these political systems. In Tirana in February 1991 there was the demolition of the statue of the dictator Enver Hoxha and there were numerous riots in the country. Immediately afterwards, emigration to Italy began. Dritan arrived on the coasts of the P uglia in Brindisi in early March : two large Albanian merchant ships, the “Tirana” and the “Liriya”, loaded with 6,500 people, arrived in the port on 6 March, followed by others. The arrival in Brindisi lasted a few days, the immigrants were quickly brought back to Albania. But the unpreparedness for the arrival of a flow of thousands of people left the authorities and the population of Brindisi alone to manage the landing. Subsequently, the disembarked people were locked up in the stadium and chaotically supplied with bread and water under the control of the army. Dritan says: " I was among the last who did not want to return (accept the transfer to Albania proposed by the authorities ed), they called us the" non-surrendered ", we even went without eating, in the end they took us to Modena for a few days ". Meanwhile in Albania the social and political situation of what remained of the Hoxa regime was felt to be unbearable. For some time not only had material life been difficult but respect for personal freedom had been severely limited in the country: in the documentary "Anija" by Roland Sejko the starting situation is described and it is recalled that already in 1978 three Albanian boys had been sentenced to death for having thought of emigrating to Italy. The Italian government, meanwhile, chose the forced repatriation of most of the people. Dritan recalls that on the same day (about a week after arrival ed) of a riot in Tirana against the Italian Embassy he was brought back: " the same day a bus arrives, they tell us that we have to go to Bologna to get the documents instead they board a plane for Albania. Once we got off with military vehicles they took us to prison, but two cousins and I understand the intention and as soon as the opportunity arises we jump out of the vehicle and take advantage of not being imprisoned ". He returned in August with the Vlora, a ship for the transport of sugar that was diverted to Italy, was filled with people beyond belief, it is thought 20,000. This time Dritan stayed for a few weeks. The arrival of this cargo and the conditions of the emigrants are mentioned in another Italian documentary “La dolce Nave”. In the following years Dritan returned again to Italy and settled in Umbertide. For 25 years he has been working steadily in the most innovative development sectors in central Italy, linked to engineering which are a flagship of the Umbertidese production system. As soon as he was able to work he rented an apartment to marry his beloved girl who joined him; then he continued to build his family between new born and the arrival of his parents from Albania. Now he has long since acquired Italian citizenship and has forged strong bonds of friendship and esteem, even if he always thinks about the place where he was born. A similar fate for many young Albanians who have since settled in Umbertide and have given life to what can be defined as an "ethnic colony" in a land of emigration, where the first who integrated have acted as economic and moral support for the new you arrive through family channels. Like Dritan, the Albanian community has integrated with the desire to establish itself above all in work: in the construction sector, for example, there are already about 20 companies and Registered "self-employed workers" and present in Umbertide. The desire to integrate with stability is also evidenced by the gender ratio of the resident emigrant population: the Albanian is the only ethnic group with an equal ratio between "males" and "females", 280 to 281 in the last census. Willingness to settle in Umbertide in a stable manner confirmed by the comparison with the census of December 2005 which counted 394 Albanian residents: then the "males" were 210, while the "females" were only 184. Shijak photo in 1964: Dritan came from Shijak, 11 km from Durres (Dures) and 31 km from Tirana. In the English Wikipedia entry you can read “ reported population of around 12,853 people as of 2007. In reality the population is smaller as many people who claim residency in Shijak actually reside permanently elsewhere. ". In short, emigration continued in its area of origin and mainly concerned young people. This is also confirmed by the fact that the natural demographic growth of the Shijak population decreased from 2003 to 2007 by almost 60%. Many Albanian children who arrived in the 1990s are now adults and live in Umbertide with their children ... and now someone with their first grandchildren. Children and grandchildren who are and will be bearers of a double identity: Umbertidesi and linked to the land of origin of their fathers. We thank Dritan for telling us his story and allowing us to enrich us. Sources: - Oral sources - https://www.empresite.it/Attivita/MC-COSTRUZIONI/citta/UMBERTIDE/ - https://www.dnb.com/business-directory/company-information.specialty-contractors.it.perugia.umbertide.html?page=1 -Photo by Shijak in 1964: By Agim Faja - Self-photographed, Attribution, https://commons.wikimedia.org/w/index.php curid = 10665893 - https://commons.wikimedia.org/wiki/File:Skanderbeg_and_his_warriors_in_skanderbeg_museum,_Kruje.JPG#/media/File:Skanderbeg_and_his_warriors_in_skanderbeg_museum,_Kruje.JPG -https: //cs.wikipedia.org/wiki/Shijak - http://www.vatrarberesh.it/bibostazione/ebooks/scanderbegnoli.pdf Kamel and Kalida (edited by Francesco Deplanu) Among those who have chosen Umbertide to live there is Kamel who formed here his family. Very young Kamel, born in Algiers, sought to know the ways of life in other countries. He came to us for the first time in 1991, he settled there in 1995 but this year, about a month ago, he felt forced to leave Umbertide, now an Italian citizen, to seek a better life in Manchester in England. Fig. 1: Algiers from Wikipedia. The user who originally uploaded the file was Dolphin Jedi from English Wikipedia Dolphin Jedi - English Wikipedia (Original text: Transferred from en.wikipedia to Commons.), CC BY-SA 3.0, https: // commons. wikimedia.org/w/index.php?curid=31689311 His wife Kalida, says that " Kamel was a young 20-year-old boy, smart, full of dreams with a great desire to travel and discover the other side of the horizon, being convinced that there would be a better future awaiting him, despite that in Algeria he was well off, there was neither war nor economic crisis, but he was looking for something different, so he launched a small tour visiting many countries, Switzerland, Spain, Libya, Austria, Hungary, Morocco, and then Italy. the first time he came to Italy was in 1991 but only with a tourist visa, and something snapped that on his return to Algeria made him think of returning there to live there, he returned another time to Italy, to Umbertide, but to looking for work, it was not so easy to find it when you do not speak the language and when there is a great distrust from people towards everything that is different. Kamel, however, did not give up and got busy and did all the possible trade, bricklayer, gardener, worked in the tobacco fields and over time in the mechanical industry. ". For 20 years Kamel worked in various medium-sized companies in the mechanical field of Umbria but never managed to get a permanent contract. Kalida continues: “ For Kamel it was not always fun, life got very hard with that young boy, it was more and more difficult to find houses for rent because people did not trust him, but he dreamed of stability. After so much suffering he always managed to find a good soul who granted him the benefit of the doubt, so in 1995 he managed to obtain his first residence permit thanks to a stable employment contract and a house. ". Like many emigrants, after a few years Kamel felt the need to settle down, get married and start a family. He will marry Kalida, a cultured young man who already knows the local Algerian variant in addition to Arabic, the Berber which is the language of his parents, English and French. Fig. 2: Algiers. The neighborhood where Kalida was born. Fig. 3-4: Traditional Algerian Cous Cous and Mint Tea prepared by Kalida. Kalida says: “ in 2004 he and I get married, I am a young graduate in finance full of life plans. My departure for Italy provoked in me a feeling of great enthusiasm and great sadness, I was leaving my land for another stranger, I was leaving my loved ones ignoring what was waiting for me. I am a woman who traveled a lot as a child, France, Spain, Portugal, Tunisia, UK, in short, for me living in Italy would have been a long vacation, but it wasn't at all. My arrival in Umbertide was a big change in my life, I, a girl born in Algiers, capital of Algeria, was used to the big city I find myself in a small town, the rhythms of life were completely different, but this was not the biggest problem. So I faced the obstacle of the language, but I challenged myself to study it and I did it, then taking the middle school certificate with top marks. The thing that made me suffer the most, however, was the gaze of the people, it was something that killed me more and more, I was not seen as a woman but as a "Moroccan" with a veil! I must say that I have faced many very unpleasant situations, luckily I was strong in character and I have always tried to moving forward, studying, playing sports, after the birth of my 3 children I became more and more involved in their school career, trying to participate in all school activities; without ever losing sight of my dream of working but I soon realized that with my veil I will never be given the chance to work, I was like "an alien". it was so scary, finally I surrendered to the harsh reality, I was always there to justify myself for that that I was, I wanted to shout loud and loud to the whole world that the veil was covering my hair and not my brain! For 15 years I haven't been able to get a I work in Umbertide, and it was not easy for us to resist with a salary paying everything (rent, bills, expenses ...) but we have always made sure with great sacrifices, the relationship I had with Umbertide has always been love and hate, of course I have not only had bad things in my life in this city, on the contrary, it has given me the opportunity to meet some fantastic people who have accompanied me along my life path. " " Thanks to these people I was able to face the nostalgia of my country and my family, I love Italy, my children were born there and they have an unconditional love for Umbertide, with them I have always spoken the 3 languages, Arabic, French and Italian but mostly ľItalian and they almost always speak Italian between them but unfortunately for economic and social reasons we had to leave this land, looking for economic and mental well-being elsewhere. It was not an easy choice at all but in life you have to risk and therefore, for a second time in our life, we were forced to leave land and loved ones in search of a country that offers us a chance to work both, without any prejudice, my dream was to be judged for what I was and for my abilities and not for what I was wearing. " Fig. 5: The "Skyscraper" seen from the Piazzetta . I would never have left ľItaly if I had been given ľopportunity to work. " When asked for which country she misses most now that she is in England Kalida replies "Italy", even if from Algeria she stresses "I miss my mother" and then continues to tell us that "there are many things I miss about Umbertide, first of all my friends and friends, the small pleasant moments we shared together such as having breakfast, going shopping, sitting in the Piazzetta to see the children playing together while eating a good ice cream. "The Piazzetta, or rather the square of the" skyscraper "which replaced the" gardens "of previous generations as a summer meeting point, was the main place where children and young people of different cultures met especially in the summer. those relationships that have allowed us to get to know each other more in depth, starting with eating the tastiest dishes together and thus consolidating friendships. Kalida concludes “ from Umbertide I miss the sun and good food, take a stroll to the market on Wednesdays, take a long walk in the evening after dinner, here in Manchester, on the other hand, I don't feel safe in the evening. ". Fig. 6-7-8: Manchester in England Sources: - Texts written directly in Italian by Kalida S. - Photo by Kalida S. and Francesco Deplanu Adil Adil's family moved to Umbertide a few months after he was born from a mining town in central Morocco: Khouribga. Adil lives and it's always lived in Umbertide. Image of Adil's parents' hometown clock. Khouribga's clock: Energievision [CC BY-SA 3.0 (https://creativecommons.org/licenses/by-sa/3.0)]. From Wikipedia: https://commons.wikimedia.org/wiki/File: ساعة_خريبكة_ l% 27horloge_de_khouribga_1.jpg (edited by Adil BA) “After 2 years of visits the doctor told my mom that she couldn't help my brother in any way. His problems were irreversible, but with specific surgery and medications he could live a few more years. << You have to move to Europe, lady >> And so it was that my family moved to Italy at the dawn of 1982. A casual and dramatic event changed the course of events, forever. My brother lived until March 3, 2000 and found fantastic doctors, nurses who still greet me today and tell about when they held me in their arms, people who cared about his and our health. I have lived in Umbertide since I was aware of myself, when my parents moved I was 3 months old, so I did not experience the change, the emigration. Just thinking about leaving my home, whatever the reason, makes me very sad. I lived 2 cultures, one at home and one outside, at school, at the camp, at Garibaldi with friends. I have always had the possibility to choose my thought and I have always formed it with more interpretations. I knew what it was like here, I saw what it was like there, and it was a fortune that I can never thank enough for. At school I was the only one, not in the classroom, but in the whole school to come from another country. They were certainly different times, but when you are a child there are no differences. However, I learned early enough that I was "other than", only that in some areas I was a little more different ... it always depended on the interlocutor. This was an important lesson, as not everyone generalized with me I didn't generalize and I still don't do it with others. Growing up and coming out of the glass bubble of the school I had a few more problems, I had to deal with some aspects of life that made me suffer but undoubtedly also grow. I found myself being neither meat nor fish. Too black for someone, too white for someone else. I went through a period in which you ultimately have to choose whether to play the victim and mourn yourself or to treasure what happened to you and still continue to have faith in humanity. Trust that then pays off because a person's qualities go beyond prejudices. I had job opportunities, I met people who initially looked at me with doubt and with whom I built thirty-year friendships. Transversal friendships, regardless of political, religious, football, or social background. I have had and have disagreements, especially when the topic of discussion is religion, but I have also learned not to always put it on a personal level. I learned to measure myself with others serenely not to “feel myself in the crosshairs.” There will always be those who think differently regardless, it is the founding aspect of a multiracial society. Basically, I had to move to find my home. ". Sources: - Written texts by Adil BA - Photo by Energievision [CC BY-SA 3.0 (https://creativecommons.org/licenses/by-sa/3.0)]. From Wikipedia: https://commons.wikimedia.org/wiki/File: ساعة_خريبكة_ l% 27horloge_de_khouribga_1.jpg Tiziana (edited by Francesco Deplanu) Tiziana arrived from Colombia, a journey back across the ocean to get to Italy. Tiziana has blue eyes that come from afar. Barbara began a long journey from Maratea to Colombia, after three generations Tiziana landed, on a reverse journey, in the hills above Pierantonio. Emigration moves away from the original nucleus, breaks roles and power relations, allowed and allows women to assert themselves beyond socially prepared screens and “destinies”. On trips across the border, luck, skills and, often, choices of love mix places and possibilities. Barbara Iannini left Italy and left to reach Colombia. He chose who to love and his career destiny. He had three children in a new "foreign" land. One of these, Elisa, married Pierluigi a young man who emigrated to Colombia from Foligno. Tiziana, their daughter, retraced her grandmother's journey backwards, from Bogota to Maratea, where she fell in love and then married a local boy. Today his is a large family with 4 children who are in the hills of our area. His children studied and studied in Pierantonio and Umbertide. Tiziana at her wedding in Italy Tiziana states that " Umbrian people are kind, cordial, sincere and Umbria, both in my husband and in me, has always exercised a certain fascination for the green of its woods, for the history of centuries that it has left traces in every city and its castles that dominate the narrow valleys from the heights . ". Listening to Tiziana's family story, one enters a female narrative perspective, where choices of life and affections characterize the “minor” story of emigration. Because Barbara, Elisa and Tiziana have come to terms not only with the need for economic affirmation or cultural training, but they have done so with their multiple role as mothers, workers, sisters. They have worked and lived by taking care of the growth of children with double identity, both "going" and "returning". In 1979 a work by a third generation Italian-American writer, “Umbertine” by Helen Barolini, appeared in North American literature. The need for a female narrative revealed for the first time the “minor” aspect of the female perspective in living in a new world and dealing with one's own identity. Tiziana's stories have the same tenor, but they end in a more complex way: the identity from a female perspective formed in the country of arrival is broken and recomposed again in the "old" country. Barbara, known as Barbarina, in the 30s of the last century, followed the brothers overseas and worked in their porcelain shop, then married Carlo Rovida and with him she began a career as an entrepreneur. Today his work is more than visible, his company founded in 1943, San Marcos , a confectionery industry with restaurant and bakery, is an excellence in Colombia. His role, all the more difficult to achieve given his "gender", is mentioned in a dedicated page on the same site of the company in the page dedicated to " Women's Day " ... with its own title in Italian, written by Valentina sister of Tiziana. Image by Barbara and text from: https://www.sanmarcos1943.com/barbara-iannini/ Here you can read: “ El día de la mujer es muy important para la panadería San Marcos: nuestra fundadora Barbara Iannini was a powerful y valiente mujer. Su labor como mujer de negocios fue todo un ejemplo para la comunidad italiano de Bogotá que siempre vio en her a figure admirable, but sobretodo, su presencia fue una gran inspiración para muchas de las empleadas más antiguas del establecimiento. If it happened to the 28 years of edad (tarde para la época) and gracias a on impulse logro that at the moment the panadería San Marcos was the principal productora de pan in the city of Bogotá. He was looking for a muchas de las empleadas de la empresa que la recuerdan con cariño por haberlas aconsejado de manera correcta en muchos problemas domésticos: siempre las alentó en las dificultades y las incentivó a ser mujeres independientes en todo sentido. ". Tiziana grew up in the large family connected to the community of second generation "Italians" or to those who subsequently reached Colombia from our country. The grandfather founded, among others, the " Leonardo da Vinci " school in Bogotà, a private school where, in addition to Spanish, the language of one's own tradition was studied; norm that concerned in Colombia a multitude of languages brought by the emigratory and indigenous mix. However, Tiziana completed her university studies, already engaged to Antonio, in Milan in Mechanical Engineering with a biomedical address. But adjusting to life in the city proved difficult. Not so much for the difference between an Italian language studied in Colombia compared to the real one with which she was confronted, but for the limitation in human relationships: the detachment from others, a frenetic life based on the activities to be carried out turned out to be opposed to the way of life for Tiziana Colombian; a life full of joy, of value to friendship and open to relationships with others. These aspects linked to human relationships now Tiziana feels she has rediscovered them starting with the meetings she had with small children and other mothers in the square of Pierantonio. What certainly differentiates the life structure in Colombia from the Italian one is the minor social division; a division that seems insurmountable in Colombia. The division between rich and poor, in a country of extreme poverty, is clear, even among young people, to which is added a difference between those who descend from an American or Spanish "stock" and other ethnic groups. Some time ago Tiziana recalled how Bogota had "six million inhabitants, of which four are poor and of these one million are destitute". Among the poor who have an even worse situation is the female gender, underpaid and exploited. Tiziana remembers how the values of her family have always been opposed to this triple division, economic, ethnic and gender: " Since I was a child I felt close to those who were marginalized by my classmates due to their economic condition or the color of their skin " . These beliefs depended on the upbringing and example of her family, especially her grandmother Barbara and her mother Elisa: " Just tell you one of the many wonderful things that my mother and grandmother did to make you happy, at least for one day, of orphaned and abandoned girls: on the occasion of my sister's first communion she organized the party at the orphanage run by Italian nuns, who were customers of the shop. He also called one of the best entertainers in the square and he worked all afternoon and did not want to be paid, he offered his work for free because he understood the purpose for which the party was dedicated. I still have before my eyes the enchanted and joyful gazes of those little girls who had never witnessed games like this, had never known the warmth of a family and never caressed their mother's face ". In the center, at the wedding of her niece, Barbarina Iannini, surrounded by her family. Today Umbertide is home to about 80 people from South America. Those who leave their country bring with them their habits, sounds and music, pride in their culture or religion and, as in the case of Tiziana's grandmother, culinary traditions. From any country you leave and in any country you arrive. Identity is not lost but readapts and changes, it becomes double. Pierluigi, Tiziana's father strengthened in his family both the "nostalgia" of Italy and the use of the language also carried out for his love for Italian music and opera. All this contributed to the choice of Tiziana who left Colombia, a big city and came to live in a small rural nucleus of our hills. Sources: - Oral source - Photo: Tiziana's family archive. - https://www.sanmarcos1943.com - https://www.sanmarcos1943.com/barbara-iannini/ Help us remember umbertidestoria@gmail.com Fernand Braudel "History is nothing more than a constant questioning of past times in the name of the problems, curiosities and even anxieties and anxieties of the present time that surround us and besiege us" Tiziana

Street Games (edited by Francesco Deplanu) The Ruzzolone The "Ruzzolone" is a popular game much followed by Umbertine until a few decades ago, its origins seem ancient, practiced throughout Italy as "tumbles" or "ruzzica" some author makes it descend from classical antiquity with the passage then to Etruscan world seeing in the iconography of the "discus thrower" or "thrower" in the tomb of the Necropolis of the Monterozzi di Tarquinia because of the launching position that does not conform to the classic iconography of the thrower. Detail of image from: https://www.etruscopolis.com/tomba-delle-olimpiadi However, news about popular games is rare, with the revival of the interests of the traditions of the Volk in the romantic period the search for information began. In Umbria, in Perugia, according to what prof. Sciurpa in his "blogspot", quoted in the sources, the news comes mainly from the official news aimed above all at delimiting its use. Launch of the tumbler It was played on feast days, dressed in good clothes, from the Easter period onwards. The Ruzzolone could be a form of aged and very hardened cheese or in wood, often of rowan according to what prof. Sciurpa . It had a diameter of about 30-40 cm and could weigh from 2 to 5 kg. It was launched thanks to a rolled tape that ended with a wooden spool. It was launched with force and so the "tumbler" could cover more or less long paths; we started again from where the “tumbles” stopped, we played in pairs or one against one. It was played in pairs Games of the twentieth century Costa Muro "Costa Muro or" Touch the wall "to play before the war we went to Tiber, it went down after the porta di "caminella", at the end of Piazza di San Francesco to reach the "schioppe" on the banks of the Tiber to search The tiles". The "tiles" were river stones smoothed by the flow of water, and they had to be sought "even", that is to say similar and beautiful. It was played one on one then on the walls of the house, whoever came closest won those of the others. In the 1960s and 1970s, the "figurines" of the players replaced the stones. Wall Ball A "Wall ball" was played by drawing a circle with chalk on the wall, with the ball then the drawing had to be centered. Those who did not take us had a "penance" to pay. Castelletto In "Castelletto" they played with glass balls (marbles) or more often, because they were less expensive with balls from shard, usually brown in color. They had to be put together next to each other in number enough to make the "plan" (3-4-5 floors) above and then build another series on top. The "castelletto" became a kind of "skittle" (up to 6 castles in a row) to hit with the "tick" of other marbles or balls. Greasy tree At the "tree of the cuccagna" they played on the plants of the Tiber by attacking on the branches the discarded jute bags from the "Consortium". Jute sacks tied together with the “vetriche”, very elastic branches of plants that were born on the Tiber; inside were put stones, flour, pieces of mixed cake. The bags were prepared by all the "players" together but then they were placed on the tree only by some, the others remained blindfolded, the game happened in the areas of "Schioppe" or al "Patollo". Sources: - http://robertosciurpa.blogspot.com/2010/01/il-ruzzolone-tra-le-tante-attivita-di.html?m=1 - https://www.etruscopolis.com/tomba-delle-olimpiadi - https://it.wikipedia.org/wiki/Ruzzola - https://commons.wikimedia.org/wiki/File:Carlo_Fontana_e_Enrico_Mascagni_campioni_di_ruzzola_fine_%27800.jpg - https://www.danielemancini-archeologia.it/i-giochi-olimpici/ - oral source: Imperia Guardabassi - Photo: historical photos of Umbertide from the web and from various private archives to which we applied the " umbertidestoria " watermark in this way we try to avoid that the further disclosure on our part favors purposes not consonant with our intentions exclusively social and cultural. Help us remember umbertidestoria@gmail.com

Astorre Bellarosa Francesco Alunni Pierucci Antonio Rossetti Ebe Igi Alessandro Franchi Francesco Andreani Gabriele Santini Arsenio Brugnola Giuseppe Guardabassi Historical figures of the twentieth century In this subsection we propose the biographies of some characters who have played a role in the history of the city. Astorre Bellarosa Francesco Alunni Pierucci Antonio Rossetti Ebe Igi Francesco Andreani Alessandro Franchi Gabriele Santini Arsenio Brugnola Giuseppe Guardabassi Bruto Boldrini curated by Simona Bellucci Astorre Bellarosa He was born in 1895 in Umbertide into a family that includes father, mother and twelve children. Orphaned by his father as a child, his grandfather, a coachman at the Marinelli family, takes care of his numerous offspring and Astorre can continue to study up to the eighth grade. After school, he learns the job of carpenter, but in 1915 at the age of 20, he is called back to war and fights on the Karst where he is wounded, sustaining a slight but permanent injury to one hand. Upon returning from the war he married Tecla Beati from Umbria, with whom he had three daughters, the second of whom died at an early age. He manages to open a sawmill in Via Roma with a partner Riego Maccarelli, a well-known anti-fascist, who also employs several employees, practicing the profession of carpenter with great skill. Animated by deep political convictions, he joined the Italian Communist Party since its foundation and remained deeply attached to his political faith even during the Fascist period. Adherence to communism is always combined with great admiration for Giuseppe Mazzini, whose political thought he studies as a self-taught and never gives up wearing the republican tie. He was subjected to an attack by the fascists before they came to power and the threats were repeated even during the twenty years, so much so that he always keeps a rope and a knife in his room at the back of Via Roma, from which he sometimes escapes in in a hurry. After the bombing of Umbertide, displaced in Serra Partucci, he sees his sawmill on fire from above, set on fire by the Nazi-Fascists in retaliation. The partner Riego, captured, is taken to prison in Perugia, tortured and then released. After the war, he continued to work as a carpenter but as an employee, then he opened a bar in via Roma. He became mayor in 1945, first appointed by the Allies and then elected in April 1946 until 1952. Later, he continued his administrative activity as councilor in the second council of the mayor Serafino Faloci. After the end of the administrative experience, he remains active in politics, uncompromising from a moral point of view as well as generous and a lover of company in private life. In 1969, the year of his death, he wants a secular funeral early in the morning and to be buried underground if cremation was not possible. His former employees build him a poor wooden coffin as he had arranged and carry him on the shoulders to the local cemetery. Francesco Alunni Pierucci We can speak of him as the most illustrious political and trade union exponent of Umbertide in the twentieth century. He was born on 4 June 1902 into a peasant family formed by his father Alessandro, his mother Matilde Pasquini, the brothers Astorre and Antonio and his sisters Linda and Veronica. At the age of two, he lost his right arm following an accident and, due to the disability, his parents made him continue his studies with great sacrifices. He attended up to the third technical high school, which later allowed him to earn a living, giving lessons in mathematics. The family is sent away from the farm after the killing of a pig without the owner's permission during the First World War and Francesco grows up in this climate of oppression, developing a deep sense of rebellion in the face of the injustice received. At 15 he joined the socialist section of Umbertide and later, after the communist split, he joined the PCI becoming secretary of the Upper Tiber section. Targeted by the fascists, in December 1923 he expatriates to Nice, where his brothers were already there, opens a grocery shop here and becomes the coordinator of a group of anti-fascist political emigrants. In Nice he also met Sandro Pertini, in 1933 he moved to Toulon and then to Lyon. In 1940, at the time of the Vichy Republic, he was interned in the Vernet concentration camp. He was then handed over to the Italian authorities and passed through various prisons here and finally sent to confinement in Maierà. He returned to Perugia after 25 July 1943 and resumed political activity in the Upper Tiber, being part of the CLN but in November, due to a tip, he was arrested and tortured. He remained in prison until the liberation of Perugia in 1944, after which he resumed political and trade union activity until he became the national secretary of the CGIL tobacconists. After the war he marries a Ligurian partisan, Mirella Alloisio, who becomes his inseparable companion. In 1948 he was elected senator for the PCI in the college of the Upper Tiber. From 1952 to 1958 he was mayor of Città di Castello. He will then be the founder of the newspaper “Il sulco”, which addresses the peasants and also deals with the cooperative movement, managing to heal the critical situation of the Molino di Umbertide. In the latter part of his public life, he wrote several books on the political struggles of the workers and peasants movement in Umbria. He died in 1985. Antonio Rossetti Antonio Rossetti is a peasant from the Petrelle di Umbertide, born in 1915 who, as secretary of the local Chamber of Labor, is the animator of the claims of sharecroppers after the war, as well as municipal councilor elected from the ranks of the Communist Party for three consecutive times in 1946 , 1952 and 1956. He held the position of municipal councilor in the second legislature from 1952 to 1956. We remember that, to organize the union struggle, he even came to Gubbio and returned late at night by bicycle. Shy and reserved as determined in the action, Rossetti, in the heated climate of the strikes for the De Gasperi award, ie for the division of the products between the owner and the sharecropper at 53%, is accused, together with other trade unionists from the Upper Tiber, to have extorted signatures of acceptance of the award by the peasants and liable to preventive arrest before the trial against him. He goes into hiding, kept hidden by the peasants of the Faldo and Petrelle area, constitutes himself a few months later and is sentenced, even serving a few months in prison. Nothing could bend the tenacious organizer who, released from prison, immediately set about setting up an even more ambitious undertaking: the birth of the Molino Popolare di Umbertide of which he was president. Overwhelmed by the crisis of the Molino in 1964, he is paying greater managerial responsibilities as the highest exponent. Since then, he has retired to private life, cultivating a piece of land with his wife Elisabetta, a tabacchina, in his Petrelle, probably embittered by the affair that hit him. His merits as an indefatigable activist have been removed and not sufficiently remembered even on the occasion of his disappearance, which took place in 2013 Sources: Simona Bellucci: Umbertide in the 20th century 1943-2000, Nuova Prhomos, 2018. EBE IGI The story of the very young violin virtuoso torn from life by a cruel and dramatic fate Edited by Fabio Mariotti by Amedeo Massetti A rare talented violinist. Today she would be remembered among the great Umbrian musicians and not only, if a serious illness had not ended her very young life. And Umbertide would have counted her among his many famous people. Ebe Igi, daughter of Ivo and Eletra Butturi, was born in Umbertide, in via Mancini, on 26 August 1912 from a family of the small town bourgeoisie: her father was a municipal employee, her mother was a housewife. He lived in via Petrogalli n. 6, in the heart of the S. Giovanni district. She had started studying the instrument at the beginning of 1921, at the age of nine, the only girl in a group of young people who attended the violin school of Professor Decio Ajò, recently established in the town with the name of "School of bow", and at the which the Municipality disbursed a contribution of 150 lire per month. The council, chaired by Settimio Rometti, first socialist mayor of Umbertide, on 19 January 1921 had also resolved to establish ten free places, reserved for young people between 8 and 14 years of poor families: three boys had submitted the application for registration to the school. Maestro Ajò taught permanently in Gubbio and came to Umbertide once a week. But Ebe, very passionate about music, went with her mother for another two days in the city of Sant'Ubaldo, on the Apennine train, to take other lessons from him. He then studied in Bologna with Maestro Supino as his sister, Vittorina Igi, who died almost a hundred years old in Frascati on June 22, 2004, sometimes remembered. The parents followed their daughter's musical activity attentively, indulging her passion. Little Hebe turned out to be very gifted and continued her studies successfully for nine years. Her art did not go unnoticed in Umbertide where while still a student she held applauded concerts as a soloist, accompanied on the piano by maestro Alessandro Franchi, director of the musical band, or by the pianist and composer Raffaele Zampa, a great musician as well as a notary. The girl graduated in "Violin Teaching" in 1930 at the Royal Philharmonic Academy of Bologna, with Maestro Angelo Consolini, one of the leading exponents of the Bolognese string school, with the "magnificent score" of 30/30, "prize deserved to his noble labors "and his" very happy temperament as a violinist ". But she will not be able to see the dream of a brilliant career come true because she will die in the hospital of Perugia, just eighteen, a few months later, on November 12, 1930. Her sudden and immature death greatly affected the people of Umbria from whom she was known and loved: everything the country attended the funeral. For his tomb under the "arcades", in the right hemicycle of the Umbertide cemetery, the young artist Corrado Cagli, then artistic director at Ceramiche Rometti, sculpted a shiny ceramic bas-relief in "Nero Fratta", depicting a face of a woman leaning back, resting on a wing, a severed twig and a violin that seems hopelessly abandoned. A polyphonic choir today brings its name to Umbertide: the Chorus Fractae Ebe Igi. It was set up by a group of enthusiasts in 2000, under the guidance of Professor Nicola Lucarelli. It is currently directed by Maestro Paolo Fiorucci, has over thirty choristers, has a repertoire that ranges in the widest fields, from classic - traditional to modern. Recurring this year (Ed 2012) the centenary of the birth of Ebe, the members will organize an event in his honor in which they will remember his extraordinary musical gifts, making his life and artistic activity known. Some news on the concerts of the very young Hebe taken up by the newspapers of the time The municipal violin school, in 1926 , worked well and there were many young people from Umbertide who attended it. On Sunday 14 March , in the theater of the Scholastic Patronage, a musical essay was held by the students of Umbertide and Gubbio of the school directed by Professor Decio Ajò. The audience was numerous, "great applause greeted the end of each piece of the interesting program, perfectly executed by the individual students, among which Cardinals and Miss Igi distinguished themselves" (L'Assalto, Perugia, March 18-19, 1926) . Ebe Igi was one of the best students: he was highly applauded at the age of fourteen in his violin solos. The symphony of the Thief Magpie aroused great enthusiasm in the evening (an encore was requested), “masterfully directed by Maestro Franchi while Dr. Zampa sat with the well-known valentia on the piano”. On March 31, 1929 , Maestro Alessandro Franchi accompanied a violin concert by Ebe Igi on the piano. The seventeen-year-old girl was about to graduate from the Philharmonic Academy of Bologna under the guidance of Maestro Consolini. He played in the large hall of the “L'Unione” club in front of a large audience, mostly women. A huge success. The performance was much applauded, especially in Beriot's ninth Concerto where the violinist had "proved to possess sweetness and robustness of cavata, perfect intonation and a truly surprising sense of interpretation" (Il Messaggero, Rome, 9 April 1929). It was not the first time that the maestro played with the young Ebe, a girl he esteemed for her rare musical gifts and tried to enhance in every way. Franchi will also accompany Ebe on the piano on the evening of 22 September, in a concert held in a classroom of the kindergarten. The girl will perform with him also the following evening at Umbertide's “L'Unione” club. On Sunday 11 May 1930 , the "professor Ebe Igi" held another violin concert accompanied by Maestro Franchi. She had just graduated with full marks from the Philharmonic Academy of Bologna. To organize the musical audition was the dean of the vocational training schools, Falorni, who had invited the musicians to the great hall of the institute. A large audience, made up of school groups, the Podestà, political authorities and teachers listened with interest to the two good musicians, who had an extraordinary success (La Nazione, Florence, 18 May 1930). Ebe was considered a "true and great artist with an impeccable execution" (La Tribuna, Rome, 14 May 1930), who knew how to "bring out from her" Bresciano "effects of sweetness and intense sound that are truly surprising" (La Nazione, Firenze , May 18, 1930). Franchi, as usual, accompanied the piano "with that conscience and artistic competence that had always distinguished him". The program was demanding and interesting (Part 1: Simonetti, Madrigale; Frontini, Serenata Araba; Bruch, Concerto (op. 26): a) Allegro moderato, b) Adagio, c) Energetic finale. 2nd Part: D'Ambrosio, Canzonetta; Franchi, Melodic Intermezzo; Paganini, The Hunt; Wiennawski, a) Legend, b) Tarantella Scherzo); the performance of the music "was masterful in reality" and the "virtuosity of the violinist was able to show itself in the widest form, giving proof of a profoundly expressive and educated feeling" (La Nazione, Florence, 18 May 1930). Sources: Historical research by Amedeo Massetti - 2012 Concert program at the "L'Unione" club Arch group of master Ajò in Gubbio Group of arches at the Teatro dei Riuniti Gravestone in black Fratta by Corrado Cagli The school building in 1921 The school building in the 1930s The Garibaldi school in the 1980s The centenary party. November 2019 December 4, 1945. The funeral of Quirino Pucci, Giuseppe Rosati and Giuseppe Starnini The ceremony in Piazza Matteotti. Behind you can see the rubble of the bombing FRANCESCO ANDREANI curated by Fabio Mariotti Illuminated Mayor of the early years of the last century Francesco Andreani, a lawyer, held the office of Mayor of Umbertide from 5 February 1910 to 4 November 1919. Estimated by everyone, he carried out his role with competence and foresight. He was responsible for the construction of the grandiose elementary school building in Umbertide, by the architect Osvaldo Armanni, and other important public works. In addition to this, the construction of the rural schools, very important for those times, of San Benedetto, Pian d'Assino and Badia di Montecorona designed by Eng. Sozzi, the public houses in via XX Settembre, Viale Cesare Battisti behind the railway station, the bridge over the Rio stream which made the connection with Montone easier and safer. Electricity also arrived in 1915. Then the war brought considerable economic hardship which also considerably limited the municipal budget. Its Board was made up of Giuseppe Guardabassi, Rolando Santini, Carlo Bebi, Alberico Bebi, Silvio Ramaccioni and Quintilio Pucci. The family of Francesco Andreani, originally from Colle di Montecorona, moved to Umbertide in the last decades of the nineteenth century to manage a grocery store and a pasta factory in Piazza Umberto I (now Piazza Matteotti), in the premises of the current bank. Born on 19 July 1861 to Michele Andreani and Francesca Fuscagni, Francesco graduated brilliantly in law from the University of Perugia. He was a well-known civilian, with a "controversial and convincing" oratory. He exercised his profession in Perugia, with frequent returns to Umbertide where he held the office of Mayor for about a year, in 1890, when the electoral victory of the socialist-republicans overthrew, for the first time in the city's history, the administration of the conservatives; he was still Mayor without interruption from 1910 to 1919. For several years he was also municipal councilor and councilor for the municipality of Perugia. (in the council of Ulisse Rocchi who brought public transport and water to Perugia) Francesco Andreani did not officially join any party, even if of markedly republican sentiments. Enrolled in Freemasonry, he shared Italy's entry into the war in 1915 against Austria and carried out intense patriotic propaganda. He did not want to join fascism which in 1919 began its rise to power with violence and abuse. In Perugia, with other citizens, he rearranged and ran a team of volunteers for accidents called the "White Cross", he collaborated to found, in 1909, the "XX June lay recreation center" for children, he actively worked on the realization of People's University. With Francesco Buitoni, Leone Ascoli and Annibale Spagnoli, Francesco Andreani set up a sugared almond factory in Perugia on 30 November 1907 which would later become the "Perugina". In 1910 he was a candidate of the left in the College of Perugia 1, for the elections to the national parliament, but was defeated by the liberal-monarchist Romeo Gallenga. He died on 21 March 1932. The Municipality of Umbertide, on 30 October 1947, named a street after him. The imposing school building (now Garibaldi primary school) It had been in office for just a year that the Andreani junta, in the first months of 1911, began to ask itself the problem of the schools of the capital and of the hamlets. In a resolution of 26 March it was stated that “in the capital the current building is insufficient and not very decent. In the countryside for some schools it was impossible to find the place and for some others there are classrooms that are absolutely indecent and unsuitable for their intended purpose. It is therefore essential to build, first of all in the capital, a new building that meets all the modern educational needs and others for the country schools that lack a decent and possible place ". The project of the new school of the capital was entrusted to the architect prof. Osvaldo Armanni, a highly professional figure with consolidated experience, famous, among other things, for having designed the Palace of Justice in Rome, better known as the “Palazzaccio” and the Synagogue. He was born in Perugia to a family originally from Assisi for which he designed his last work, the National Boarding School "Prince of Naples". The size of the building arose from the need to have at least 20 classes available for the attendance of 457 pupils, plus offices and various services. There was full awareness of going to meet a considerable expense, so much so that initially the expenditure of over 220 thousand lire was foreseen, then reduced to 200 thousand lire by the Ministry of Education at the request of the opposition that asked for a reduction of the cost of the intervention. This involved, among other things, the cancellation of the gymnasium that had been foreseen in the initial project. The works began in the summer of 1914 and ended in March 1917. Just three years for a demanding job with the technical means of the time. During the winter of 1917-1918 the building was used as a military hospital for the wounded of the First World War. Only on April 5, 1919 the fourteen elementary classes settled in the new structure. After 100 years, in November last year, the Garibaldi school celebrated its centenary of life in grand style with all its current components, with the city authorities and with the hundreds and hundreds of students who over the years have attended his classrooms. The Headmaster Dr. Silvia Reali commented the event as follows: “I am very happy to be part of the Garibaldi school and to be able to celebrate this prestigious event together with the teaching staff, all staff, students and families. Few schools boast so much history and architecture so beautiful and, I would say, modern due to the insights that the architect had in creating varied, bright, spacious and truly welcoming learning environments ". Francesco Andreani's photo is by Bruno Porrozzi The photos of the school are from the historical photographic archive of the Municipality of Umbertide The Centenary photo is by Fabio Mariotti Sources: "Umbertide in the 20th century 1900 - 1946" by Roberto Sciurpa - Ediz. Municipality of Umbertide - 2006 based on historical archive research carried out by Amedeo Massetti. January 2, 1927. The Band with the new uniforms in front of the Collegiate 9 September 1928. Exhibition in Piazza Matteotti 1931. Concert programs for August and September 1934. The program of 9 September and the Sacra Spina in Preggio September 8, 1930. The concert in the square (Photo Mario Fornaci) October 4, 1934. Exhibition at Monte Corona 1946. Manifest with photos of the members of the band the cover of the book by A. Massetti ALESSANDRO FRANCHI Great composer and incomparable master of the city band at the turn of the two wars by Amedeo Massetti Alessandro Franchi has remained a myth for the old musicians who were lucky enough to know him. His name still arouses respect and admiration in young people today for the many times they have heard it pronounced with regret and moving reverence. Some elders of the band, until not many years ago, carried his photograph in the sheet music folder, keeping it with the devotion due to a relic. This is not surprising: Franchi, one of the greatest composers and conductors in the history of Italian band music, left Umbertide a truly profound mark of his art and his humanity. He was born in Bastia Umbra on May 1, 1887, to Napoleon, a 34-year-old shoemaker, and Isolina Petrini, a "housewife". Extraordinarily gifted, he had undertaken the study of music as a child; in his training he will meet great masters who will impress their signs on his fertile mind and on his sensitive soul. Since he was a boy he was part of the Banda di Bastia Umbra and played the role of organist in that parish church dedicating himself to teaching school choirs. In 1908 he began studying harmony under the guidance of the great Raffaele Casimiri di Gualdo Tadino. He then completed the harmony and counterpoint course with Armando Mercuri of Perugia; in the meantime he studied band instrumentation with maestro Bernardino Casetti, director of the municipal band of that city. In the school years 1910 - 11 he was in Bologna where he had practical composition lessons from Ottorino Respighi and, under the guidance of the masters Filippo Codivilla (Director of that Municipal Band) and Bonfiglioli (Music Chief of the 35th Infantry Regiment) completed the study of composition and band instrumentation. In June 1911 he obtained the Master Band Master's degree at the Liceo Musicale in Bologna, earning special praise from the conductor Marco Enrico Bossi in the conducting exam. In July of the same 1911 he was hired by the Municipality of Fojano della Chiana where he remained until February 1915 taking care, in addition to the band, of theatrical performances directing the operas: Bohème and Rigoletto and instructing the choirs (as well as said operas) of the Sonnambula , of the Puritans, of Norma, of the Elixir of Love, of the Barber of Seville etc. I also directed various vocal - instrumental concerts to the same “Garibaldi” theater. In 1914 he graduated from the Royal Musical Institute “L. Cherubini ”of Florence the diploma of license and tenor trombone teaching. In March 1915 he was hired by the Municipality of Umbertide but could only deal with a vocal - instrumental concert "Pro trousseau of the soldier" because in the following November he was called to arms and in February 1916 he reached the war front where he remained uninterrupted until November 1918 . After a long period in the front line he was called to the direction of Bande Divisionali and was part of the orchestra of the Second Army directed by Arturo Toscanini. By order of the Commander, the Army Corps instructed a choir of 350 soldiers who, with band accompaniment, performed the Grappa song, a hymn to the Baptists and other patriotic songs in a grandiose military gathering. In February 1919 he was sent to Innsbruck to direct the Military Band of that Occupation Corps. In the following April he was sent on leave and resumed the civil profession at the Municipality of Umbertide. He won several competitions for the positions of Maestro Director of music schools and Band Bodies including those held by the Municipalities of Massa, Orvieto, Foligno, Bibbiena, etc., but, for family reasons, he always remained here. Here, as well as giving his activity to the Band, he devoted himself with passion and disinterest to the education of numerous choirs of operas, scholastic and patriotic, and he concerted and directed the operettas: "Il Piccolo Balilla" and "Campane a Festa" of R. Corona; “A Race in the Mountains” by M. Cagnacci; "La Pietra dello Scandalo" and "Signorina Terremoto" by V. Billi and one of his operettas in a written act for children. He also took care of patriotic celebrations, charity shows. From the school year 1930 - 31 to 1940 he held the position of teacher of music and choral singing at the Secondary School of Professional Goodwill in Umbertide, also taking initiatives of various concerts for the musical culture of the pupils, introducing the pupils themselves as performers of famous choirs of operas and other kinds. Previously, from the year 1927 to 1933, he always carried out this role also in the supplementary course having a lower magistral character attached to the aforementioned School. In the field of Theater and Church he gave continuous and assiduous activity, both as organizer and director of vocal - instrumental concerts, and as organist and director of liturgical music performed within the local Schola Cantorum, which he himself founded. The “Musica Sacra” publishing house in Milan has published several of his compositions for voices and organ. Other various musical houses, then, have published several of his works for large and small bands. In October 1937 he obtained at the Royal Conservatory of Music “L. Cherubini ”of Florence the diploma in band instrumentation. After the end of the Second World War, Franchi, after having brilliantly passed the verification of the "Purge Commission" which judged public employees for the activities carried out during Fascism, was called in 1944 to fill the post of municipal archivist not being able to return yet to carry out his musical activity. It was the junta of the mayor Astorre Bellarosa, in 1945, who relieved Franchi from the administrative office to bring him back to carry out his activity as teacher and director of the city band "so that the teaching of music could recover in favor of the population and therefore the band could regain its importance also as an educating organ of the people's soul ”. On 4 December of that year, the bodies of three young volunteers who had given their lives for the construction of the new democratic Italy were brought back to Umbertide: Quirino Pucci and Giuseppe Rosati of the "Cremona Combat Group" and Giuseppe Starnini of the "Combat Group Legnano ". To welcome them with great emotion the whole city and the reconstituted town band. These are the words of thanks from the Mayor: "I sincerely thank the SV and this Band for their participation in the honors that the entire population of Umbertide has paid to the bodies of the volunteers who fell on the Ravenna front". 1946 and 1947 marked the beginning of the resumption of full band activity in Umbertide after the war period. There was the entry of new young people and the consolidation of the historical group. The band was then made up of 35 people of very low average age, together with older members such as Mario Villarini, Giovanni Bartolini, Francesco Lotti and Giuseppe Lazzarini. The rest were essentially young people, some recently returned from war or imprisonment (Giuseppe Coletti, Augusto Bruschi and Alvaro Lozzi) or from military service (Luigi Gambucci, Egidio Alunni, Aldo Rondini, Guido Giubilei, Luigi Briganti and Nello Migliorati ). Many eighteen-year-olds (Aldo Fiorucci, Aldo Cozzari, Nello Belia, Giordano Corgnolini, Nello Palazzoli) and in their early twenties Domenico Baldoni and Bruno Giubilei (21), Federico Lazzarini (23), Giuseppe Fiorucci (27). Finally, there were the very young Bruno Tarragoni Alunni (14), Rolando Rosati (15), Antonio Boldrini and Carlo Violini Alunno (16). President Burelli and his deputy Ceccarelli followed the activity with great participation, trying in every way to meet the needs of the musicians. The Band closed in 1947 on December 31st, at 5.30 pm, with a great concert in the square to solemnize the Constitution of the Italian Republic. Franchi was the legendary conductor of all time, loved by the boys who found in him a guide and in the musical activity a way to more serenely overcome the daily difficulties of such a difficult period, in which everything was missing. But his health, already unstable for some time, suddenly worsened and on April 5, 1948, at the age of 61, the master Alessandro Franchi died of a diabetic coma in his home in via Guidalotti 1. The dismay and pain of this premature death are unanimous in the village. His boys watched over him all night and then placed him in the coffin. The funeral took place on April 7, starting from the Collegiate Church among an immense crowd, moved. His band, directed by the young trumpet professor Pietro Franceschini, accompanied him to the cemetery, respecting his will, with the grave and poignant notes of "Heart that remembers", the funeral march he composed at the age of 23 in memory of maestro Giuseppe Censi . The photos are taken from the book by Amedeo Massetti The photos of the funeral of the fallen volunteers are from the Historical Photographic Archive of the Municipality of Umbertide Sources: Historical research by Amedeo Massetti for his book “Two centuries on the march - Umbertide and the Band” - Petruzzi Editore - 2008. In the book, the complete story of the master Franchi in the chapter "The epic of Franks". GABRIELE SANTINI Great conductor of the first half of the twentieth century. In the 1920s he was assistant to Toscanini's Scala and on several occasions he directed two sacred monsters of opera such as Maria Callas and Renata Tebaldi by Nicola Lucarelli (From "Umbertide Cronache n.1 2002) Gabriele Santini was born in Perugia on January 20, 1886 from a family from Umbertide, the father was Pio Santini and the mother Carmela Nolaschi. He studied at the “F. Morlacchi ”cello and piano and later moved to the“ GB Martini ”Conservatory of Bologna where he completed his studies in composition with G. Minguzzi and P. Micci. He began his career as a conductor as early as 1904 and devoted himself almost exclusively to the operatic genre. After a first period at the Teatro Costanzi in Rome, (later called Opera Reale, now Teatro dell'Opera) he was hired by various theaters in Latin America. He stayed for eight seasons at the Colon Theater in Buenos Aires (one of the most important in the South American continent) and later at the Municipal Theater in Rio de Janeiro, at the Lyric Opera in Chicago and at the Manhattan Theater in New York. From 1925 to 1929 he was called to the Teatro alla Scala in Milan as assistant to maestro Arturo Toscanini. He then returned to the Rome Opera where he remained permanently until 1933 and from 1944 to 1947 he also exercised the position of artistic director. In 1951 he directed the company of S. Carlo di Napoli in the tour in Paris, for the celebrations of Verdi's fiftieth anniversary. On that occasion, the works "A Masked Ball", "Joan of Arc" and the "Messa da Requiem" were performed under his guidance. He directed several seasons at the Teatro alla Scala in Milan, in 1946 - the theater was destroyed and the performances were given at the Palazzetto dello Sport - and from 1960 to 1964, the year of his death. For the first time he presented to the public, among others, the works "Il re" by U. Giordano (1930), "Doctor Antonio" by F. Alfano (1949), "Pérsephone" by I. Strawlnsky (1956) and directed also the Italian premiere of “L'heure espagnole” by M. Ravel and “Christophe Colombe” by D. Millhaud. He also dedicated himself to the rediscovery of the masterpieces of the past by taking care of the first re-propositions of "La Favorita" by G. Donizetti, "Il ballo delle ingrate" by C. Monteverdi, "Fernando Cortez" by G. Spontini. Her repertoire also includes "Amella al ballo" by G. Menotti and "Medea" by L. Cherubini, a work rediscovered by Maria Callas and performed by the same, under the direction of our director, in 1955 in Rome. He died in Rome on November 13, 1964. His discography is quite extensive and includes among other things: Giordano's “Andrea Chenier” (with A. Stella, E Corelli, M. Sereni); the "Boheme" by Puccini (two editions, one with R. Carteri, Tagliavini and Taddei, a second with Renata Tebaldi, G. Lauri Volpi, T Gobbi); The "Triptych" by Puccini ("Il Tabarro, Gianni Schicchi, Suor Angelica") with various artists including V. De Los Angeles, T. Gobbi, M. Del Monaco, P. Montarsolo; two editions of Verdi's “Don Carlos” (with A. Stella, Filipeschi, Labò, Gobbi, Bastianini, Cossotto, Christoff); Verdi's “Simon Boccanegra” (with M. Callas, Albanese, Savarese); Verdi's “Traviata” (with M. Callas, Albanese, Savarese); Verdi's “Ernani” (with M. Del Monaco and N. Rossi Lei-neni); "Madama Butterfly" by Puccini. Recordings made live in the 1950s have also recently been reissued on CD, in which we find Santini conducting the most beautiful names in the vocal scene of the time (R. Tebaldi, M. Callas, A. Stella, M. Del Monaco, F . Corelli, E. Cossotto and many others). Among these recordings, "The siege of Corinth" by G. Rossini (with R. Tebaldi, M. Petri, M. Picchi, M. Pirazzini ); “Fernando Cortez” by G. Spontini (with R. Tebaldi, A. Protti); “Lohengrin” by R. Wagner (with R. Tebaldi, G. Guelfi, E. Nicolai) and published by the Legato; "Giovanna d'Arco" by Verdi (with R. Tebaldi, U. Savarese). On the official website of the Teatro dell'Opera you can read the following: "The Orchestra of the Opera House was born together with 1 Teatro Costanzi, inaugurated in 1880. Witness and protagonist of the premieres of" Cavalleria Rusticana "," L'Amico Fritz !, “Iris”, “Tosca”, saw alternating on his podium Pietro Mascagni, lgor Stravinskij, Riccardo Zandonai. The transformation of Costanzi into the Teatro Reale dell'Opera di Roma in 1928 gave it a physiognomy of an international character, confirmed by the constant presence on its stage of the greatest directors and opera artists from its foundation to today. Up to the end of the 1950s, Gino Marinuzzi, Tuilio Serafin and Gabriele Santini, among others, famous conductors succeeded each other in the position of permanent conductor, who forged the characteristics of extreme flexibility and softness of sound ". We can observe from this the consideration that the maestro Gabriele Santini continues to have in those who have had the good fortune to listen to him directly and in those who know him perhaps only through recordings. Among other things, already in 1938 E. Schmidl, in his Universal Dictionary of Musicians, dedicated an entry to ours and thus expressed himself: “he conducted many opera seasons in Italy and abroad especially in America, esteemed and applauded everywhere”. Of particular interest are his collaborations with the two most prominent soprano of the last century: Renata Tebaldi and Maria Callas. The first recalled recently and with particular esteem and affection his performances under the guidance of our teacher in an interview with Corriere della Sera on the occasion of the celebrations for his 80th birthday. Regarding the second, it is worth remembering that the Greek soprano performed only once in Perugia and did so on August 18, 1949 in the Church of S. Pietro where he performed the "Oratorio San Giovanni Battista" by A. Stradella under the direction of Gabriele Santini. In 1952 our director directed Callas in Bellini's Puritani (in Rome). The year 1953 was that of the famous engraving of "Traviata" (the first recorded by the Greek soprano) and in fact it began in January at the Rome Opera with this work, followed by "Norma" (also in Rome), in the month of September the historic recording of the Traviata was made in Turin and in December, again, Callas performed under the direction of Santini in Verdi's "Trovatore" (also at the Rome Opera). The collaboration with the Greek singer resumed again in 1955 ("Medea" by L. Cherubini, at the Rome Opera) and in 1958 ("Norma" again at the Rome Opera). At the end of this memory I would like to mention a recording curiosity, a record called "Gigli rarities" in which the famous singer from the Marches sings songs from "Romeo et Jullette" by C. Gounod and from "Forza del fate" by G. Verdi, all accompanied by the Orchestra of the Teatro alla Scala in Milan, conducted by Gabriele Santini; the registration dates back to 1934. Photo: From the article - from the Photographic Archive of the Municipality of Umbertide and from Wikipedia Sources: Article on "Umbertide Cronache" - n.1 2002 - Page 42 ARSENIO BRUGNOLA The "doctor of the poor" was a native of Montone of which he was also Mayor, then Provincial Councilor in the District of Umbertide and Deputy for the Upper Val Tiberina. His remains rest in the cemetery of Umbertide by Arsenio Rossoni (his nephew) (From "Umbertide Cronache n. 4 1995) On 1 December 1943, on a harsh day of that winter that preceded the occurrence of the last war events that affected the Val Tiberina and which ended with the passage of the front in the summer of '43, he closed his earthly existence in "his Montone ", where he was born seventy-three years earlier, prof. Luigi Arsenio Brugnola, "doctor of the poor", as Rometti defines him in his book on the events of socialism in Upper Umbria. The funeral, which took place in a dignified silence, without indulging in superfluous commemorations, almost reflecting the shy character of exhibitionism and exteriority that characterized prof. Brugnola, were a spontaneous testimony of his popularity and of the gratitude that those who had resorted to his ability as a doctor, his sensitivity as a man and his function as politician and public administrator had. They were also a tribute to a whole life of sacrifice and study, committed every day to overcoming many difficulties, since youth, but still selflessly attentive to the needs of the weakest. Orphaned of both parents while still a teenager, with the two younger brothers Americo and Annibale and his sister Aurora, he found in the affection and help of his maternal uncles, canons of Montone, Don Settimio and Don Giuseppe Cancellotti, a sure family reference which allowed him to continue in higher and university studies, during which he also carried out the function of tutor at the "La Sapienza" College in Perugia for several years. The heartfelt vocation for medical studies undertaken is testified by the brilliant results achieved, so much so that at the end of the fourth academic year at the University of Perugia, after having passed all the exams with the mark of thirty and honors (except for a thirty), the Faculty of Medicine decreed: "in consideration of the singular zeal and profit shown by Brugnola, he was entrusted with the assistance of the Physiology cabinet" and all this before the degree that he had to achieve at the University of Rome on July 7, 1895 with full marks and thesis declared worthy of printing and admitted to the Girolami Prize announced by the same University. In immediate succession, after completing his university studies, the newly graduated Dr. Brugnola began his activity as a doctor, practicing for five years the profession in conduct, in the municipality of Pietralunga, after a few brief experiences of interin in other municipalities of Umbria, and it was during his stay in Pietralunga that he was able to complete important research concerning the urology of pellagra, in some respects still current today, taking advantage of the presence of numerous patients suffering from this disease in the small local hospital, due to the lack of nutrition of the rural population of that area. The research and studies carried out led to his co-optation, in February 1899, by the "Perusina Academia Medica et Chirurgica". Undoubtedly his experience as a doctor, lived above all among the poor, had to contribute not a little to refine his sensitivity towards the weakest which was already an integral part of his character, so much so that already in November 1895 he had been appointed by the Municipal Council of Montone president of the local Congregation of Charity. After his experience as a physician, he was followed by that of assistant at the Medical Clinic of Perugia, for about four years, and then the first aid activity of the Medical Clinic at the University of Sassari, where in 1906 he obtained the teaching in Special Medical Pathology. Returning to the hospital of Perugia in 1908, he continued researches already begun in bacteriology and clinic, publishing numerous works. After that date, particularly important events occurred in the life of prof. Brugnola: in the same 1908 the marriage with Maria Concetta Ramaccioni from Umbria, a woman of recognized charm and intelligence, who was always at his side in the difficult moments that followed; in 1909 the birth of his daughter Margherita; in 1910 the election as Provincial Councilor for the district of Umbertide, which followed his election as Mayor of Montone, a position he held for several years, contributing not a little to the establishment and resolution of many local problems, including that of the road connection with Pietralunga. His adhesion, at that time, to the Italian Socialist Party appears completely understandable and consequent to his field choices made for some time, if one takes into account how much his nature was led to intervene in favor of the less well-off and those who were however in situations of need and suffering. This inner thrust of his had to find full correspondence in the social and humanitarian demands of the PSI. It is no coincidence that his socialist commitment was realized within the reformist area, of which he evidently shared and appreciated the moderation and commitment to the solution of the most urgent social problems. Unfortunately, the satisfactions on a professional and political level were also accompanied by profound bitterness. the more suffering the more incomprehensible to a logical reading of the facts. It was in this period, exactly in August 1911, that he was denied by the Congregation of the Hospital of Perugia the appointment as chief physician, after the examining commission had indicated him as the first eligible doctor. It was that same Congregation that later had to call him to carry out the functions of President of the same, almost as a result of belated recognition of the mistake made. Almost the same situation occurred in the competition for the chair of Medical Pathology at the University of Turin, in which academic qualifications, scientific production and experience gained, far superior to those of the other competitors, were useless to see him proclaimed the winner of that competition. All this, however, did not lead to prof. Brugnola to decrease neither his professional nor political commitment, but rather it was a stimulus to determine him even more to face those strong conservative power groups that could not tolerate the presence in the university environment of a character not connected to baronies of any kind. The subsequent war events, which also involved Italy with the outbreak of the First World War, committed the whole country to face the dramatic situations of the moment, weakening the treatment of internal problems. In that period we find prof. Brugnola. major physician of the RE, work at the Military Hospital of Viterbo and therefore as director of the hospital section set up precariously in the premises of the Seminary of Perugia. Once the conflict was over, the country began the journey towards the coveted normalization which, despite the victorious war, was long and difficult with the violent recurrence of all the contradictions and problems that had remained dormant during the period of the belligerence. The resumption of the political struggle was particularly hard, with the country troubled by strikes and unrest and the governments hardly able to cope with the situation as a whole. The professor. Brugnola also resumed his political commitment and presented himself as a candidate in the elections of November 1919 for the 25th Legislature, he was elected deputy for the Alta Val Tiberina together with other 155 socialist deputies that the proportional system allowed to bring to the Chamber. In that legislature, it should be remembered, no representative of the new fascist movement was elected, although the Parliamentary Fascio Group was already constituted then, made up of some nationalist and right-liberal deputies. The difficulties of the country, which were also fully reflected in Parliament, made that Legislature particularly difficult, so much so that the attempts of the Nitti and Gioliotti Governments led to nothing, while Italy slipped more and more towards authoritarian solutions and that fascist adventure began which modified power relations and rules of conduct, to the point of inevitably subverting the established democratic order. In the subsequent elections for the XXVI legislature, prof. Brugnola did not participate. We do not know what were the basic reasons that led him to retire from the political arena at the national level: probably the sharpening of internal relations within the PSI between reformists and maximalists, perhaps the intuition of an irreversibility of the deterioration in progress of the Italian political situation and perhaps also the desire not to neglect for too long his mission as a doctor which allowed him to translate directly into his daily work those humanitarian and social stimuli that he had tried to pursue even in politics. The advent of the Fascist regime, especially at the beginning of the twenties, led to the marginalization of those, of opposite political opinion, who did not intend to conform to the new course and continued to represent a certain point of reference, especially for the young people of the time, as I the Honorable Puletti recalled some time ago, faced with the spread of a demeaning conformism. For prof. Brugnola was not enough to withdraw from public life and complete dedication to his freelance activity: for his opponents it was necessary not to allow opportunities for comparison and at least not to submit to the critical judgment of those who still could count on a significant personal following. Thus, when the unveiled threats received seemed to degenerate with concrete facts, he was forced to abandon Perugia to take refuge in the Marches, in Cingoli, waiting for more liveable moments. On his return to Perugia, when the Fascist presence had consolidated and more acceptable living conditions had been established, prof. Brugnola was able to resume his activity as a doctor, obviously only as a freelancer. Paradoxically, the years that followed, spent in the daily commitment that his "mission" entailed, in the always crowded clinic at the foot of the "stairs" of S. Ercolano, were for him perhaps more redundant in notoriety and consensus than those spent in public life . Faced with the trappings of the regime, the imperial rhetoric, the exaltation of force, the figure of a man who had been able to retreat without bowing his forehead and who had managed to arouse respect and consideration even in the hierarchies of the time for his integrity morality and professional capacity, involved a generalized consent, although not expressed for obvious reasons, but undoubtedly palpable in any environment he was in. So the years that followed always saw him still "master of himself", absolutely not inclined to compromise, notoriously critical of the ruling regime, even if devoid of rancor and feelings of revenge, almost aware that the events to come would have done anyway. justice of a questionable past. Those years were also for him a period of deepening of historical studies, of which he was passionate, and of careful reflections. The writer remembers perfectly with how carefully he glossed the political essays of the time, such as Oriani's "Ideal Revolt", placing in the margin of each page his point of view on facts and people, with acute observations, not without pungent sarcasm and irony. Sarcasm and irony that often also manifested in external behaviors that are part of the anecdotal that concerns him, as when he peremptorily invited one of his sharecroppers, framed in the PNF to refrain from the Roman greeting when he met him or when he ordered his nephew Mario Ramaccioni who went to Umbertide in Perugia for the obligatory meetings of the GLL, to take off his uniform before entering his house. The years between '30 and '43, with the growing succession of events and adventures on the world stage, passed very quickly for everyone, who more or less involved or overwhelmed by the dramatic events of the Second World War. The anxiety of seeing the unfortunate war event concluded as soon as possible made the wait almost spasmodic, with an alternation of hopes and disappointments, punctuated by the news of Radio London which was also religiously listened to in the Brugnola house, despite the existing obligation to "block" the short wave circuit of radio equipment. Unfortunately, the path towards the end of the war was accompanied by the manifestation and slow worsening of those heart problems that prof. Brugnola at the end of his existence in Montone, where the whole family had withdrawn due to displacement from the cities in the summer of 1943. Now he rests definitively in the cemetery of Umbertide. Today not many can say that they have known Arsenio Brugnola; many years have now passed since his time and everything has profoundly changed in terms of scales of values, the concept of ethics, the goals to be pursued, but certain examples of life, like his, deserve to be remembered. The Municipality of Montone wanted to make a contribution to his memory by recently naming a street after him. Sources: Article published on “Umbertide Cronache n. 4 - 1995 "- Page 58 GIUSEPPE GUARDABASSI Esponente di spicco del socialismo umbertidese a cavallo tra la fine dell’Ottocento e la prima metà del Novecento a cura di Fabio Mariotti Fu il personaggio più autorevole e carismatico del Partito Socialista non solo nella zona di Umbertide ma in tutto il territorio umbro. Era nato il 14 gennaio del 1865 da Ester Toni e da Giovambattista, gestiva un negozio di ferramenta in fondo al corso, in prossimità di piazza Matteotti (allora Piazza Umberto I) ed abitava in Via Cibo. Il suo equilibrio e la sua lungimiranza lo imposero come primo segretario della sezione socialista locale e oggi viene spontaneo chiedersi dove avesse acquisito una preparazione politica tanto profonda e vasta da imporsi alla stima dei suoi fino a diventare membro della Direzione Nazionale del Partito Socialista. I tre amici e compagni con cui aveva fondato la sezione non erano della stessa levatura. Il marchigiano Michele Belardi, impiegato del dazio, era nato a Loreto il 16 novembre del 1847 e nel 1906 tornò a Porto Recanati nella sua zona di origine; Ovidio Vibi, anche lui impiegato del dazio, era nato il 22 aprile del 1876 ed abitava in via Cibo; Torquato Bucci, di professione avvocato, era nato il 28 dicembre del 1859 ed abitava in via Alberti. Gente rispettabile e animata da una grande passione politica, ma la cui opera rimase circoscritta all'ambito cittadino (1) . Guardabassi ebbe il coraggio e la costanza di lavorare per un'idea quando tutto sembrava congiurare contro: gli operai e i contadini che si mostravano sordi ai messaggi di richiamo, la scarsa partecipazione alle iniziative intraprese, gli insuccessi elettorali, i fischi e gli schiamazzi degli stessi contadini organizzati dal barone Franchetti (2) contro i comizi socialisti in occasione delle elezioni politiche che non consentivano mai agli oratori di parlare. Lo spettacolo poco edificante e riprovevole di non lasciar parlare l'avversario politico, che ancora ha qualche strascico dalle nostre parti specie in occasione della chiusura della campagna elettorale, ha origini antiche ed è nato e cresciuto nell'ambiente agrario di destra. Oltre a curare l'aspetto organizzativo della sezione e la diffusione della stampa e degli opuscoli di informazione, il segretario era impegnato in una assidua opera editoriale. Non solo faceva il corrispondente del giornale del partito Avanti! ma curava una rubrica pubblicata sul settimanale locale La Rivendicazione che si stampava a Città di Castello, dove i socialisti avevano acquistato una tipografia. Il settimanale (3) fu in vendita dal settembre 1902 fino al marzo 1921 quando le squadre fasciste distrussero (4) gli impianti tipografici. Fuori della porta del suo negozio c'era un cartello con scritto "Qui si vende la Rivendicazione" con sotto l'elenco degli articoli più importanti. Le elezioni politiche del 6 novembre 1904 videro i socialisti particolarmente attivi in tutta l'alta valle del Tevere per sostenere la candidatura di Francesco Bonavita contro quella del solito barone Leopoldo Franchetti . Fu una campagna elettorale aspra perché i conservatori temevano un ulteriore balzo in avanti dei socialisti e del Blocco Democratico in genere. Pochi giorni prima delle elezioni, mentre il barone attraversava Umbertide a bordo della sua macchina fu sonoramente fischiato da un gruppo di giovani che si trovavano davanti al negozio di Guardabassi. Il barone fermò la vettura, scese e guardò torvo in direzione del gruppo con aria sdegnata e minacciosa. Il giorno dopo vennero due padrini e consegnarono a Guardabassi il cartello di sfida alla spada. Ai rappresentanti del Franchetti, il pacato segretario rispose "che il suo ideale socialista e la sua concezione della lotta politica e sociale non gli permettevano di ricorrere a mezzi ch'egli considerava come avanzi di costumi barbari e sorpassati e che sono la negazione stessa delle lotte civili; e che, d'altra parte, egli non poteva e non intendeva assolutamente essere responsabile di atti commessi da giovani non ancora sufficientemente educati a queste lotte civili (5) ." Quella campagna elettorale si chiuse così e il risultato delle elezioni, come era prevedibile, non solo confermò la rielezione del barone Franchetti, ma determinò il calo delle sinistre estreme e il trionfo di Giovanni Giolitti. Il timore di un successo delle "estreme" mandò alle urne in Italia 1.903.687 elettori, il 65% degli aventi diritto al voto (2.928.749), percentuale mai raggiunta prima, e la grande presenza dei cattolici in appoggio ai liberali pesò fortemente sull'esito delle elezioni. Ormai si profilava un corso politico nuovo e si faceva strada l’ltalietta giolittiana. Anche all'interno del partito socialista c'era aria di tempesta. Polemiche acrimoniose laceravano il gruppo dirigente e l'estremismo massimalista di Enrico Ferri e Arturo Labriola si opponeva all'ala riformista di Turati, Bissolati e Bonomi. Per evitare un'eventuale scissione, Oddino Morgari, nel suo settimanale Sempre Avanti, tentava la via della conciliazione con una tesi centrista detta "integralismo". Al Congresso di Roma del 1906 la linea di Morgari ebbe una buona maggioranza e Giuseppe Guardabassi, che ne era un esponente autorevole e ascoltato in Umbria, fu eletto membro della Direzione Nazionale del Partito. Nelle elezioni amministrative del 1905 che avvenivano nell'atmosfera riformatrice del Giolitti e tra laceranti conflitti interni al partito a livello di vertice, i risultati ad Umbertide furono molto negativi per i socialisti che si erano presentati con una loro lista. Ottennero solo 150 voti, ma Guardabassi fu eletto con 180 preferenze grazie al prestigio personale di cui godeva (6) . Quell'anno fu negativo in tutti i sensi. In molte regioni d'Italia furono organizzate manifestazioni contro "il caro vita" che ebbero uno svolgimento disordinato e violento soprattutto nelle zone agricole. Ad Umbertide un mercoledì, giorno di mercato, un gran numero di operai si avventarono con selvaggio furore sulle contadine che portavano uova, pollame, ortaggi e legumi, frutto del loro lavoro, a vendere per ricavare qualche spicciolo. Le indifese donne furono aggredite dagli operai rabbiosi e i loro prodotti scaraventati nella Reggia. Gurdabassi intervenne immediatamente ma ormai era troppo tardi. La vicenda, com'era logico attendersi, fu strumentalizzata dagli agrari. La sezione socialista organizzò per la domenica successiva due incontri, uno a Montecastelli e l'altro a Molino Vitelli. Fu un vero disastro: a Montecastelli non si presentò alcun contadino, mentre a Molino Vitelli erano più di trecento, non per ascoltare il comizio di Guardabassi, ma per investirlo di bordate di fischi e di minacce paurose (7) . Una bella soddisfazione Guardabassi l'ebbe nelle elezioni politiche del 1908. Questa volta i candidati erano tre: il solito barone Leopoldo Franchetti per i liberali conservatori, il marchese Ugo Patrizi per la democrazia radicale e Francesco Bonavita per i socialisti. Bonavita riportò 660 voti, Patrizi 800 e Franchetti 1.000. Non solo i socialisti erano in netta avanzata, ma diventavano determinanti nel ballottaggio che si rendeva necessario in quanto nessuno dei tre aveva raggiunto la maggioranza assoluta. I socialisti, riuniti a Città di Castello sotto la presidenza di Guardabassi, votarono all'unanimità di orientare i loro voti su Patrizi come il minore dei mali. Fu la fine politica del barone Franchetti, che nel 1917 lascerà anche questo mondo con un testamento sorprendente: i suoi numerosi poderi sarebbero passati in proprietà ai contadini che li coltivavano. I giornali di tutta Italia parlarono di filantropia esagerata e di testamento "socialista". I socialisti locali, più disincantati per le lunghe lotte condotte contro il nobile barone, videro nel gesto l'ultimo dispetto politico: quei contadini, in passato accesi leghisti, divenuti proprietari passarono dall'altra parte. Il barone dava filo da torcere anche da morto. Non c'è da meravigliarsi: l'istinto naturale, se non è sorretto da una robusta convinzione politica e da una grande passione sociale, non mira all'uguaglianza ma alla supremazia; se non si riesce ad essere "padroni", si aspira almeno ad essere "padroncini". Poco dopo, nel 1910, ci furono le elezioni amministrative. Il lavoro dei socialisti incominciava a dare i suoi frutti perché il Blocco Democratico riuscì a conquistare molti comuni. Ad Umbertide Guardabassi divenne un valente collaboratore del sindaco Francesco Andreani, impegnato in una serie di opere pubbliche che ancora resistono al tempo. Guardabassi era sulla breccia dell'impegno politico del "né aderire, né sabotare" quando la prima guerra mondiale strappò al suo affetto gli unici due figli, Spartaco e Francesco. Il primo morì in una nave da guerra, il secondo sei anni dopo in seguito alle ferite che lo avevano menomato nelle operazioni militari al fronte. Animatore di tutte le manifestazioni politiche di Umbertide e dell'alta Umbria era sempre in prima fila nel condurre le lotte sociali con equilibrio e con il totale rifiuto della violenza. Solo nel grande sciopero del 1920 per il rinnovo del Patto colonico successe un fatto increscioso nella zona di Montone. La guerra era finita da un pezzo e le promesse di miglioramento delle condizioni di vita dei coloni, fatte in quel periodo, erano rimaste parole al vento. In tutta l'Umbria si registrarono scioperi e vibrate proteste che si protrassero per oltre un mese in piena estate. Il 10 agosto i contadini schierarono nei campi tutto il bestiame "grosso" delle stalle e solo in presenza di questo espediente, durante la notte, oltre il 50% dei proprietari si decise a firmare l'accordo. Fu a questo punto che un gruppo di giovani mezzadri si recò a Montone, presso la casa di Riccardo Reali, che non intendeva firmare. Costui, spaventato, mise mano ad una rivoltella che siguardò bene dall'usare mentre un gruppo discioperanti lo aggredì a bastonate (8) . L'episodio, per fortuna, finì qui senza conseguenze più gravi, ma ebbe un lungo strascico giudiziario che vide coinvolti 35 mezzadri, Giuseppe Guardabassi in qualità di Segretario della sezione socialista e Clotide Rometti segretario della Camera del Lavoro di Umbertide, che vennero ammanettati e condotti in carcere a Perugia pur non avendo partecipato all'aggressione. Il capo di imputazione, per i maggiori responsabili, era il seguente "... per avere nell'agosto 1920 in Montone in correità tra loro, ristretto la libertà di lavoro dell'industria agricola più volte con atti esecutivi della medesima risoluzione criminosa e mediante minacce e violenze a mano armata di bastoni, contro i proprietari terrieri: Reali Riccardo, Tirimagni Pericle, Ciucci Giulio, Nunzi Sante e Vannucchi, per costringerli a firmare un patto colonico con patti che essi pretendevano dover conseguire... " (9) . Guardabassi fu assolto e Rometti condannato a sei mesi di carcere. Alcuni mezzadri subirono una condanna da sei a otto mesi mentre la maggioranza venne assolta per non aver commesso il fatto. Dopo l’avvento del fascismo Guardabassi fu perseguitato in tutti i modi, soffrendo insulti e violenze. Gli dettero fuoco persino al negozio. Morì ad Umbertide il 18 ottobre 1944. Gli sopravvisse l’amata moglie Alba che era sempre stata il suo sostegno nelle innumerevoli peripezie sostenute. Nel dopoguerra a lui fu dedicata la locale sezione del P.S.I. mentre l’amministrazione comunale gli intitolò la piazzetta dopo il passaggio a livello di via Spoletini. Note: 1. I dati anagrafici e l'attività professionale sono attinti dall'archivio anagrafico del Comune di Umbertide. 2. Clotide Rometti, “Sessant’anni di Socialismo nell’Alta Umbria e in Italia” – Ed. Il Solco, Città di Castello 1954 - pag. 30. 3. Tra i redattori, oltre a Giuseppe Guardabassi, vanno ricordati: l'avvocato Luigi Massa, il dottor Luigi Bosi di Sansepolcro, il dottor Luca Sediari, l'avvocato Giulio Pierangeli, il tipografo Luigi Gabbiotti, Vito Vincenti, Napoleone Bevignani, Aspromonte Bucchi, Giuseppe Beccari, Emilio Pierangeli, Bistino Venturelli. Cfr. Clotide Rometti, op. cit., pag. 28. 4. Clotide Rometti, op. cit., pag. 27. 5. Clotide Rometti, op. cit., pagg. 31 e 32. 6. Clotide Rometti, op. cit., pag. 38. 7. Clotide Rometti, op. cit., pag. 40. 8. Clotide Rometti, op. cit., pag. 6%. 9. Francesco Pierucci, 1921-1922 Violenze e crimini fascisti in Umbria, Tipografia Caldari, Umbertide, 1977. Fonti: - “Umbertide nel secolo XX 1900 – 1946” di Roberto Sciurpa – Comune di Umbertide, 2006 - “UMBERTIDE – L’uomo nella toponomastica” di Bruno Porrozzi – Ass. Pro-loco Umbertide, 1992 Help us remember umbertidestoria@gmail.com Bruto Boldrini Dal Calendario storico di Umbertide 1998 l’appassionata biografia che Mario Tosti ha dedicato a Bruto Boldrini, amministratore locale ed esponente di spicco del Partito Socialista di Umbertide degli anni ‘50 e ‘60, impegnato anche molto attivamente nel settore sociale e assistenziale. Bruto è uno dei dodici figli nati vivi da babbo Fabrizio, ferroviere dell' “Appennino” e mamma Ezilde de Grattasassi, venditrice di stoffa. Finite le elementari apprende il mestiere nell'officina meccanica di Silvio Nanni e poi nelle botteghe artigiane di Migliorati e Rondoni. Combatte al fronte, durante la prima guerra mondiale, nella Pasubio, reparto artiglieria di campagna. Rientrato alla base, trova un'occupazione stabile, nel '21, all'officina della Ferrovia Centrale Umbra. Fisico asciutto, portamento eretto, avaro di parole, ricco di azione, nel lavoro, nel volontariato, nella politica: l'impegno sociale rappresenta il costante motore della sua vita, facendogli assumere un ruolo di riferimento morale per la collettività. Opera nella società di pubblica assistenza “Croce Bianca” (con Aldo Burelli presidente e Porrini segretario) che fornisce servizi di trasporto per gli infermi, con barelle su ruote spinte a mano; e per i morti (la famigerata “Carulìna”). Nel tempo libero accudisce alla manutenzione del cimitero: vernicia le croci ed i cancelli, risistema le tombe, ripassa con il nero i nomi sulle lapidi. Socialista convinto, ne pratica gli ideali con rigore e passione; allaccia rapporti personali con i leaders del partito che trovano ospitalità nella sua casa di via Cibo, senza disdegnare le tagliatelle preparate dalla moglie Anita e servite nella sala da pranzo della Rita Grilli, in mancanza della propria. Eletto consigliere comunale per la lista del Psi nelle amministrative del '46, è riconfermato per quattro legislature. E' assessore nella mitica prima giunta del dopoguerra, sindaco Astorre Bellarosa, e ricopre la carica di vice sindaco nella giunta di Serafino Faloci. Viene immortalato a fianco del Patriarca di Venezia Angelo Roncalli, futuro papa Giovanni XXIII, in visita a Preggio. Poco dopo la morte, nel 1966, il sindaco di Umbertide Umberto Cavalaglio commemora la figura del defunto consigliere, “mettendone in risalto le preclare qualità di amministratore integro, puro e di uomo; ricorda le varie cariche tenute con rara passione e con impareggiabile solerzia e competenza, nonché la dedizione completa all'Amministrazione, al movimento democratico, al suo Partito e alla popolazione. Rimpiange la perdita di un così valoroso amministratore, verso il quale ha sempre nutrito una profonda stima ed un affetto davvero fraterno”. Mario Tosti Bruto Boldrini

L'Abbazia di San Salvatore di Monteacuto e poi Montecorona Il Ciborio di Montecorona Monuments, Museums and Sacred Places L'Abbazia di San Salvatore di Monteacuto e poi Montecorona I ruderi della chiesa della Madonna della Costa Il Ciborio di Montecorona The abbey of S. Salvatore of Monte Acuto, then Montecorona The abbey of S. Salvatore di Monte Acuto, then Montecorona, 4 km from Umbertide, was a powerful monastic institution, not a de facto hermit, but well rooted in the territory and an economic and jurisdictional interlocutor of both civil and ecclesiastical power . Despite the traditional attributions of its foundation to San Romualdo, this foundation does not seem to be a historical truth; although in a short time its "management" was entrusted to the Benedictine current which was based on San Romualdo. The "management" was then assigned to the Cistercians in the 13th century; substantially returned to the Camaldolese in the sixteenth century. Since then, its history has been linked to that of the hermitage above. In this article we will focus above all on the possible history relating to the origin of the Abbey in the eleventh century. and up to the sixteenth century. Above all we will dwell on its foundation which, despite the erudite "assignments" of the seventeenth century, is neither certain nor known. In the continuation we will dwell on the description of the beautiful 8th century ciborium brought back to the Abbey by San Giuliano delle Pignatte, because this is considered to be its original place. Its existence opens up scenarios, still not investigated archaeologically, of the early medieval presence of one pre-existing religious structure on the same site as the abbey. We will conclude with an in-depth study on the reuse materials present in the crypt of the Abbey. By whom was the Abbey of San Salvatore di Monteacuto really founded? In a historical conference in 2009 on the Abbey, its history and its characteristics, ("THE ABBEY OF SAN SALVATORE DI MONTE ACUTO - MONTECORONA IN THE XI-XVIII CENTURIES"), the problem of the foundation was retraced, presenting the few traces available, and highlighting the fixed points traceable after the destruction of the Abbey archive in the war between the Oddi and the Baglioni in the mid-1400s. The professor. D'Acunto, during the study days of June 2009 dedicated to the Abbey, argued the possibility that the original building was even older than the indications of early millennium. Perhaps a pre-existing structure, a hypothesis to be investigated with archaeological methods, could have arisen from the role of local early medieval aristocratic elites. Hypothesis that could explain the presence in the area of the "Carolingian" ciborium of the eighth century of San Giuliano delle Pignatte. Tradition, on the other hand, has reported 1008 as the date of the foundation and the person of Romualdo as the founder. Felice Ciatti in the "Of the annal and historical memories of the things of Perugia, Part Four, that is, Pontifical Perugia", of 1638, supported the foundation by San Romualdo. This foundation is not confirmed, however, by all the sources that refer directly to San Romualdo. Ludovico Iacobilli, on the other hand, in his Lives of the saints and blessed of Umbria, published between 1647 and 1661, was the first to affirm that the abbey of S. Salvatore was founded in 1008, ascribing it to the Cistercian Order ... probable date of existence but we do not know from which sources it took this indication. In the following centuries, however, it was the Camaldolese who managed the institution. Certainly, even if we are not sure that the reference is to the current building, since it was consecrated only in 1056, we have news of the role of San Salvatore di Monte Acuto in the territory as early as 1036. In fact on this date the papacy granted the exemption in S. Salvatore di Monte Acuto from the jurisdiction of the diocesan ordinary, or rather from the power of the Dioceses that surrounded it (Perugia, Città di Castello and Gubbio). This is a sign of the institution's rising importance. This information is provided to us by Stefania Zucchini who dealt with the question in “Umbrian monastic foundations between the 10th and 12th centuries and S. Salvatore di Monte Acuto”. Giovanna Casagrande in "The Abbey of S. Salvatore di Monte Acuto in the Cistercian period through the Protocol of the notary Achille of Bernardino di Montone (XIII century)", underlines, however, how under the Emperor Henry VI, in 1186, we to indirectly identify the indication of the importance already acquired by the monastery, that its probable pro-imperial position in the clash between the Empire and the Papacy. In fact, Henry VI recognizes the jurisdiction over the countryside to the municipality of Perugia, but excludes some lay lords from this jurisdiction… and our monastery of S. Salvatore. This would find further confirmation in the diplomas of Otto IV (1210) and of Frederick II (1220). As regards the uncomfortable pro-imperial position of the institution, Prof. Casagrande points out that Gregory IX found a "solution" after the peace of San Germano in 1230, in the stasis clash between the papacy and the Empire. In fact, an abbey of the imperial part in the Perugian territory, but close to the border with Città di Castello, it could well be a nuisance. "So 1234 actually marks a turning point ... On June 26, 1234 Gregory IX wrote to the abbot and the convent of Cîteaux so that the monastery of S. Salvatore di Monte Acuto does not remain "in spiritualibus et temporalibus desolatum" and intends to "ibidem Cistercensem fundare sistema" and orders that "immediate subiaceat reverentia filiali »To the abbey of Cîteaux.". In this way the monastery passed to the Cistercians. Subsequently, with Pope Eugene IV, in 1434, the management of the institution changed again and returned to the Camaldolese, but the "handover" was anything but immediate. This was a troubled period, think of the noble conflicts in Perugia which involved the destruction of the documents in the Abbey's archive when the Oddi, based in Umbertide, were attacked by the Baglioni. In fact, the forces of the Baglioni also poured into the Abbey causing the destruction of goods and documents, only some brought by the Oddi to safety in the Rocca di Spoleto. Finally, the canon Galeazzo Gabrielli da Fano, commendatory of the abbey, donated it in 1524 with all its appurtenances to the company of San Romualdo, including a small church dedicated to San Savino, not far from the Abbey. The company, in the general chapter of 1525 and more explicitly in that of 1530, which was held right in the abbey of San Salvatore, approved the construction of a hermitage that was to serve as the mother house, following the design of the Hermitage of Camaldoli, and at the same time it was decided to erect it near the abbey on the mountain called "Montecorona". From this moment the word "coronesi" is also used to indicate the monks of the abbey of San Salvatore and the hermitage above. The hermitage and the Abbey were thus connected by a long path called "brick", even two meters wide, built with blocks of dry-laid sandstone that can still be traveled today. After the foundation of the Hermitage, it is remembered as the Hermitage of Monte Corona, a name later extended to the abbey as well, which became San Salvatore di Monte Corona. The abbey, in addition to the appurtenances not for religious use, is structured in an upper church, with a large nave at the entrance and the raised presbytery above the crypt, divided into three naves with an apse. Basement insists a crypt which can itself be considered a lower church with 5 naves and 3 apses. A bell tower that probably in some periods, given some slits, had different purposes from the current one and different construction moments that see it pass from a circular to an octagonal base. The crypt: The basement crypt is of the “ad oratorium” type, a vast and unique room with 5 naves although it ends with 3 apses, divided into 30 cross-vaulted bays with Byzantine-style decorations from Ravenna. The cross vaults are supported by columns of various styles, reused material from the first century. BC to the fourth century. AD, except one which is later. Along the walls of the area the arches of the cruises fall on semi-columns leaning against pilasters, creating an articulation of the walls accentuated by the presence of arched recesses, in turn pierced by double niches. The bare material, of the columns e it could come from a pre-existing pagan or early Christian temple. For this reason, there would be a need for archaeological investigations on the site of the present abbey. Externally to it are visible vertical pilasters. The upper church and the presbytery The part of the church that stands above the crypt was built first and consecrated by San Giovanni da Lodi, bishop of Gubbio; the central nave was added to it in the 13th and 14th centuries; so the oldest part served as a presbytery with 3 naves marked by 4 round arches. Each nave ends with an apse. An arch divides the oldest part from the most recent one. At the center of the great nave of the present Presbytery, there was an altar, whose table is now leaning against the wall of the left aisle. In 1959, in the execution of the renovation and restoration works, an 8th century Ciborium was placed in place of the great altar, present in the nearby Church of San Giuliano delle Pignatte. Later we will describe the Ciborium and the techniques of descriptions that were investigated in the 2009 conference on the Abbey. A 16th century wooden choir is located in the apse which has an ogival arch. Here we have paintings by unknown authors, right above the wooden choir: the TRANSFIGURATION - CHRIST IN GLORY AMONG THE PROPHETS AND APOSTLES, sec. XVII, an oil on canvas measuring 340 x 190 cm; the MADONNA DELLE GRAZIE, from 1549, oil on canvas, 174 x 167 cm; the ASCENSION, from 1602, oil on canvas, 168 x 104 cm; the FLAGELLATION, sec. XVI, oil on canvas cm. 102 x 75 (which does not appear in the video images because it is covered by the Ciborium); S. Andrea XVIII century, tempera canvas measuring 160 x 76 cm; the MADONNA DEL ROSARIO AND SAN DOMENICO, sec. XVII, oil on canvas, 236 x 100 cm. The most recent part of the upper church has a single large nave with two ribbed vaults and two chapels on the sides adorned with Baroque altars. The bell tower The bell tower which probably had different uses over the centuries has a particular structure diversified in three moments: the base is circular in shape, perhaps from the Lombard period, then it has 11 sides in the 14th century, endecagonal with battlements that were integrated, finally, in the octagonal continuation which now shows the large clock and bells. Sources: Proceedings of the Conference (Abbey of San Salvatore di Montecorona, June 18-19, 2009) edited by Nicolangelo D'Acunto and Mirko Santanicchia in Bulletin of the National History Deputation for Umbria, CVIII (2011), fasc. I-II (pp. 165- 183). Monographic section: "THE ABBEY OF SAN SALVATORE DI MONTE ACUTO - MONTECORONA IN THE XI-XVIII CENTURIES" - History and art - - Nicolangelo D'Acunto: "The origins of the monastery of S. Salvatore di Monte Acuto and its monastic network" Maria Teresa Gigliozzi: "From the Benedictines to the Cistercians: the architecture of the abbey of San Salvatore in Montecorona in Romanesque Umbria" Giovanna Casagrande: "The abbey of S. Salvatore di Monte Acuto in the Cistercian period through the Protocol of the notary Achille of Bernardino di Montone (13th century)" - Stefania Zucchini: "Umbrian monastic foundations between the 10th and 12th centuries and S. Salvatore di Monte Acuto" -The indications on the paintings in the apse of the upper church come from the “Alto Tiber” Archaeological Group with the patronage of the Municipality of Umbertide: “Initiative“ adopt a work of art from your territory ”with the contribution of local companies. http://turismo.comune.perugia.it/poi/abbazia-di-san-salvatore-di-montecorona https://www.iluoghidelsilenzio.it/abbazia-di-san-salvatore-di-montecorona/nggallery/page/1 For the images of the 2009 Conference see: https://www.comune.umbertide.pg.it/it/page/l-abbazia-di-san-salvatore-di-montecorona Abbey of San Salvatore - interior of the crypt The Abbey of Montecorona during the flood of the Tiber in 2005. By clicking here you can to download the photo in original resolution. For a study of the extent of the flood in Umbria you can see the IRPI report here ( Tiber River Basin Authority). The Monastery, the Montecorona Hermitage seen from Montacuto at the "Croce". THE CIBORIO OF THE ABBEY OF MONTECORONA formerly of San Giuliano delle Pignatte (By Francesco Deplanu, from the 2009 study days dedicated to the Abbey and indicated at the bottom) This artifact is one of the very few early medieval cibori that have come down to us intact. Its canopy has a square plan, and is made up of four slabs of equal size, two and two, placed on four supports with a monobloc capital and a crowning with an octagonal pyramid ending with a pinnacle. Where does the Ciborium come from The Ciborium was moved (or moved again) in the 1950s from "San Giuliano delle Pignatte" inside the Presbytery of the upper church of the Abbey of S. Salvatore of Montecorona. This choice is based on the certain inadequacy of the position of the Ciborium in the small church of San Giuliano delle pignatte, a photo from the 1950s shows it positioned with one side against the wall in a clear position that does not respect its function. The prevailing hypothesis is that it is a "dismantling", perhaps precisely from the place where the Abbey stands today. it underwent a period of near abandonment. It is probable at this point that the artefact was moved in that period, also taking into account the decorations on the wall of the small church. Let's start with a "conclusion" before describing in detail this treasure of the Abbey of S. Salvatore, that of Donatella Scortecci in "THE CIBORIO DELL'ABBAZIA DI MONTECORONA" in the study days of 2009: "the stimulating reflections proposed by Nicolangelo D 'Acunto on a possible lay foundation of the monastery by noble elites would well explain the presence of a luxury artifact, such as the ciborium, a liturgical object for display, to be flaunted. Perhaps a donation from the founder, a treasure exhibited as was widespread practice in the early Middle Ages by the hegemonic classes who, through what have been defined earthly and heavenly treasures, represented themselves, reaffirming their status to the religious and secular community, earning, if anything, also a place in paradise ". The Ciborium is an artifact of the "Carolingian" period, built in the eighth century. d. C .. With this identification, Prof. Scortecci recalls how it is not possible for the sculptural creations of the period to catalog them as "Lombard" or "Byzantine", or "barbaric", because there is "evidence of a variety of languages that contribute to the definition of a unitary context ". Furthermore, it must also be considered that the difference between the client and the workers who then create the artifacts must be considered, with their more complex ethnic, social and economic origin. We can therefore, in summary, indicate the sculpture as "early medieval". It is clearly a liturgical furniture that we can define as "luxury", and which is the testimony of a religious commission of high prestige, probably also economic. By indicating the front plate that looks at the faithful as plate "A", it can be seen that it is of a different material than the rest of the artifact. Also with regard to the Ciborium of San Prospero in Perugia, always “early medieval”, the tendency to standardize production is clear, reserving only the front plate, the more complex and full of symbolism decoration. In fact, the two side faces "B" and "D" and the back, indicated with "C", are also similar in the decorative motifs, with the body of the slabs having the same three-ply braid with buttons that accompanies the archivolt, and the same palm with long fringed leaves that fields the resulting spaces. However, only the frames of the upper margin have three variants of the usual spiral motif. In the front plate you can see a “cantharos” where two large peacocks cool off. The peacock, an immortal bird, which drinks from the cantharos is an iconography that goes from antiquity to the whole of the early Middle Ages. However, its extensive use does not make it possible to trace back to specific customers or workers. Harmonic forms are certainly not found here in the arrangement of the drawing of that of the aforementioned Perugian Ciborium; the birds in our ciborium are more cumbersome and a kind of "horrori vacui" with S-shaped "volutine", small circles with quatrefoil flowers and a short intertwining of mesh, this above the "braid" that runs through the arch, seems to prevail. How the Ciborium was built The structure of the Ciborium rests on four columns that form a quadrilateral with monolithic capitals in sandstone. Columns and capitals that support four variously sculpted stone slabs. Indicating the front plate that looks at the faithful as plate "A", it can be seen that it is of a different material, pietra serena, of a blue-blue color, like the columns, compared to the side ones, all instead of different materials, always sedimentary, or compact micritic limestones, which we can indicate as tending to a white color. Above the front slabs rises a pyramid made up of 11 slabs: eight major stone slabs, triangular in shape, as well as three smaller ones used to close the gaps left by the placement of the first eight. This can only be seen from the inside due to the “dull”, grayish plaster applied in previous restoration interventions. On the top there is a pinnacle that may look like a bell even if, again due to the "dull" present, it is difficult to see well. These indications come to us from Laura Zamperoni in "Stone materials, executive technique and state of conservation" presented again during the days of 2009 indicated in the notes. This distinction is important because in addition to the different color that can be immediately identified, the different stone nature has led to a different destiny of conservation: the pietra serena of the front facade has been damaged more than the "white" parts of the three "secondary" facades "(" B "," C "and" D ") in limestone. In particular, plate "A" has a fairly thin grain size and free from large colored impurities; the other three, on the other hand, are characterized by extremely small and homogeneous alveoli. What is worrying, as mentioned before, is the durability of the sandstone of the columns and related capitals. Sandstone (and pietra serena) which is exposed to an important erosion phenomenon that "pulverizes" it. Erosion also present in the front plate visible to the faithful but fortunately to a lesser extent than the capitals. Erosion that does not affect the "white" parts in limestone. These considerations lead Zamperoni (... and all of us) to say that "given the exceptionality of the artefact, a conservative restoration intervention would be desirable both to improve the state of alteration and to block its deterioration, and to enhance its historical-artistic importance. … ". Furthermore Zamperoni writes, after having studied the artefact in detail that “interesting considerations can be drawn on the working technique of stonemasons. The tools and the work of the artisans are characterized by a strong conservatism that has contributed to maintaining almost unchanged, until the 19th century, working methods and tools, with a certain reluctance to introduce innovative elements. As is well known, the tools for working stone essentially belong to two large classes: percussive and abrasive. In the first group are inserted the various hammers and cutting tools (chisels and the like), in the second the saws, drills, files and all the powders used for polishing. The percussive instruments shape the stone by striking and crushing it, the abrasive ones by rubbing it. Most of the early medieval and medieval stone sculptures were made with the direct cutting process, without making use of models in ductile material: the design was traced directly on the planes of the block (front and side) to then be engraved. ". This allows her to argue that flat and sharp edge chisels were used for the construction. Specifically, a chisel called "little nail" seems to have been used: thin but sturdy which allowed to reach fine but deep carvings; but also a "group of flat and sharp edge chisels (from 3 mm up to 8 mm) capable of smoothing the surface producing shading effects that essentially depend on the angle at which the instrument was held on the stone and on the intensity with he was hit. "In addition, the flat chisel was also used for the low-relief creations; finally he identifies a series of" bush hammering "in the intrados of the arches but also on the shafts of the columns and the capitals in the non-decorated parts, the latter probably not contemporary. Front plate of the Ciborium of the eighth century AD I ruderi della chiesa della Madonna della Costa Stone carving in the 19th and 20th centuries. Having placed the attention on the methods of construction of the Ciborium, the use of the tools used, has highlighted the strong conservatism of the masons' workers over the centuries. This allows us to indicate a hypothesis of "continuity", clearly only spatial to the state of knowledge, on the methods of sculpting stone in the areas under the influence of the Abbey of San Salvatore and the Hermitage of Montecorona. That is to remember, without clearly claiming to establish a real connection, how even the workers of the 19th-20th centuries of Niccone's stonemasons used tools that were partly similar: think of the “bocciarda” who had become the “liar” in our dialect. We also add, more to meet some curiosity, news of much later on the stones that could still be found in the nineteenth century in the area of the discovery of the Ciborium and the Abbey of San Salvatore. In the text of Bernardino Sperandio, "Of the Umbrian construction and ornamental stones" a document is reported among the "Inventories" entitled "State of Mines, Mineral Sources, Quarries, Workshops existing in the Municipality of Fratta, province of Perugia, district of Perugia", ASCU year 1861. This inventory indicates the "Quarries and Torbiere" of Fratta (cited in the text "Umbertide" also if in fact his name hadn't been changed yet). The document reports various types of stones, among these the "Strong sandstone or stone are used for use [...]" (the "pietraforte" in Tuscany is a very solid sandstone) and their presence is indicated as well as in the Parish di Romeggio, also a site in the “parish of M. Migiano owned by the suppressed Eremo di Montecorona”. As far as quarries and peat bogs are concerned, the "substances" indicated in 1861 were "white marble", "dark red or white marble", "cenerino marble", "red veined white marble", "white veined marble", "black marble" , "Sand quarry", "Clay quarry", "Pozzolana quarry", "Quarry for Macine" as well as "Strong sandstone stones". The "quarry for millstones" was located at the Parish of San Giuliano, or in the area of San Giuliano delle Pignatte. Precisely the Montecorona area, along the Nese stream, was characterized by the presence of "calcarenites", or "marbles". Sources: -Donatella Scortecci, “The ciborium of the Montecorona abbey”, with a contribution by Laura Zamperoni, “The ciborium and early medieval sculptural material. In "THE ABBEY OF SAN SALVATORE DI MONTE ACUTO - MONTECORONA IN THE XI-XVIII CENTURIES" - Bulletin of the National History Deputation for Umbria, CVIII (2011), fasc. I-II (pp. 165- 183). Proceedings of the Conference (Abbey of San Salvatore di Montecorona, June 18-19, 2009) curated by Nicolangelo D'Acunto and Mirko Santanicchia - Bernardino Sperandio, Of the Umbrian construction and ornamental stones., Perugia, Quattroemme, 2004 (p. 265, pp 288-289). https://www.umbertidestoria.net/gli-scalpellini-di-niccone Photo: -Image of the Ciborium located in San Giuliano delle Pignatte by Mons. Renzo Piccioni Tignai published in the “Bulletin of the National History Deputation for Umbria, CVIII (2011), fasc. I-II (pp. 165- 183). " - Other images and videos: Francesco Deplanu. The Church of the Madonna della Costa and the wooden statue (Curated by Francesco Deplanu) The Church of the Madonna della Costa of Monte Acuto This little one church on the slopes of Monte Acuto, known among other names over time as “S. Giovanni della Costa ”,“ Santa Maria della Costa ”and later known as“ Madonna della Costa ”, is located on the southwest coast of Monte Acuto. This church today is dilapidated but until 70 years ago it was a popular place of worship that is still lived and deeply felt. Anciently it was employed by the Abbey of San Salvatore di Montecorona, then passed under that of the Perugia dioceses. The church has a rectangular plan, with an entrance door under the bell tower and, opposite to it, a small door to the right of the altar connected to a small sacristy is still visible. The building shows its different construction phases with a lower part in well-worked stone masonry ceasing on a floor highlighted by a frame above the entrance door. Above this frame, on the main gabled façade, the bell gable was built. On the entrance a small niche above the architrave bore a dedicatory inscription which is now illegible. The left facade of the church is partially embedded towards Monteacuto. The opposite facade, on the right, it bears the trace of a loophole and “looks” at a panorama that opens up between valleys and high hills. The added walls are in unworked stone and everything had been plastered both inside and outside. The roofs appear to have been trussed and on the back wall a niche is still visible where the statue of the Madonna with the child was housed. Several photos from the recent past show signs that look like those of frescoes in the part near the altar area. Immagine 1: Chiesa della Madonna della Costa. Campanile a vela visibile tra la boscaglia; facciata principale (foto di Fabio Mariotti, scattata circa nel 2000). La Storia Una struttura per il culto è presente fin dal 1145: è documentata la sua presenza nella Bolla di Eugenio III del 1145 vche ede tra i beni confermati all’Abbazia di San Salvatore la “Cellam Sancti Joannis in Monte Acuto, cum Ecclesiis, & pertinenti suiis”. Nel primo elenco delle comunità perugine del 1258 è indicata come “Villa S. Iohannis de Costa”. Dal 1361 la parrocchia “eccelse S. Iohannis de Costa Montis Acuti” possiede un catasto di beni propri e nel 1367 si ha notizia della dotazione di una campana. Nel 1564, sotto il Vescovo Della Corgna, alla parrocchia di San Giovanni, denomina in questo periodo sembra anche Santa Maria, fu unita la chiesa diroccata di Santa Lucia, che sorgeva presso il castello della Fratticiola di Montacuto. Altre notizie più recenti ci attestano della diminuita importanza del luogo, perlomeno dal punto di vista dell’organizzazione parrocchiale, tanto che nel 1821 la parrocchia di San Giovanni/Santa Maria fu unita provvisoriamente alle parrocchie di San Simone in Monestevole, San Bartolomeo in San Bartolomeo dei Fossi e San Michele Arcangelo in Racchiusole. La chiesa, in tempi più recenti, venne chiamata della “Madonna della Costa” di Monte Acuto, per via della statua lignea medievale della Madonna con il bambino che lì si trovava. L’insediamento in età alto medievale attorno a questa zona vide una quasi costante presenza di una quarantina di “fuochi” (come media gli storici riferiscono che un fuoco era composto da 4 persone. n.d.r.): nel 278 sono riportati 42 “fuochi”, nel 1882 sono 32, nel 1410 supponiamo circa 38 (perché si contarono 152 “bocche”, cioè persone); ma già tra il 1438 ed il 1501 si contavano un numero minore di popolazione dimorante, tra i 20 e i 29 fuochi. Sicuramente l’insediamento sparso dei secoli a venire mantenne parte della popolazione nelle zone nelle vicinanze della chiesa, vista la necessitata di un popolamento connesso al sistema produttivo. Quasi in concomitanza con la fine della mezzadria, che possiamo datare ad inizio anni’60, nel 1954, crollò il tetto della chiesetta che fu dichiarata inagibile. Fino a quel momento, la domenica dopo l’Ascensione, veniva festeggiata in loco la festa della “Madonna della Costa”, che vedeva anche la presenza della Banda di Preggio; notizia attestata almeno fino al 1947 a causa di uno scontro politico che in quell’anno ebbe un certo risalto. La statua della Madonna con il bambino Che sappiamo al momento della storia della “madonna con il bambino” nella chiesetta della Costa di Monte Acuto ? E’ una statua lignea di un autore ignoto del romanico umbro del secolo XII (datata 1150 - 1199), alta cm 132 e dipinta in maniera policroma. E’ difficile pensare che nel corso di 8 secoli dalla sua realizzazione datata già dalla seconda metà del 1100, cambiando la tipologia di popolamento e di conseguenza il valore e la funzione dei luoghi di culto, la locazione della statua sia stata la stessa. Anche le indicazioni delle fonti storiche indicano un “peregrinare” della statua, “peregrinare” influenzato anche dalla dottrina della Chiesa dopo il Concilio di Trento. A questo proposito si può affermare che la statua lignea della madonna con bambino non fosse posizionata fin dalla sua realizzazione nell’attuale chiesa, ridotta quasi in cumuli, o nelle strutture originarie dedicate al culto in quel luogo. Seguendo le indicazioni di Elvio Lunghi, professore di Storia dell’arte medievale a Perugia, lo spostamento sulla “costa” di Monte Acuto della scultura lignea dovrebbe essere avvenuto successivamente alla seconda metà del XVI sec.: da San Giuliano delle Pignatte dell’Abbazia di Montecorona dove venne descritta come una “madonnam rilievi” nelle fonti delle visite pastorali del Vescovo Fulvio Della Corgna . Infatti nei decenni seguenti la conclusione del concilio tridentino i vescovi furono particolarmente rigidi verso le immagini obsolete o semplicemente mal conservate oltre che all’uso di statue lignee utilizzate in maniera lontana dalla liturgia, in questo periodo è anche possibile che le immagini sacre meno adeguate fossero destinate a una sede meno prestigiosa. Questo potrebbe essere stato il destino della nostra statua ritenuta comunque di “valore” e, piuttosto che eliminata, venne spostata in un luogo meno importante. Spostamento funzionale a salvarne il valore popolare di devozione; devozione molto sentita nella zona tra Romeggio e Preggio e proseguita fino al dopoguerra. Immagine 8: Statua della Madonna della Costa da: https://www.beweb.chiesacattolica.it/benistorici/bene/5504739/Bottega+umbra+sec.+XII,+Statua+della+Madonna+della+Costa Immagine 9: Statua della Madonna della Costa pubblicata in: Elvio Lunghi, “Considerazioni e ipotesi sulle sculture lignee nelle chiese dell’Umbria tra XII e XIII secolo” in “Umbria e Marche in età romanica. Arti e tecniche a confronto tra XI e XIII secolo”, a cura di E. Neri Lusanna, Todi, Ediart, 2013, pp. 203-212 Il destino delle opere lignee delle nostre zone sotto il potere temporale della Chiesa, risentì notevolmente del Concilio post-tridentino. Basti pensare al bellissimo gruppo della “Deposizione” di Montone, originario della Pieve di San Gregorio, che fu trasformato per secoli in “Crocifissione” con braccia e piedi non coevi e con la sparizione certa, perché poi ritrovata, della statua di Giuseppe d’Arimatea. Questa statua fu “ricomposta” con la testa ritrovata sempre nella Pieve di San Gregorio nel 1956, mentre il resto del corpo venne ritrovato sempre qui, nel 1977, tra le macerie di una volta crollata, e poi individuato come parte del San Giuseppe dal prof. Toscano nella Galleria Nazionale dell’Umbria. Solo da allora si prese consapevolezza dell’originaria disposizione e funzione che si può godere oggi nel Museo di San Francesco a Montone. Immagine 9: Deposizione della Croce di Montone (particolare) (foto di Francesco Deplanu). Immagine 10: Deposizione della Croce di Montone (particolare). Statua lignea di San Giovanni d’Arimatea ricomposta (foto di Francesco Deplanu). Per capire la portata del cambiamento che avvenne nel periodo post-tridentino basta leggere, riportate nelle pagine di Lunghi riprese dall’Archivio Vescovile di Perugia che riporta le visite pastorali sempre sotto il Vescovo Fulvio Della Corgna. Ad esempio nella chiesa di San Giustino alle porte di Perugia una statua della Madonna fu direttamente data alle fiamme: “Visitavit figuras virginis in quadam nicchio cum filio in brachio vetustate consumptas / quas igni comburi iussit». Ovvero: “In una nicchia ispezionò una statua della Vergine col figlio in braccio consumata dal tempo che ordinò fosse bruciata dal fuoco.”. Ma vediamo cosa scrive a proposito della statua lignea della madonna Elvio Lunghi, in “CONSIDERAZIONI E IPOTESI SULLE SCULTURE LIGNEE NELLE CHIESE DELL'UMBRIA TRA XII E XIII SECOLO”: “Nel Museo del Duomo di Perugia è conservata una scultura romanica in legno policromo di una Madonna in trono con il Bambino benedicente in grembo, che vi è stata depositata per esigenze conservative dall’abbazia di San Salvatore di Montecorona. È agevole riconoscervi una statua della Madonna che il vicario del vescovo Fulvio Della Corgna vide il 24 novembre 1564 sopra l’altare maggiore della chiesa di San Clemente nel villaggio di San Giuliano delle Pignatte, nelle immediate vicinanze di quell’abbazia cistercense. La Madonna era in rilievo e era posta tra due tavole dipinte con le storie del Santissimo.” Riportiamo per intero, vista la brevità, il passo che nelle note il Lunghi ripropone della visita pastorale, testo sempre conservato nell’Archivio Diocesiano di Perugia: “«Visitavit madonnam rilievi cum tabulis pictis Santissime inde / quas reaptari si potest santissimi aut retineri quanto decentius». Ovvero “Ispezionò una madonna in rilievo con tavole dipinte della storia del Santissimo, poi le quali se è possibile siano restaurate o conservate nel modo più decente”. Il passo è brevissimo ma accerta la presenza certa di una statua della madonna nella zona, difficile pensare che non fosse quella poi finita sulla Costa di Monte Acuto. Gli sportelli laterali sono andati perduti ma la madonna in legno con il bambino ha “proseguito” il suo cammino. In una data imprecisata, ma successiva chiaramente a questa visita pastorale del Della Corgna, arrivò alla chiesa di San Giovanni della Costa .”. Lo scopo di queste visite pastorali post tridentine era anche di “correggere la dottrina cattolica, espellere le eresie, promuovere i buoni costumi, e per quanto riguarda l’aspetto degli edifici religiosi era accertare l'idoneità degli edifici di culto e la celebrazione degli uffici liturgici secondo le nuove regole stabilite a Trento. Fonti: Elvio Lunghi, “Considerazioni e ipotesi sulle sculture lignee nelle chiese dell’Umbria tra XII e XIII secolo”, in Umbria e Marche in età romanica. Arti e tecniche a confronto tra XI e XIII secolo”, a cura di E. Neri Lusanna, Todi, Ediart, 2013, pp. 203-212. Luca Mor : “Esposte a Montone le sculture lignee medievali della deposito Christi, Bollettino d’arte” del Ministero per i beni e le Attività Culturali”, n. 108 - Aprile Giugno 1999. Istituto Poligrafico e Zecca dello Stato, Libreria dello Stato Giovanna Sapori, “Il Gruppo Ligneo di Montone”, in Museo Comunale di San Francesco a Montone - Regione dell’Umbria - Electa Editori Umbri Associati, Perugia 1997. - https://www.iluoghidelsilenzio.it/chiesa-della-madonna-della-costa-monte-acuto-di-umbertide-pg/ - https://www.beweb.chiesacattolica.it/benistorici/bene/5504739/Bottega+umbra+sec.+XII,+Statua+della+Madonna+della+Costa - http://www.chieseitaliane.chiesacattolica.it/chieseitaliane/AccessoEsterno.do?mode=guest&type=auto&code=32565 - http://www.umbrialeft.it/node/33429 - https://www.stradeeposti.it/stradeeposti/Italy/Umbria/Umbertide/Monte-Acuto/Umbertide_Monte-Acuto_Chiesetta-della-Madonna-della-Costa.html - https://www.umbertidestoria.net/cenni-storici-della-banda Under construction... The "Croce" of Montacuto and the Apennine chain behind it. Photos before the restoration. The Collegiate Church in 1918 Piazza XII Settembre in 1912 Piazza San Francesco and the Deposition by Signorelli SOURCES: - Photo by Francesco Deplanu, Giulio Foiani and Anna Boldrini. - Photo: historical photos of Umbertide from the web and from various private archives to which we applied the " umbertidestoria " watermark in this way we try to avoid that further disclosure on our part favors purposes that are not consonant with our intentions exclusively social and cultural. Help us remember umbertidestoria@gmail.com

TEXTS and LINKS to CONSULT In this section you will find the references to the printed texts published and to the online resources of Umbertide history. Like the whole site, this list is also up for grabs. Please let us know about new or escaped "resources" to be included in "Bibliography" and "Sitography". BIBLIOGRAPHY 1. Antonio Guerrini: History of the land of Fratta now Umbertide from its origins to the year 1845 (for Antonio Guerrini completed by Genesio Perugini) - Tip. Tiberina Umbertide, 1883 2. Francesco Mavarelli: Historical information and praise from the Company of Disciplinati of S. Maria Nuova and S. Croce in the Land of Fratta (Umbertide) - Stab. Tipografico Tiberino, 1899 3. Francesco Mavarelli: On the art of blacksmiths in the land of Fratta (Umbertide) - Memories and documents - Stab. Tipografico Tiberino, 1903 4. Umberto Pesci: History of Umbertide - Tip. R. Fruttini, Gualdo Tadino, 1932 5. Giulio Briziarelli: Umbertide and Umbertidesi in history - Unione Arti Grafiche, Città di Castello, 1959 6. Bruno Porrozzi: Our Castles - History and legend - Ed. Italian Red Cross, Subcommittee of Umbertide, 1959 7. Bruno Porrozzi: Umbertide in images from the 16th century to the present day - Ed. Pro Loco, Umbertide, 1977 8. Bruno Porrozzi: Statutes of the Fratta dei Figliuoli di Uberto (Umbertide) of 1521 - Ed. Pro Loco Umbertide, 1980 9. Bruno Porrozzi: Umbertide and its territory: history and images - Ed. Pro Loco, Umbertide, 1983 10. Bruno Porrozzi: Umbria, city region - Ed. Politecnico Perugino, Umbertide, 1986 11. Bruno Porrozzi: Umbertide - Origin and aspects of socio-health services - Ed. Mavarelli Middle School, Umbertide, 1988 12. Controstudio: Recovery and Restoration Project of the Teatro dei Riuniti in Umbertide - Ed. Tema, 1990 13. Bruno Porrozzi: Umbertide - Man in toponymy - Ed. Pro Loco, Urnbertide, 1992 14. Nicola Lucarelli: Domenico Bruni (1758 - 1821) - Biography of an emasculated singer - Ed. Municipality of Umbertide, 1992 15. Bruno Porrozzi: Umbertide - Rights of the former Preggio hospital - Ed. Pro Loco, Umbertide, 1993 16. Raffaele Mancini: ... At midnight we bet on the rising of the sun (San Faustino south) - Ed. Nuova Phromos, Città di Castello, 1993 17. Walter Orebaugh - Carol Jose: The Consul (An American diplomat joins the Italian Resistance) - Ed. Centro Socio Culturale S. Francesco Umbertide, Nuova Prhomos Città di Castello, 1994 18. Renato Codovini - Pietro Vispi: Luca Signorelli's paintings at Fratta Perugina - Polyglot Printing House of the Pontifical Gregorian University, Rome, 1994 19. Mario Tosti: Beautiful works! (Information, documents, testimonies and images on life and death events that occurred in the Municipality of Umbertide during the Second World War) - Ed. Municipality of Umbertide, 1995 20. Bruno Porrozzi: Umbertide - The Middle School from 1860 to today - E. Pro Loco, Umbertide, 1995 21. Mario Tosti: Five cypresses - June 24, 1944 Retaliation in Serra Partucci - Local publishing group, 2013 22. Maria Cecilia Moretti - Lorena Beneduce Filippini - Fausto Minciarelli: The Tiber and Umbertide (edited by Sestilio Polimanti) - Tipolitografìa Petruzzi, Città di Castello, 1995 23. Renato Codovini - Pietro Víspi: The living room and the work of Pico della Mirandola in Umbertide 24. Gian Luca Radicchia: The Sacred Hermitage of Monte Corona - Ed. Guerra, Perugia, 1997 25. Bruno Porrozzi: Umbertide - The work of Francesco Mavarelli - Ed. Pro Loco, Umbertide, 1998 26. Simona Bellucci: Le Tabacchine (A city, a factory: the Umbertide plant) - Ed. Municipality of Umbertide, 1998 27. Bruno Porrozzi: Umbertide - Me ne sgulìno (Essential vocabulary, idioms, nicknames, sayings, proverbs, aphorisms and ... more in the Umbertidese dialect) - Ed. Pro Loco, Umbertide, 1999 28. Pietro Bottaccíoli, Luigi Marioli - Anna Rita Vagnarelli: Pilgrims on the roads of Romualdo and Francesco - Ed. GESP, Città di Castello, 1999 29. Bruno Porrozzi: Statutes and Orders of the Fraternity of Santa Croce in Fratta (Umbertide) from 1567 to 1741 - Ed. Pro Loco, Umbertide, 2001 30. Roberto Sciurpa: Umbertide from the origins to the sixteenth century - Petruzzi Editore, Città di Castello, 2007 31. Renato Codovini - Roberto Sciurpa: Umbertide in the 17th century - Ed. GESP, Città di Castello, 2004 32. Renato Codovini - Roberto Sciurpa: Umbertide in the XVIII century - Ed. GESP, Città di Castello, 2003 33. Renato Codovini - Roberto Sciurpa: Umbertide in the 19th century - Ed. GESP, Città di Castello, 2001 34. Roberto Sciurpa: Umbertide in the 20th century 1900 - 1946 - Ed. GESP, Città di Castello, 2005 35. Roberto Sciurpa: Avis - Solidarity citizenship 36. Giovanni Bottaccioli: Penetola, not all the dead die - Municipality of Umbertide, 2005 37. Marilena De Vecchi Ranieri: Civitella Ranieri - a thousand years of history, by the "Uguccione Ranieri di Sorbello Foundation" 38. Between memory and history - the allies in Perugia and Umbria - Perugia, 1998 a edited by the "Uguccione Ranieri di Sorbello Foundation" 39. Giuseppe Cozzari: The Burelli family of Umbertide 40. Raffaele Mancini: Letter to a brother - Municipality of Umbertide, 1998 41. Edited by Luana Cenciaioli: Umbrians and Etruscans - border people in Monte Acuto and in the territory of Umbertide - Municipality of Umbertide, 1998 42. Angelo Boldrini: My diary (edited by his daughter Roberta) - Nuova Phromos, 1992 43. Alberto Briganti: Beyond the clouds, the serene - Nuovo Studio Tecna - Rome, 1994 44. Alessandro Cancian: Umbertide 1944 - 1946 - Municipality of Umbertide, 1994 45. Bruno Guerri - Giulio Pieroni: Proposal for the recovery of the historic core - Municipality of Umbertide, 1994 46. Luca Bruni: Letters from the Russian front - Municipality of Umbertide, 1994 47. By Prof. Claudia Picottini and class III A 2004-05 of the middle school “Mavarelli-Pascoli: Grandfather, tell me about the war - Municipality of Umbertide, 2005 48. Simona Bellucci: Tobacco and tobacconists - Tobacco Museum - San Giustino, 2009 49. Giovanni Cornolò - Giuseppe Severi: The Umbrian Central Railway - Arcipelago Edizioni - Milan, 2004 50. Umbria Research Agency: Umbertide. Economy and society: the municipality and the territory - Perugia, 2008 51. Angelo Galmacci: Verna - between history and legend ... - Municipality of Umbertide 52. Edda Corgnolini: I'll tell you, I've told you, I'll tell you again - Municipality of Umbertide, 2004 53. M. Enrica Sacchi De Angelis: The castles of Santa Giuliana .... - University of Perugia, 1984 54. Francesco Alunni Pierucci: Socialism in Umbria (1860-1920) - Perugia, 1960 55. Luca Sportellini: The Sanctuary of Maria Santissima Assunta in Rasina - Fabrizio Fabbri Editore, 2011 56. Renato Codovini: Jewish presence in Fratta Perugina in the 14th and 15th centuries - Local Publishing Group, 2011 57. Renato Codovini: The Conventual Franciscan friars of Fratta Perugina - Umbertide 2011 58. Renato Codovini: Study of a Lombard military surveillance tower and a house annexed to it in the eighth century - Umbertide, 2012 59. Pietro Vispi: The Collegiate Church of Santa Maria della Reggia - Umbertide, 2001 60. Simona Bellucci, The incomplete modernization. Farmers and owners of Umbertide between the nineteenth and twentieth centuries, Edimont, Vittà di Castello, 2004. 61. Mario Tosti: “Our ordeal” - Ed. Petruzzi - Città di Castello, 2005 62. Giovanna Benni: Castle and rural lordships in the Upper Tiber valley between the Early and Late Middle Ages. The territory of Umbertide (Perugia, Italy) Oxford, John and Erica Hedges 2006 pp. VIII-198 tables papers (British Archaeological Reports (BAR). International Series 1506. Notebooks on Medieval Topography. Documentary and Field Research 4), 2006. 63. Amedeo Massetti: Two centuries on the march - Umbertide and the band - Petruzzi Editore, Città di Castello, 2007 64. Mario and Menco. The doctors of the past ..., - Silvano Conti, Edimont, 2007 65. Paola Avorio: “Three walnuts” - Ed. Petruzzi - Città di Castello - 2011 66. Scortecci Donatella (edited by): The middle and upper valley of the Tiber from Antiquity to the Middle Ages: proceedings of the study day ; Umbertide, May 26, 2012 - Daidalos, 2014. Of this latest publication we insert specifically the internal sections that see several young Umbertidesi as authors: The historical-archaeological landscape of the Upper Tiber Valley between Antiquity and the Middle Ages Scortecci, Donatella. • p. 3-18 For an Archaeological Map of Umbria in the framework of the Regional Landscape Plan Ciarapica, Ambra • Manconi, Dorica. • p. 19-28 The centuriate landscape of Tifernum Tiberinum and Perusia: first considerations Waiters, Paolo • Mattioli, Tommaso. • p. 29-62 Settlement news from the Sansepolcro area. Population dynamics from the Paleolithic to the Early Middle Ages Laurenzi, Gian Piero. • p. 63-100 The ancient road system in the Upper Tiber valley Boldrini, Luca. • p. 101-143 Umbertide, the Tiber and the territory Cenciaioli, Luana. • p. 145-162 Old and new acquisitions in Umbertide: the testimonies from the territory and the excavation of Piazza del Mercato Occhilupo, Sergio. • p. 163-184 A small Villanovan burial ground in San Martino in Campo di Perugia near the Tiber Occhilupo, Sergio. • p. 185-196 The temple in loc. Caipicchi (Nogna) Fiorini, Lucio • Di Miceli, Andrea. • p. 197-216 The reuse of play buildings in post-Roman Umbria Marcattili, Francesco. • p. 217-236 The Upper Tiber Valley between the Early and Late Middle Ages: urban settlement and rural landscape. Benni, Giovanna. • p. 237-288 The castle of Certalto between written sources and material data Pascolini, Alessio. • p. 289-322 67. Sestilio Polimanti: "Vocabulary of the dialect of Umbertide and its territory. Collection of lexicons, proverbs, idioms, nicknames, stornelli and toponyms", Nuova Prhomos, 2018. 68. Simona Bellucci: Umbertide in the 20th century 1943-2000, Nuova Prhomos, 2018. 69. Angelo Angeletti: “If only the stones are left to speak”, Digital book Srl, Città di Castello, 2019. 70. Pietro Vispi (and photo by Paolo Ippoliti): "Talking stones." If they keep silent, the stones will cry. "., Local publishing group, Umbertide, 2021. NB: For the dissemination of the history of Umbertide, with an in-depth study of the popular traditions of our area, we recall the project with the 25 issues of the " Calendar of Umbertide ". Calendars published from 1992 to 2016 by Adriano Bottaccioli, Fabio Mariotti, Amedeo Massetti, Walter Rondoni, Mario Tosti. SITOGRAPHY Historic portal of the Municipality of Umbertide: http://www.umbertideturismo.it/Storia-History-Imphotos-e-video-Images-and-videos-Manifestazioni-Events-Musei-Museums-Monumenti-Monuments-Tevere-Tiber Umbertide GAAT website: http://www.netemedia.net/gaat/umbertide.htm Santa Croce Museum: https://www.sistemamuseo.it/ita/2/musei/54/umbertide-umbria-museo-comunale-di-santa-croce/ Historical Association of the Upper Tiber Valley: https://sites.google.com/site/altoteverestorica/Attivit SIUSA (Unified Information System for Archival Superintendencies) on Umbertide: http://siusa.archivi.beniculturali.it/cgi-bin/pagina.pl?TipoPag=prodente&Chiave=50311&RicProgetto=reg-umb&fbclid=IwAR2ydRABe1Uw3MxVbj3WkZrexe4eu0lBSPZe_991_1LwwGoww Ranieri di Sorbello Foundation: http://www.fondazioneranieri.org/it/la-fondazione/ Statutes of the Fratta : http://www.cemir.it/easyne2/Download.aspx?Code=CEMIR&filename=Archivi/CEMIR/PDF/0000/624.PDF NB: information on the Bibliography up to 2001 comes from from the site: http://www.umbertideturismo.it/content/download/238724/2541781/file/Libri%20sulla%20storia%20di%20Fratta%20-%20Umbertide.pdf Help us remember umbertidestoria@gmail.com EH Carr "Change is certain. Progress is not "

Facanapa - satirical magazine of Umbertide of the late nineteenth century Presentation at the Museum of Santa Croce - 5 March 2010 by Roberto Sciurpa Premise The presentation of a short-lived newspaper that saw the light in our city, intends to retrace the magnitudes and miseries of a limited historical period and the Municipal Administration did well to take care of its reproduction for its high civic value and significance. moral that the local paper carried out between December 1893 and July 1894. It was a courageous initiative of a group of authoritative citizens, who took over the situation of criticism and control over the public administration since the institutions delegated and legitimate they had inexplicably given up on it. In just eight months, a seemingly unpretentious piece of paper, he managed to achieve what in twenty years the defenders and guarantors of a community had refused to demand. Behind FACANAPA, the Venetian mask that lends the title to the newspaper, there are in fact reports of seriously deviant political and administrative pathologies, destined to repeat themselves, when the sense of individual and collective responsibility, of the founding values of a people is lost, with the consequent lowering of the level of controls. It can happen, then, that the following occurs: - expropriation of politics by a prevaricating and opaque bureaucracy, which responds only to itself; - dangerous drift towards corruption and the triumph of personal interests; - dark direction of skilled and unscrupulous fixers who manipulate the life of a community under the shelter of the peaceful umbrella that offers human and environmental outlines that are apparently peaceful and even pleasant to shady events. The institutional framework In the city of Umbertide in the late 1800s there was a restless atmosphere. The fall of papal power and the annexation to the Kingdom of Italy, on the political and institutional level, had not changed things. The local agriculture continued to hold power, as had happened in the past, since the active and passive electorate passed through the categories of wealth and the wealthy, together with the assets, also inherited the right to manage public affairs, according to a bad habit that was lost in the mists of time. It is not difficult to imagine the lack of enthusiasm that the various agrarians felt in taking on the task of administering the interests of a community that they often accepted unwillingly, all taken as they were by the care of their own affairs. The leap in quality will take place only in 1909 with the conquest of the Municipality by a bourgeoisie led by Francesco Andreani who set aside the centuries-old power of the agrarians and established the right to govern following the indications of the vote and not those of the census. The social framework On the social level, the Italian Unity brought, however, notable winds of change also in these parts, allowing the vigorous birth of trade associations, destined soon to overcome the mere corporate aspect. There was a proliferation of organizations such as the Society of Veterans of the Patrie Battaglie founded in 1883, the Society of Masons in 1888, that of Rowers of 1890, that of Mutual Aid and many others. But above all the Circolo Mazzini was alive and very active since 1877 with its numerous political initiatives, systematically opposed by the liberals of the time who administered the Municipality. The local Socialist Party was not yet born, the section will be founded in May 1899, but already at the national level that Party had had official visibility for some years. No wonder, therefore, if on the morning of May 1, 1899, the municipal guards communicated to the Mayor, Count Giuseppe Conestabile Della Staffa, that during the night someone had written on the walls of the Town Hall and in various points of via Cibo with lampblack and water: Long live May 1st Down with the exploiters Down with the Public Safety Delegate Long live the Workers The wind of change did not affect only the heterogeneous sector of the opposition, but also that of the liberal majority who split into progressives and conservatives with often resentful oppositions and distinct and combative press organs. Let's not lose sight of the dates to understand the political evolution of the time. Facanapa arises in this climate of profound aspiration for change and political bradyseism, when among the liberal municipal councilors sits, for example, a person of rank such as Benedetto Maramotti, the former historical prefect of Perugia for 21 years, with strong sympathies for the historical left of Agostino De Pretis who had taken power in 1876 and who as prefect had cleared the democratic Ulisse Rocchi through customs, making him the mayor of Perugia. Retired in 1889, Maramotti settled in the area, near his daughter Emma, who had married a Mavarelli, whose substantial properties were located in these parts. As a municipal councilor of Umbertide he looked after the interests of his son-in-law more closely. Maramotti was the fourth prefect of Perugia without being a Senator, after Filippo Gualtiero, Luigi Tanari and Giuseppe Gadda, all three Senators of the Kingdom. Giacomino Dal Bianco But the real reason why Facanapa was born lies in the prevarications of the municipal secretary of the time: Giacomino Dal Bianco. Dal Bianco was born in 1850 in Velo d'Astico, in the province of Vicenza, a municipality that today has 2,350 inhabitants and then counted even fewer. The small town is located between the Astico and Posina streams, close to inaccessible mountains that only soften in the fertile plain of the valley floor at the end of the gorge. On March 15, 1874, at the age of 24, he was appointed Secretary of the Municipality of Umbertide. At that time the competitions for this type of office were prefectural and the appointments were conferred by the Prefect to whom the municipal secretaries were hierarchically subordinate. They were state employees in all respects, paid, however, by the municipalities. The minutes testify, without a shadow of a doubt, that Dal Bianco was an intelligent and prepared official, present at city initiatives to the point of exaggeration. Of considerable size, tall and elegant, with a plump and round face, so much so as to deserve the nickname of “Luna Piena” (Full Moon) by Facanapa, he did not disdain the table and the good food that he gladly honored. Family commitments did not occupy him much because he remained faithful to nature, a bachelor as he was born. He would have been an excellent and precious collaborator, had he not had the very serious defect of not staying in his place. Taking advantage of lazy and indolent administrators, who exercised the role by inheritance of wealth and to whom an "expansive" and enterprising secretary was comfortable, Giacomino began to occupy spaces that were not his own, to override administrative skills and behavioral practices that soon attracted attention . On more than one occasion, the security of the acquired power led him to deride with irreverence councilors who were not very docile to him as happened when the mayor indicated a certain administrator as his representative at the Città di Castello Exhibition and he suggested that it would be better to send us Porrini (the usher !!), the press and the same population of Umbertide. In the imaginary and ironic interview with the "Gran Soaffa" (another nickname of Dal Bianco), which the editor finds sunk in his armchair smoking a "Virginia" cigar, the secretary declares how he does good and bad weather in the city: “In the Town Hall I am in charge, in the Congregation of Charity I am in charge, in the Bank I am in charge, and then and then ... in this country you just need to promise, these inhabitants are so good!”. He was losing the sense of the limit, as it always happens and in all abusive paths. No wonder, therefore, if the words “Umbertide agli Umbertidesi!” Began to appear on the ballot papers. In the meantime, Dal Bianco accumulated well-paid public assignments and fees, carried out private paid consultancy, wrote little (disregarding the advice of the Mayor Mauro Mavarelli) and traveled a lot with the carriage always ready in front of the door of his house in via del Foro Boario n. 6, in the current Piazza Caduti del Lavoro, right in front of the Rocca, and at the expense of the various bodies it represented. Public and private were intertwining in a twisted way, to the point of heavily polluting the award of numerous contracts. The little travet, with a modest salary as a town clerk, was making a fortune. He went to the Municipality when he could to give important directives, while capitalizing the proceeds of his role as public servant in real estate. Dal Bianco, in fact, will definitively settle in Umbertide and in the registry office he is the owner, therefore the owner of unidentified properties. One thing is certain is that in the phase of the first enlargement of the city cemetery, in 1900, he bought a chapel in the left hemicycle, the noble area, next to other chapels of the wealthy families of Umbertide (Burelli, Santini, Ramaccioni, Savelli, Bertanzi, Confraternita of the Holy Cross and of the Good Death). His body rests in that chapel. Giacomino Dal Bianco died on November 20, 1914 at 6.10 am, at the age of only 64. We do not know what happened to his decent fortune. Sometimes among the mysteries that cloak personal aspirations in an arcane there is also that of wanting to be with the wealthy even when dead. Contrary to Facanapa's ironic predictions, Dal Bianco did not leave Umbertide and after his retirement, in 1894, we find him among the municipal councilors. The irony of the Venetian mask becomes inexorable and pungent: “He, coming from outside, loved our country as his own, and, neglecting his own interest, he took care only of ours, so much so that he will leave us humble and humble as he came”. Harsh judgments that certainly made noise in the Municipality and in the city. The constant, precise accusations of personal interests in his public role, and of enrichment with shady deals, today would have sparked a flurry of lawsuits and heated legal battles. That was not the case at that temple. The editors continued to publish their articles undisturbed for another four months: the newspaper will still come out with eight fortnightly issues until July 15, 1894. Also in the March 25 issue, the article "Resurrection" written by a very fine pen is striking. He denounces the sadness that has pervaded Umbertide for some time due to "the economic hardship of so many, which is making itself felt more bitter every day". With fine sensitivity, the editor analyzes the situation of the man forced to fight bitterly the life that "cannot be cheerful, cannot be good, cannot be willing to look at and treat others kindly". And he continues: “Every economic disaster brings with it a legacy of enmities and grudges; and we have in our country the example of many profound divisions due to similar reasons ”. He concludes: “In the midst of the common misery there are those who get stuck; who in the midst of the general collapse of souls rules; who from our discords draws strength and power ”. Prophetic words that transform satire into a serious and respectable editorial that many would like to sign. The reporting of irregularities in the periodic updates of the electoral lists is recurrent and documented and responded to the logic of granting active electorate to those subjects who gave greater guarantees in the election of docile candidates to the powerful secretary. He had also appropriated eight hundred lire of the secretarial fees, never paid to the municipal treasury, and had been sentenced to compensation by the Council of State, but in the subsequent appeal to the Ministry, the Municipality strangely did not become an injured party and Giacomino won the match. The Ghibelline from the north had created a kind of feudal vassalage to which the administrators were unable to react. It should be remembered that in 1887, among the reasons for the resignation of the historic mayor of Umbertide, Mauro Mavarelli, the minutes report the harsh criticism of his own advisers for not having removed the cumbersome subject from his office. In this situation the newspaper became a guarantee garrison appreciated by many, not only of the opposition, but also of the majority, and carried out that role of control and criticism which the institutional bodies had inexplicably renounced. But its merits are also other: the numerous news events that document events of city life and enrich the history of Umbertide with important details, extensively treated by other authors; the description of the poor conditions of the peasants and of their houses reduced to pigsties; a rude and arrogant small-scale agrarian bosses; the pellagra which bordered on high peaks with 341 people affected by the disease, while Gubbio, with a much larger territory, had a hundred, Foligno twelve and Nocera Umbra only one. The disease, after having weakened the physical faculties, attacked the mental ones and led the patient to the asylum. Facanapa will excuse us if we add a footnote to his numbers: on the 341 pellagrosi the female incidence was double compared to the male one and the fact speaks volumes about the silent and daily sacrifice of our women in the fields who left the rare best morsels to their men because could withstand the adversities of work longer. Welcome back to us nice Venetian mask, which from the head of a brave sheet, buried in the dust of oblivion, coordinated the whip of the Umbertidese frog, intent on hitting the shady den of suspicious trafficking! Conclusions In this brief overview we have been able to observe the miseries of politics expropriated by a troublesome and intriguing bureaucracy; the maneuvers of a capable and prepared character who had put his remarkable gifts at the service of obscure personal interests; the serious and prolonged omissive responsibilities of conniving administrators. But we have also seen the magnitudes and values: - a handful of generous young people determined to replace the institutions in order to eliminate the corruption; - the positive role of the press which in eight months has helped to resolve situations gangrenous for years; - the polite tone of a close and never delegitimizing political dialectic, conducted by gentlemen of other times; - genuine respect even for the main target of the invectives, towards which subtle irony is used, never vulgarity and much less personal offenses. They seem like values to us to be exalted not only because they disappeared on the threshold of the third millennium, but because indispensable to rebuild the identity of a people starting from the roots of men municipalities that made civil conscience and a sense of legality grow among the people of Umbertide. Sources: "A FREE MAN - Roberto Sciurpa, a passionate civil commitment" - by Federico Sciurpa - Petruzzi publisher, Città di Castello, June 2012 Roberto Sciurpa tells the story of Umbertide to school pupils Roberto Sciurpa with the collector Raffaele Bozzi, owner of the collection of "Facanapa", at the presentation of the magazine Roberto Sciurpa with Amedeo Massetti and Petruzzi during the printing of the last book on the History of Umbertide In the pictures: - The first page of the magazine n.1 - Some articles on the first and last page - An advertisement The article dedicated to the presentation of the satirical magazine "Facanapa" in n.1 2010 of "Umbertide Cronache" signed by Amedeo Massetti The cover of the book that his son Federico dedicated to his father Roberto

THE "REGINA ELENA" KINDERGARTEN It was inaugurated in 1905 with the mayor Ciro Mavarelli by Amedeo Massetti A room used as a kindergarten already existed in Umbertide in the nineteenth century. In 1904 the municipal council had confirmed Maddalena and Marina Mavarelli (wife of Francesco Mavarelli) in the supervisory commission on this institution. In the council meeting of February 12, 1905, the report by the design engineer and director, Gustavo Scagnetti, on the conclusion of the construction works of the new kindergarten building was read. Mayor Ciro Mavarelli communicated to the municipal council (Vittorio Ramaccioni, Giacomino dal Bianco, Tertulliano Marzani, Avenerio Natali, Gustavo Scagnetti, Romolo Fabbri, Astorre Ramaccioni, Giuseppe Conestabile Della Staffa, Cesare Torzoni, Giovanni Ramaccioni, Giovan Battista Burelli, Stanislao Simoncini, Aristide Reggiani, Antonio Gnoni and Geremia Carlani) the final state of the works, to be paid in 20,422.96 lire. The councilor Cesare Torzoni intervened, recalling how the construction of the new building had been entrusted by private negotiation to the Cooperative of the Masons of Umbertide for the sum of 16,900 lire as a flat rate and now this significant increase could not be explained. Engineer Scagnetti, who was also a municipal councilor, clarified that the increase in expenditure was due to the fact that the Provincial Health Council had imposed changes to the project, which had to be carried out while the works were being carried out. These consisted in raising the classrooms, modifying the floors and replacing the designed perimeter wall with an iron balustrade, so as not to impede the illumination of the classrooms. In addition to this, the new building had to be adapted to the master plan, which the engineer did not know before compiling the project but which the previous administration had wanted to respect; this had led to a notable increase in the length of the surrounding walls. Then there was the increased depth of the foundations, the completion of the bathroom and the kitchens on the ground floor, works that were only foreseen in the project in later times. The council took note of Scagnetti's report, approved it with the changes that had taken place and instructed the council to provide for the related obligations. The new kindergarten was named after Queen Elena of Montenegro, wife of King Vittorio Emanuele III of Savoy, king of Italy It was inaugurated in October 1905 by the mayor Ciro Mavarelli. A commemorative postcard was printed for the occasion. PHOTO: Historical photographic archive of the Municipality of Umbertide, Giuseppe Severi Archive, Fabio Mariotti SOURCES: Historical archive of the Municipality of Umbertide

Descrizione dell'Umbertide storica: dal Castello di Fratta ad Umbertide. Immagini e mappe storiche del nostro paese. From the Castle of Fratta to Umbertide ( edited by Francesco Deplanu) The first evidence of the castle of Fratta dates back to 1189. In fact, the deed with which "Fracta Filiorum Uberti", previously owned by the successors of Arimberto, was subjected to Perugia by the Marquis Ugolino di Uguccione, ascendant of the Marquises of Petrelle. Over the centuries the territory of Fratta it only once experienced a domination other than that of Perugia. In fact, in 1550, for a few months, the castle with all its territory, villas and rents was run by Paolo and Giovanni di Niccolò Vitelli Domicelli from Città di Castello. This did not mean a stable and peaceful life for the Castello della Fratta, on the SIUSA site we read: " In 1351 Fratta was devastated, on the occasion of the battles between the Visconti and Perugia, by the army of Giovanni di Cantuccio Gabrielli di Gubbio, captain of the archbishop of Milan. In the following decades, Fratta and its territory suffered the consequences of the clashes between the mercenary captain Braccio Fortebraccio da Montone and two thousand horses sent by Ladislao d'Angiò king of Naples, between 1403 and 1408; it was again devastated, in 1478, thanks to the plague, by the troops of Federico Duke of Urbino and, the following year, by the Florentines. Finally, Valentino too, at the head of the papal troops, moving towards Fossato di Vico, occupied it in 1500. " Also in this period the history of Fratta depended on the political life of Perugia, the struggles between the different opposing factions that took place in Perugia from the second half of the fourteenth century to the first decades of the following century often had repercussions in our country. In fact, on the Siusa website you can continue to read: "at the castle of Fratta, on various occasions, the exiles found refuge; it was the main interest of the Perugians, therefore, to" recover "or recapture the aforementioned castle. In 1385, for example, Fratta was occupied by the exiles, thanks to an uprising led by Tommaso di Ciardolino, captain of the guard; reconquered the following year by Albertino di Nino di Guidalotto and by Mattiolo di Angeluccio di Colle, being captain of the Perugia Pellino di Cucco Baglioni war, Fratta was extensively restored, in the defensive structures and equipped with an imposing fortress. " Thus our "Rocca" came to life. The construction was thus entrusted from Perugia to Alberto Guidalotti, the architect was named "Trocascio", or Angeluccio di Ceccolo. It was finished in 1389. Today the Rocca is consisting of large walls that at the base reach a width of 2.40 meters, is more than 30 meters high, presents with two circular towers, a square bulwark and two doors with a drawbridge, although today only one remains. Other episodes of occupations and recoveries took place in the years 1394, 1431 and 1495. During the rebellions for the salt gabelles in Perugia and then the famous "salt war" of 1540 Fratta, however, remained faithful to the papacy and thus saved himself from the destruction of the walls that he would otherwise have suffered. fig. 1 and 2: La Rocca in the 60s and a few years ago. Of this period there remain the precious Statutes of 1521 " ... of the sacred statutes of the notable castle of Fratta of the filioli de Uberto countryside of Perosa of the door of sancto Angelo ". A statute in the vernacular that also gives us a picture of the language used, although adequate for a clearer and more common linguistic expression in contemporary Tuscan. The notary, " Marino di Domenico di Marino Sponta of the dictum castle of Fratta, minimum servant of the community " rewrites the ruined ones of 1362. According to Francesco Mavarelli, who wrote about them in 1903 in “ Of the art of the Blacksmiths in the Land of Fratta (Umbertide). Memories and Documents ", they were only adequate copies of those of 1362 which had gone over time and were ruined. But what was Fratta like in the 16th century? In addition to information from Cyprian Piccolpasso there are also two maps of the sixteenth century that can tell us about it. let's start from these less known by Ubaldo Giorgi and Ignazio Danti. Thanks to the historian Fabrizio Cece who kindly provided it to us, we have an image, a detail, taken from the Map of the Diocese of Gubbio drawn by Don Ubaldo Giorgi in 1573. The intent to represent the Diocese with all its parishes characterizes the map : among others you can see S. Maria, S. Antonio, one of the first patrons of Fratta, S. Andrea and, in the center of the walls of Fratta, S. Giovanni. Fig. 1 and 2: Map of the Diocese of Gubbio drawn by Don Ubaldo Giorgi in 1573 and Detail of Fratta. Photo provided by Fabrizio Cece from the Diocesian Archives. Here we present, instead, the Texas University website that you can browse and zoom to see the description of Fratta in 1584 by Ignazio Danti. Here is the direct link to the portal of Texas University . Fratta owns the bridge over the Tiber, the only one on the map before "Ponte di Pattolo", "Ponte Felcino", "Ponte di Val di Ceppolo" north of Perugia. Yup they can see several designs of towers in the city with a part extended south of the bridge along the Tiber. Above all, as we indicated at the beginning, we have the best known map of Piccolpasso from 1565 with the representation of "Fratta" and then of its main quadrilateral defensive walls (at this link of the Municipality of Umbertide you can download the two documents in .pdf). In this period, Piccolpasso reports, the Community of Fratta presents itself as a place where " The men of this country sleep diligent, ingenious and solicitous and circumspect because their little site for the continuous exercise make it fruitful as a large countryside and a very large place. you work very well with archebugi and auction arms ". Further on, according to what Mavarelli and Prof. Porrozzi also report, the men of Fratta " have no cattle or pasture ". The city occupies " 138 reeds " of earth and " fires about 80 ", or 80 families. In the period between the middle of the sixteenth and the last years of the seventeenth century, the loss of much of the documentation of the municipal historical archive does not allow us to establish whether there have been particular changes in the institutions. The crucial year for the documentation is 1799: in fact, a large number of municipal papers were destroyed in a fire in the public square. Guerrini writes in his " History of the land of Fratta, now Umbertide ": " when in 1799 a gang of wicked brigands with blind vandalism and fury burned in the public square, as an infamous holocaust at the foot of the tree of Liberty, all the books and papers of the Town Hall ". TO starting from the mid-eighteenth century there is a fatigue towards the assumption of public responsibilities and a progressive worsening of some problems, such as the training of the bussolo (to choose the various institutional figures) and the choice of officers. From that moment on were introduced norms and new institutional figures that would allow the proper functioning of the government of the Community of Fratta. Thus it was from the point of view of the management of public offices it continued with a certain organizational difficulty, until in 1787 Pius VI, in April 1785, with an appointment of the then governor general of Umbria, Monsignor Angelo Altieri, found in the Perugian lawyer Silvestro Bruschi, the judge commissioner and general visitor of the communities of the territory of Perugia including the Community of Fratta . On January 28, 1787 the general council of Fratta was held and they emerged, according to what they report Sargentini Cristiana e Santolamazza Rossella who edited the item Fratta / Umbertide on the SIUSA site, " conspicuous administrative irregularities to be ascribed to the admixture in the exercise of the functions assumed by the administrators, to which was added a heavy debt of Fratta towards Perugia. Two were therefore proposed. assistants on public affairs, the canon Don Emanuele Cantabrana and the layman Paolo Mazzaforti, as practitioners of the interests of the community; moreover, having found that the number of councilors was not fixed, Bruschi ordered that the entanglement be carried out in his presence. decree established that the presence of at least twenty-four councilors was essential, << possessors, of good morals, and capable >>, the same number, that is, of the individuals who made up the magistracy's compass, up to the maximum number of thirty with the honorary members; and that, for the session to be valid, at least two thirds of the councilors were required . Particular attention was paid to the drafting and conservation of public writings, in such a way that << each of the four priors is given his key to the public case, where in addition to the documents and original receipts of interest, the community is kept closed the great seal. custodial and all the others, except that of the letters to remain with the secretary, according to the usual >>; moreover, that << it is the responsibility of the magistrate to do it, that all the books are kept exactly from the secretary, and that he is always at par in the register of deeds >> ". Silvestro Bruschi concluded the minutes of the visit to the Fratta Community with an approval dated September 16, 1787. The era of the French and then Napoleonic Revolution was coming, even for a an unimportant territory such as that of Fratta, changes arrived. With the proclamation of the Roman Republic, on February 15, 1798, the innovative principles of French administrative policy entered the former papal territories by right. The constitutional charter, published on March 17, contemplates the classic tripartition between legislative power, entrusted to two chambers (Senate and Tribunate), judicial power, exercised by elected and irremovable judges, to the courts, executive power attributed to five consuls. Four ministries (justice and police, interior, finance, marine warfare and foreign affairs), the large police headquarters (national treasury) and large accounting (national computisteria) depend on this. The territory of the State is divided into eight departments: Metauro ( Ancona), the Musone (Macerata), the Tronto (Fermo), the Trasimeno (Perugia), the Clitunno (Spoleto), the Cimino (Viterbo), the Tiber (Rome), the Circeo (Anagni). In turn, the departments are divided into cantons, and within the latter, which constitute the smallest of the state circumscriptions, the ancient pontifical communities undergo an incisive process of homogenization, as only the centers with more than 10,000 inhabitants constitute their own municipality, governed by building blocks, while the others are grouped together until this minimum population threshold is reached. Fratta thus became part of the Trasimeno Department, based in Perugia, as "Canton" with his own consular prefect: Giuseppe Savelli. The local company of the National Guard was also organized, with its own commander, the papal coat of arms was demolished and the municipality was given the name of municipality. But the Republic fell after 18 months with the surrender (29 September 1799) to the Neapolitan and Austrian armies. Fratta thus returned again under the state of the Church. Sources: - Antonio Guerrini: History of the land of Fratta now Umbertide from its origins until the year 1845 (for Antonio Guerrini completed by Genesio Perugini) - Tip. Tiberina Umbertide, 1883 -Francesco Mavarelli: On the art of blacksmiths in the land of Fratta (Umbertide) - Memories and documents - Stab. Tipografico Tiberino, 1903 - Cipriano Piccolpasso, The plants and portraits of the cities and lands of Umbria submitted to the Government of the city of Perugia , edited by G. Cecchini, Publisher of the National Institute of Archeology and History of Art, Rome 1963. - Bruno Porrozzi (edited by), Umbertide in the images. From the 1500s to the present day , Pro Loco Association Umbertide, Rubini and Petruzzi Typolithography, Città di Castello, 1977. - SIUSA (Unified Information System for Archival Superintendencies) on Umbertide http://siusa.archivi.beniculturali.it/cgi-bin/pagina.pl?TipoPag=prodente&Chiave=50311&RicProgetto=reg-umb&fbclid=IwAR2ydRABe1Uw3MxVbj3WkZrexe4eu0lBSPZe_991_1LwwGoww - http://siusa.archivi.beniculturali.it/cgi-bin/pagina.pl?TipoPag=profist&Chiave=84&RicProgetto=reg%2dumb - http://siusa.archivi.beniculturali.it/cgi-bin/pagina.pl?TipoPag=comparc&Chiave=330615&RicProgetto=reg%2dumb - https://texashistory.unt.edu/ark:/67531/metapth187370/m1/1/zoom/?resolution=6&lat=4964.5&lon=4844 http://www.umbertideturismo.it/content/download/293210/3113338/file/Immagine%20di%20Fratta%20disegnata%20nel%201665.pdf Photo: Fabrizio Cece Photo: Francesco Deplanu Photos: historical photos of Umbertide from the web and from various private archives to which we applied the " umbertidestoria " watermark in this way we try to avoid that the further disclosure on our part favors purposes not consonant with our intentions exclusively social and cultural. Help us remember umbertidestoria@gmail.com Marc Bloch , Apology of history « The story is there science of men over time "

The Railway Bridge over the Tiber 1900 edited by Simona Bellucci After the unification of Italy, rail projects arose in abundance, also because the construction of the national network was in full swing and all the municipalities saw in the railway connections the possibility of getting out of isolation. In 1866 a Florence-Perugia-Rome railway was inaugurated, which placed Umbria on the main railway axis. It passed from Terontola to Umbertide and Perugia. It did not last long, because as early as 1875 a railway from Terontola to Chiusi was inaugurated that cut off Perugia and Terni from the main axis. From here began the disasters for the railways of the region, because that stretch was abandoned. Alongside the main lines, the government also financed the secondary ones, which is why in 1880 a consortium was formed in Arezzo between various municipalities for the construction of an Umbrian-Arezzo railway, of which the municipality of Città di Castello was diligent advocate, a commitment that gave the hoped-for results in a short time, as already in 1886 the section of the Arezzo-Fossato di Vico Central Apennine Railway was inaugurated with a length of 133 km. The narrow gauge railway that passed through Sansepolcro, Citta 'di Castello, Umbertide, Gubbio, fulfilled an important function of connection between the Tyrrhenian and the Adriatic. In fact, it was connected to the line for Florence on one side and for Ancona on the other, but the winding route with considerable slopes, meant that it was not so useful. However, it continued to carry out its function until it ceased its service during the Second World War due to the damage it suffered. Railway line in Umbertide in 1901 Umbertide, however, felt the need to connect also with the most important neighboring city and capital of his province: Perugia. The municipal council wanted to commit itself to this, also because interest was growing on the part of other centers, in fact Terni also wanted to connect with Perugia. In 1899 a conference was held in Terni on the project of a railway line up to Umbertide, passing through Perugia, after which a few years later in 1911 the construction of the railway began and on 12 July 1915 the line was inaugurated. From the initial steam traction, in 1920, we moved on to electri fi cation. Umbertide was an important connection center, because there was a coincidence between trains coming from Perugia and direct or towards Arezzo or towards Ancona. Railway station railway in Umbertide in about 1910 and construction of bridges and toll booth in Montecorona in about 1935. The two railway lines passing through Umbertide, the Arezzo-Fossato di Vico line and the Umbertide-Terni line, although not particularly efficient, especially the first, nevertheless fulfilled a fundamental function of connection. He became aware of this especially in the last phase of the war period, when both interrupted the connections due to the damage caused by the bombings carried out by the Allies, in order to make the retreat of the German army more difficult and for the collection of rolling stock. by both the Germans and the Allies. The rolling stock and sleepers were used to rebuild temporary bridges, to restore the minimum necessary connections. The two lines suffered different fate after their destruction. The whole railway from Umbertide to Terni had been damaged. The first section put back into operation was the southern one to connect Perugia with Terni and only later work was resumed for the northern section, that is from Perugia to Umbertide. However, the latter reopened quite early, in 1948, and once again fulfilled its important liaison function. What remains of the railway line in the section between Gubbio and Umbertide. There are two tunnels under the current route of the Statale: proceeding from Umbertide in the direction of Gubbio, immediately after the town of Camporeggiano, the first one you meet is on the orographic right of the Assino, then crossing the river on the pipeline bridge you meet the second on the orographic left. Photos and information: Eugenio Baldinelli lawyer In addition to the workers in the workshop, the people of Umbria also boasted a high rate of employment among the traveling staff and train drivers. The railway therefore represented an important and quality source of employment in the local context, with about 150 employees. The railway also had two dormitories at the terminus of Sansepolcro and Temi for the traveling personnel, in operation since the nineties. It played an undoubtedly modern factor in an area which, isolated from the motorway network, was unable to escape from its isolation even when a late construction of the E7 motorway was prepared. The company that took care of the railways was the FAC until the war period, after the war the "MUA", then it was replaced by the "FCU", then by "BUS Italia" and now it has passed to the "Rete Ferroviaria Italiana". Today the railway network is fully back in operation after the problems on the line of the last decade. In a difficult period, many came to hypothesize the possible disposal of part of the railway structure. A young architect from Umbertide, Alessandro Venturelli, worked on his degree thesis on the possible reuse of the railway workshops with internal technical tables at the time that it was feared for its disposal: “ City Market Museum of Umbertide. Restoration and reuse of an abandoned railway area ", academic year 2012/13 at the Faculty of Architecture of the University of Florence. The link refers to the thesis page. The image allows you to access the thesis with the tables that Alessandro has made available. https://www.umbertidestoria.net/tesi-di-laurea Sources: - Simona Bellucci: Umbertide in the 20th century 1943-2000, Nuova Prhomos, 2018. - https://www.trenidicarta.it/aperture.html - Umbria-Apennine Railway Photos and information - Avv. Eugenio Baldinelli - Photo: historical photos of Umbertide from the web and from various private archives to which we applied the " umbertidestoria " watermark in this way we try to avoid that the further disclosure on our part favors purposes not consonant with our intentions exclusively social and cultural. Help us remember umbertidestoria@gmail.com

INTERESTING INSIGHTS HISTORY OF MARIO TOSTI L'Enigma della Collegiata La grande diga sul Tevere La Meridiana della Piazza Grande della Fratta The great dam on the Tiber In 1983 a large number of poles came to light in the Tiber and were photographed by Renato Codovini. From the investigations of Mario, Marco and Matteo Tosti, it has been hypothesized that they formed the basis of the dam, born in the 12th century, up to 6 meters high, which enclosed the Fratta fortress in a basin. From a document of 1527, in fact, we have news of an artificial basin upstream of the bridge over the Tiber whose waters could form a "very clear lake", as it was described in 1565 by Piccolpasso. We leave the floor to the study of the engineers Mario, Marco and Matteo Tosti who have kindly allowed to report on this page. Study published in “L'Ingegnere Umbro” n. 43, December 2002 and reported to us by Alvaro Gragnoli. Photos added by Fabio Mariotti. (edited by Di Mario, Marco and Matteo Tosti) The discovery of a foundation piling. Dredging works on the Tiber bed in 1983 brought to light a large number of piles about 80 meters downstream of the bridge. It was Renato Codovini, unrivaled researcher of local history who noticed them, photographed them and understood their importance as the remains of the foundation of an ancient lock. A few years later, in their valuable thesis ("Discovery of the dam on the Tiber river, Umbertide in the province of Perugia", University of Florence, academic year 1987/1988), Alberto Crocioni and Roberto Codovini extensively documented the structure and the construction technique of the work, characterized by an original checkerboard foundation in oak planks and river stones. Thesis We wanted to deepen the subject, trying to bring engineering to the aid of history, intrigued by the imposing foundation piling in the direction of the river current, for an estimated length of at least 15 m: this clue suggested a huge investment, both financial and technical-organizational and, therefore, a purpose of great strategic importance. We tried to imagine what the clients intended, which could not only be to operate the blades of the nearby mill, which could have been built elsewhere with a much more modest barrier, perhaps on a small tributary of the Tiber. The most plausible and fascinating hypothesis was that the dam served to create a reservoir so large that it permanently flooded the moat all around the city walls; perhaps Cipriano Piccolpasso had not exaggerated in 1565 in using a superlative - “very clear lake” - at the sight of the Fratta river, which he described and represented in the oldest panorama of the place. And this is precisely the thesis we intend to demonstrate, reconstructing the history of the "great dam" and its structural and functional configuration. Archive news There is no direct and detailed information on this work, about which all the writers of local history have been silent. Only the military engineer Piccolpasso, in the aforementioned drawing, traced the structure of the dam, albeit with barely hinted lines, perhaps because at that time it had already lost its importance from a military point of view, which represented the topic of main interest for the author: commendable example of a good engineer who does not waste even an unnecessary pencil stroke. Or a sign of low satisfaction for the reimbursement of expenses requested in the parcel: "30 bajocchi for the horse from Castello alla Fratta, 30 bajocchi for dinner and dinner at Fratta, 10 bajocchi for those who will help me to measure, 30 bajocchi for the horse for Perugia ; and more 50 bajocchi made to give to the femeglia de messer Paulo, called messer Gherardo soldier of fortress for the fatigas of said messer Paolo ”. The surrounding tour of these last 50 bajocchi - delivered to a soldier to give to the family of Mr. Paolo who had struggled - arouses some suspicion, dear engineer Cipriano! Instead, there is indirect information on the existence of the barrier, the oldest of which dates back to a registration dated February 6, 1527, where the expression versus clusam molendini is used, in describing the activities carried out in the buildings adjacent to the barrier, at edge of the river, at the end of Piazza S. Francesco. In fact, in that area the dam made it possible to supply the necessary energy to various factories: the water, conveyed along a derivation canal, through the opening of the respective doors according to agreed shifts, operated the millstone of the Molino di Sant ' Erasmus; he made the wheels of the blacksmiths turn for the grinding of sickles and other irons (swords, spears…); he operated the wooden mallets in the fulling machine, to compress and firm the woolen cloth; it flowed into the public wash basin; finally it returned to the riverbed of the Tiber downstream of the dam. The lack of other more detailed information has prompted us to seek objective elements to find out more. Photo by Fabio Mariotti. La grande diga sul Tevere The simulation of the reservoir First of all, an attempt was made to estimate the extent of the reservoir. In a first phase, the configuration that would have today, in the event of restoration of the dam, was identified after evaluating the height of the dam: for this reason, the level of the floor of the ancient public washhouse of Caminella was taken as a fundamental reference, where in the 1960s the original tank was still visible, even if its use had been converted into a breeding leech for the pharmacy, using the stagnant surface water that was collected there. This reference is certain, as the share has remained unchanged with respect to the period of use; on the other hand, the presence - in the immediate vicinity and at the same level, of the other users of the dam just described, much more relevant - excludes the hypothesis that the wash house, with the abundance of the reservoir, used vein water. The height of the floor of the public wash house, which was equal to 238.25 m asl, can therefore be reasonably assumed as the overflow level of the reservoir, the contours of which have been defined on the basis of the corresponding level curve in the current configuration of the land. The boundaries as determined above were subsequently corrected on the basis of changes made by man and the river over the centuries, of which traces have remained. These elements reasonably lead to the conclusion that, in the period of maximum military efficiency of Fratta Perugina (15th century), the reservoir surrounded the entire islet of the historic center, which could only be accessed through the rampant bridge of the Piaggiala, the drawbridge. della Rocca and the bridge over the Tiber. The height of the barrage The difference between the overflow level at 238 m asl deduced above and the altitude (232 m asl) of the river bed area from which the foundation piles emerge today, allows us to estimate the height of the dam at about six meters: for those times the great Fratta dam was truly a gigantic work. Site plan in a drawing by the authors (1) Public wash house; (2) Molino di Sant'Erasmo; (3) Churches of Santa Croce, San Francesco and San Bernardino; (4) Great dam; (5) Tiber; (6) Bridge over the Tiber; (7) Regghia stream; (8) Rocca, with drawbridge and “calzo de fuora”; (9) The rampant bridge of the Piaggiola, the round tower and the Porta della Campana. The functions of the barrage The significant complexity of the project, the grandeur of the structure and the economic burden of its construction confirm the thesis of a military use of the large dam: its primary utility was to keep the moat around the walls constantly flooded, for safety. of the inhabitants of the castle, and to reduce the stresses on the foundation pillars of the bridge just upstream. The other benefits of an economic nature (supply of energy for production activities and taking fish from the weir), although more important for the well-being of the population, were collateral and irrelevant to the decision to build the work. The birth The non-existence of records relating to these works does not allow us to establish with certainty the period to which they date back. However, the hypothesis is likely that only after the passage to the dominion of Perugina (1189) did the conditions exist to build such an imposing work. Only a city like Perugia could have had the necessary economic capacity, technical-military knowledge and political motivations: this is precisely the period in which it pursued a strengthening as a Municipality, to consolidate its vital space among the great powers of the moment in the Center- Italy, capitalizing on the advantage of equidistance from Florence and Rome. On the contrary, in previous times there were no conditions to justify such a huge effort: at first - until the death of Matilde di Canossa - it was marginality, as a remote border place of the Marquisate of Tuscany, to discourage the investment. Then after the dismemberment of this in many territories dominated by small lords, it was the scarcity of economic resources that made the enterprise impracticable. The same lack of news relating to the construction of the dam, attributable to the disappearance of the Annals of Perugia - from 1190 to 1230 - relating precisely to the presumable period of construction, constitutes a confirmation clue of the thesis that is being supported, as it is not likely that such an impressive work no formal acts have been performed. It can be concluded by affirming that the construction of the great dam can be placed between 1189 (beginning of the dominion of Perugia over Fratta) and 1230 (availability of the Perugian Annals). The overall design system Let us now try to define other details of the dam and its functional organization. The reservoir was divided by a "central guardian", slightly inclined with respect to the flow direction of the river. Between this and the left bank - the western basin - the main current had to flow, which flowed downstream from the top of the dam perpendicular to the bank. The other segment, arranged obliquely so as to extend the length of the front of the jump, was perhaps of a higher height so as to contain the damage on the left bank, of great value for the presence of production activities: the mill, the blacksmiths, the fulling machine; in short, a kind of industrial area of the lower village. The capacity of the reservoir, considering the height of the dam equal to 6 m, the width 70 m and the length of the lake upstream of 1,200 m, was estimated at 250,000 m³. The maximum power obtainable, with a useful flow of the river assumed equal to 10 m ³ / s, has been estimated at 600 Kw, based on the following relationship: P = p Q g Δ H P = power; p = water density; Q = volumetric flow rate; Δ H = geodetic difference in height Assuming a width of the adduction channel to the mill equal to 1 m², a current speed of 2 m / s, a head of 3 m and a reasonable efficiency for those times, the order of magnitude of the useful power can be placed around 100 Kw. For a correct functionality of the military security system, precautions were also taken to prevent the ditch being buried due to the debris deposited by the floods of the Regghia, at the point where it flowed into the reservoir under the Rocca, slowing down its fury. We think that this was precisely the function of the “ … lock of the river of the Regghia alter dicta el Battifosso which is contiguous to the horto della Roccha and to the walls of the said castle… ”. The death Let us now try to clarify how and when the barrier ceased its function. In this regard it is known that on 20 October 1610 two arches of the bridge and the Mulinaccio tower collapsed at the corner of the walls along the river; the contemporaneity of the collapses, just upstream of the great dam, made us suspect that the disaster had originated - with a "domino effect" - from the deterioration of the dam. Archival records confirmed the hypothesis: as early as 1606, in fact, the barrage had shown the urgency of repairs. The question became the subject of a legal dispute on the occasion of another flood, in 1611; the tenant complained that the mill was " spotless and unsuccessful " and the dam had been " badly kept and badly restored ". The subjects called into question - the Bishopric of Gubbio and the Community of Fratta - tried to discharge each other the responsibility and the burden of reparation; the first claimed that the dam had been damaged by the collapse of the bridge; the second claimed the opposite thesis, attributing the expenses to the Bishop, as in fact " it had always been ". It seems to us that - Monsignor forgive us! - the Community was right, as it is really strange that the very heavy debris of the bridge, instead of lying on the bottom of the river, overwhelmed the barrier a hundred meters downstream. However, for our deductions, it is only interesting that the mill did not grind since that time, demonstrating that the dam had just collapsed. But there are many other confirmations: even the blacksmiths were forced to go to other mills in the vicinity that had suitable wheels; but the loss of those of Sant'Erasmo was incurable if, a few decades later (1647), four blacksmiths from Fratta brought 14,000 raw sickles to Rome (hammers were not yet produced in the red Umbria), entrusting the finishing to grinders of the capital . Therefore, even the wheels had finally stopped. Similarly, the activity of the fulling mill was moved to a similar factory, in Pian d'Assino, whose structure is still visible on the left bank of this stream, just upstream of the bridge that crosses it just before flowing into the Tiber. All these facts concur to confirm the dependence of the factories in Piazza San Francesco on the large barrage and the superimposition of their respective periods of operation (from about 1200 to 1611). In short, the dam was born when it was necessary to protect the safety of the castle with a lake and no one wanted to take care of its maintenance since these needs were overcome by the evolution of warfare. For all the time in which it was of military interest - and only for that - it was also a source of work and well-being, respecting a sad priority to which man has always had to submit. The death sentence of the Great Dam was issued for the opposite reason that led to its conception. Here below some photos with Mario Tosti and the Tiber river south of the bridge in the place of the "great dam"; photo compared with the 1565 drawing by Piccolpasso showing the position of the dam. Picture of by Fabio Mariotti. Sources: - " The Great Dam of Fratta Perugia ", by Mario Tosti, Marco Tosti and Matteo Tosti, in “ The Umbrian Engineer ” n. 43, December 2002 - Photos and original article drawings: Renato and Roberto Codovini, Mario, Marco and Matteo Tosti. - Photos added: Fabio Mariotti THE ENIGMA OF THE COLLEGIATE by Mario Tosti (taken from "Pagine Altotiberine" *, n. 45, 2011) * "Pagine Altotiberine" is a series of books published by the historical association Alta Valle del Tevere, which gathers members from our valley. The main objective of the Association is to provide citizens with the possibility of publishing texts on local history, without any charge for the author, who receives five copies of the book that contains his work free of charge. The association is financed by the members' fees, who receive the three books that are published every year for free. The history of the construction The history of the Collegiate Church has been the subject of research that has made it possible to know the events in an exhaustive way. In the first place, they were deepened in the monographic book by Monsignor Pietro Vispi (1) , from which we extracted a summary of the information regarding the origins and construction details of the church. We also submitted to Monsignor Pietro, who kindly made himself available, the thesis supported in these notes, to exclude that any additional information to his knowledge would dismantle some links in the logic of the deductions. The chronicles of the time tell that, on 14 September 1556, "A girl of 7 years old ... who was struppia [crippled] in a cossa [thigh], so that she could not walk without support, while she was praying in front of this image [Editor's note: the Majesty painted in a small chapel near the Collegiate building ], it is said that this spoke to him and incontinent found herself free and healthy, and walked frankly ". A few days later the bishop of Gubbio sent his vicar Cesare Sperelli, who "... visitevit ecclesiolam beate et gloriosa virginis marie vulgo called the madonna della regghia prope et juxta muros castri fratte ..." Therefore: the small church in which a miracle took place stood near the walls of Fratta, in the word "Madonna d ella Regghia". Out of thanks, it was decided to build a temple in the immediate vicinity. From the deed of sale of the land of 15 April 1559 we learn that the owners, Graziani of Perugia, "Give and concede for the Madona and the chapel in writing to the Comonità della Fratta all the reasons that they have above the Capella or true Oratory of the Madona de la regghia in front of the walls of said Castle and also above the houses in the said adjacent Chapel and such a quantity of land contiguous to the said chapel that it will be necessary for the construction of a church to be built in that place in Honore de Dio and Della Glorioss. Virgine Maria provided it does not exceed the containment of the garden contiguous to said Capella ... ". So: the church was surrounded by a group of houses and a vegetable garden. Shortly after, thanks to the copious alms of the people, the construction works of the temple began, with the contribution of various architects: Galeazzo Alessi, Giulio Danti, Bino Sizi, Mariotto da Cortona. A drawing by Piccolpasso shows that in 1565 the construction of La Madona had reached its first register and leads us to believe that the houses adjoining the chapel with the miraculous image, designed to the west of the church, towards the Regghia, were in the area of the current Reggiani palace. The Collegiate was completed in 1597-1599. After about twenty years, in 1619, the original dome showed a lesion: consequently it fell or, more likely, was demolished. Today you can get an idea of the primitive dome from the painting by Bernardino Magi kept in the church of San Bernardino. The reconstruction of the current dome, no longer with a lowered sixth but with a round sixth, with a smaller base diameter, was entrusted to Filippo Fracassini (until 1650) with the architects Rutilio, first, and Beniamino Sermigni, later. In order to consolidate the base of the vault, without compromising “The ornamentation of the interior ... the order of the beautiful columns, to whose transport is to be attributed one hundred and forty-one pairs of oxen were needed in 1623 ”. The lantern on top of the dome was finished in 1664, along with the wooden doors. The clues to the solution of the riddle The above information tells us everything about the reason for the location of the Collegiate Church, about the artists who built it, about its main events; but they do not reveal the reason why the church of the Patrona has been set up in the configuration from which, for over four centuries, it has scrutinized the life of the mortals who alternate around its bulk from the top of the lantern. By asking ourselves this question during a walk with friends around the octagonal church, the intuition emerged that the orientation had been chosen with the intention of offering the best scenery to the faithful who proceeded to the temple. The research that followed led to the emergence of several elements that seem to support this hypothesis, as we will try to demonstrate in the following pages. Starting from the assumption that the orientation of the church could not have been accidental, let us analyze the objective elements of knowledge currently available, from which a reasonable answer to the enigma can be deduced. For this we make constant reference to figure 1, where the essential elements of the church plan and the nearby buildings indicated by historical sources are shown. 1. "In the Italy of the fifteenth and early sixteenth centuries ... the formation of sanctuaries on places of miraculous events attributed to the Madonna ... There was also the trend, made known by the solution of the Sanctuary of Loreto (started in 1469 ), to incorporate the pre-existing chapel inside. " (2) 2. The small church outside the walls of Fratta with the miraculous image was adjacent to some buildings, as evidenced in the historical summary reported above. Therefore there were not even the practical conditions to incorporate it, unless the adjacent buildings were demolished. 3. "The attention to the astronomical orientation of places of worship, carefully researched in the Middle Ages, disappears in Renaissance buildings when the introduction of the compass and modern philosophical and scientific theories loosened the bonds of a mythical, magical, mysticism that united the men of the Middle Ages with the observation of the sky, favoring instead the positioning of the building in relation to the urban context. In the case of the Collegiate Church, some measurements were nevertheless carried out to verify the actual orientation of the building with respect to the astronomical cardinal points and to identify any related explanations. The results of the surveys, shown in figure 2, allow us to deduce some considerations. The eight-pointed decoration visible on the floor in the center of the church, similar in shape to the wind rose, is not related to the cardinal points, but is only a decorative element subordinated to the shape of the building, which in some way reflects. The particular historical methods of foundation of the octagonal buildings were also verified: " Generally the orientation of the octagon required that the cardinal directions pass through the vertices of the polygon, a rule that was not always respected during the construction of the baptisteries while it was respected, in the period around 1000, when several octagonal churches were built. " (3) In our case, the orientation of the octagon does not respect the criterion of cardinal points passing through two opposite edges. It would seem to be possible to say that the altar is oriented at the dawn of the winter solstice, with the sun rising behind the celebrant, but there are no openings in the wall that capture and highlight this phenomenon which, consequently, does not seem to have been priority in the plant of the building. In conclusion, it seems unlikely to attribute an astronomical explanation to the orientation of the church. " (4) 4. The sandstone portal to the north, consisting of two columns surmounted by a tympanum, projects perpendicularly to the wall face. Above the tympanum there is a round arch of unloading (platband), made of bricks in a radial arrangement, which is used above the architraves in order to reduce or eliminate the bending stress. 5. The west portal, apparently the twin of the north one, has several peculiarities: it protrudes from the wall facing in an oblique direction, with an angle of about 24 ° with respect to the perpendicular to the wall; the brick arch above the tympanum is not visible on the outside. 6. A panoramic drawing of Fratta (figure 3 shows the detail of the area in question), made in 1565 by the military engineer Cipriano Piccolpasso, does not seem to show the opening to the west of the Collegiate, although the church appears to have been erected until the first register: the signs on the left of the wall are not in the center of the side of the polygon and do not have a regular geometric shape, but seem similar to trees, such as those shown also on the right of the building. It should be noted that the design is to be considered very reliable, as evidenced by the accuracy of the details represented in the other more important buildings. The drawing highlights another important detail: the original path of the Regghia is moved, compared to today, towards the Rocca, confirming the subsequent movement of the river bed and, therefore, the need to build a new bridge, as documented in point 9 following. 7. The differences between the two portals exposed in the three previous points reasonably suggest that the one to the west was opened at a later time, after the construction of the first register. In any case, the anomaly highlighted in the west portal suggests that this had been considered in the alternative to the north one: therefore the importance of the latter must have been truly extraordinary if it had prevailed, for the purposes of choosing the orientation, with respect to to the alternative of enhancing the chapel which had even motivated the work. 8. At the time of the design of the church, the oldest and most important access inside the walls was undoubtedly that of the Porta della Campana, which showed the emblem of the castle (the ancient lily in bas-relief, an ancient weapon of Florentines (5 ) ) and allowed the people to enter the main road network of the valley: the "Strada del Piano", which connected Città di Castello to Perugia, along the left bank of the Tiber, across the bridge over the Carpina, the church of Santa Maria, the Collegiata (in fact), the Madonna del Moro and Ponte Felcino. Therefore, for the inhabitants of the castle of Fratta, the most important way to go to the Collegiata was the one leaving the Porta della Campana, which entered the “Strada del Piano” through the Piaggiola and Boccajolo. It was also the shortest way, because the possible alternative was to go down the Via Retta (the Corso), leave the walls towards Piazza San Francesco and go up to the Collegiate Church on Via Soli. So: for the people of the castle of Fratta it was natural to access the large church outside the walls from the "Strada del Piano". 9. There is news (6) of an old bridge over the Regghia starting from July 1632, from which it is deduced that it was probably composed of masonry heads where wooden beams rested for crossing. The continuous adjustments and renovations in the seventeenth century indicate how much it was subjected to wear. In particular, he had had to work overtime in absorbing the transit of heavy loads of materials coming from the furnaces of the Borgo Superiore, necessary precisely for the "factory" of the church of the Madonna della Regghia. Other consolidation works were carried out in 1726. Furthermore, the state of the bridge was a source of dangers, so the situation became increasingly unsustainable. Finally, in the meeting of April 4, 1770, the City Council took the question head-on: "Being that since some years ... several times thought by the Defenders and by the representatives of this Earth to obviate the dangers that have occurred and that can happen in the future in passing with horses slaughters and some over the bridge that passes over the river Palace under the church of the Most Holy Virgin, which being so narrow and without sides or parapet, it happened several times that horses and oxen were in danger of rushing with loads and wagons, and other hauls. " By cutting off the bull's head, it was decided to redo the now unsafe bridge from scratch, making it wider, with sturdy sides and suitable for bearing greater loads. In confirmation of this intention, the Chapter of the Collegiate gave the Municipality "land for the construction of the new bridge over the Royal Palace in the direction of Montone" (7) . The project was promptly carried out, if in the rough color plan of 1780 by Giuseppe Fabretti (8) (figure 4) the bridge is located in the new position and is connected through a twisted junction to the old route of the “Strada del piano”, which in the meantime had become less and less important, compared to the more recent road on the right bank of the Tiber. The road will only subsequently be rectified and enlarged, forming the current Via Veneto. The construction of the new bridge in a location other than the original one was also determined by the need to expand the square under the Rocca (9) , whose first modest works began in 1803, in order to solve a very old problem. At the end of 1846 the Judiciary of Fratta bought, for this purpose, another piece of land with these reasons: "... the need for this expansion [Editor's note: of the area for the livestock market] is making itself felt every more and openly demonstrated by the last Cattle Fair in which not only the current square was filled with oxen, but even though the adjoining road that leads to the house of Signor Mavarelli and a large part of the Collegiate field that would be occupied by the proposed extension ... ". It is reasonable to think that on that occasion it was decided to move the riverbed of the Regghia away from the tower. The refurbishment of the area was completed in 1880, with the construction of the retaining walls and the raising of the level of the market square. Ernesto Freguglia had just had time to paint the area (1875) in its original configuration, with the clearing still at the level of the bed along the river bank. In this year 2011, a suggestive realization has turned back the hands of time, restoring a condition similar to that of the seventeenth century, demonstrating how man does not disdain to emulate Penelope in adapting the environment to his variable needs. A hypothesis for solving the riddle On the basis of the objective information detailed above, it can be deduced that the configuration of the area of the Collegiate and the surrounding area in the year 1600 (immediately following the completion of the church) was that shown in figure 5, which can be compared with that of figure 6 , relating to the year 2000. For a more immediate perception of the changes undergone over the last four centuries, the situations indicated in the plans are replicated in the drawings of figure 7 - taking advantage of the prodigious pencil of Adriano Bottaccioli, used to photographing scenarios that have now disappeared from our castle - and in figure 8 , in which the changes that led to the current scenario are superimposed. At this point we can deduce a likely explanation for the enigma posed to us, which we set out below. Already in the positioning phase of the new church, it was decided not to incorporate the small chapel with the image of the Virgin, as was customary in that period (point 1), because it was too close to other valuable buildings existing nearby ( point 2). The church was originally conceived with the main entrance - and, initially, probably the only one - corresponding to the current north portal, aligned with the main access road from the castle, as shown in the drawing in figure 7. In this way the scenography that was presented to the faithful on their way to the church (point 8) was of the utmost spectacular. On this portal, at the same time as the construction of the wall, the discharge arch was created above the opening (point 4). It is probable that only later, during the construction of the church, did someone come up with the idea of "uniting" the old chapel and the large church in some way. The goal was achieved with the opening of a second access (not drawn in the overview of the Piccolpasso referred to in point 6) on the side facing the original aedicule, which was obtained by tearing apart the masonry. On the occasion, the platband was not built on the external face, for various possible reasons: either because the engineers were less scrupulous; or because it was more complicated to obtain an aesthetically acceptable result, having to inscribe the arch on an opening obtained by tearing. However, it cannot be excluded that the platband was built at a lower level, so as to be hidden by the sandstone tympanum. Jutting out from the wall, a twin portal to the existing one was built, but with an anomalous angle, in order to orient it towards the original chapel (point 5); in fact the land donated for the construction of the church was in fact "contiguous" to the chapel, as reported in the deed of sale of the land of 1559. The anomalous angle can have two different explanations, depending on whether the construction of the portal was started after or before having decided to demolish the chapel - perhaps due to the precarious state, such as not to justify its restoration - and to move the image of the Virgin inside the church. In the first case, in anticipation of the maintenance of the chapel, the new portal should perhaps have constituted one of the two ends of a portico connecting the new and old structure; faced with the decision to move the effigy and demolish the aedicule, the portico was no longer built, leaving the work unfinished, due to the unexpected disappearance of the final destination. In the hypothesis that the architects of the work were less fickle in their decisions, it seems more likely that the idea of building the anomalous portal was triggered after having decided to demolish the chapel, with the consequent necessary compensation by evoking it forever. in the imagination of the faithful. In any case, in all probability this architectural strangeness remains today to indicate the direction along which the ancient chapel with the Majesty must have been. The opening of the second portal will have involved the need to move the altar, placing it on the side of the octagon opposite the one between the two doors, in order to give a new symmetry to the temple. Conclusion If the one described was really the sequence of decisions and works, the enigma we tried to unravel was born, many decades after the completion of the Collegiate, following the decision to move the route of the "Strada del piano" and to replace the old bridge over the Regghia on the road to the upper Borgo with a new one, in a different position. There were two reasons: the state of decay and danger of the bridge; the need to expand the space around the fortress to be used for the livestock market, after having moved the riverbed of the Regghia and demolished the access ramp to the now obsolete drawbridge. Basically: the orientation of the temple and the presumed location of the original main access road to the church explain each other; with the modification introduced since, during the 18th century, the pre-existing bridge and road were moved to the north-east, the original scenography was canceled, creating the enigma for which this hypothesis of solution was proposed. PS In the recent restructuring of the area surrounding the Rocca, the opportunity was lost to restore the original scenography to the Collegiata, with the simple positioning of the new sidewalk along the route of the ancient Strada del Piano. * * * Thanks to Alvaro Gragnoli who, thanks to his intuition, started the research and to those who made their knowledge available: Giovanni Cangi, humanist engineer, as regards the engineering aspect; Francesco Rosi, architect, expert and passionate about archaeoastronomy; Monsignor Pietro Vispi, parish priest of the Collegiate, precious source of historical information, Adriano Bottaccioli, art director of communication and painter. Note: 1. PIETRO VISPI, The Collegiate Church of Santa Maria della Reggia, Radio Elettra & M SpA School, Città di Castello, 2001 2. LUCA SPORTELLINI, “The Sanctuary of Maria Santissima Assunta in Rasina”, Fabrizio Fabbri Editore, 2011, p. 24 3. A. GASPANI, Astronomy and geometry in the ancient Alpine churches, Priuli and Verlucca editori, 2000, Turin 4. Contribution by FRANCESCO ROSI 5. BELFORTI - MARIOTTI, History of Fratta, year 1780 6. CODOVINI - SCIURPA, Umbertide in the XVIII century, GESP, Città di Castello, 2003, p. 42 7. PIETRO VISPI, The Collegiate Church of Santa Maria della Reggia, Umbertide, 2001, note on p. 60 8. GIUSEPPE FABRETTI, News of the Land of Fratta, (ms BAP 2011) 9. RENATO CODOVINI - ROBERTO SCIURPA, Umbertide in the 19th century, 2001, GESP, Città di Castello, pp. 51, 122, 377. L'Enigma della Collegiata THE SUNDAY OF THE GRANDE PIAZZA DELLA FRATTA by Mario Tosti In the memory of Renato Codovini and Amedeo Massetti With the following notes I propose to shed light on the events of a sundial found in our historic center. I try to demonstrate the hypothesis that it represented the local reference for solar time: the time of Fratta, our local Greenwich mean time. For this mission, she lived in symbiosis with the clock of the Torre della Campana, which stood on top of the Piaggiola. His odyssey began on a window sill in front of the Rocca, on the first floor of the building that housed the headquarters of the Podestà and the hall of the municipal council, in Via Alberti. After a couple of centuries of honorable work, she was evicted and imprisoned under the plaster of the Garibaldi's room in Piazza Fortebraccio. Today he is enjoying his well-deserved retirement in the bucolic Umbrian countryside. For the sake of completeness, I have also tried to reconstruct the evolution of time measurement tools available to the community up to the present day. Let us hope that they continue to measure a time of peace and serenity. THE FINDING Around the middle of the twentieth century, in the course of renovations, a sundial was found under the plaster of the wall in front of the entrance to the room on the ground floor of the building at no. 9 of the current Fortebraccio square, in front of the Rocca (Figure 1). It was Rinaldo Giannelli, owner of the restaurant, who reported it to me, proposing to look for clues about the story. THE SEARCH FOR INFORMATION At first, I had come to a hypothesis that turned out to be incorrect after meeting Mauro Bifani who, together with Manlio Suvieri, was carrying out a research on the sundials of Umbria. I pointed out to him the existence of our find, which has become the subject of his expert analysis. In the book they subsequently published - The ancient hours, Sundials and Roman-style clocks in the municipalities of Umbria, Futura edizioni, 2017 - an entire chapter was dedicated to The sundial of Piazza Grande alla Fratta, in which I was able to integrate with my historical reconstruction of the results of their technical and functional research. STRUCTURAL AND FUNCTIONAL CHARACTERISTICS The small sundial (36 cm x 36 cm) of Fratta, in octagonal terracotta, at Italic hours, was designed to be used in a horizontal position. Several engravings are visible on its surface. At the top, the date of construction (1658) is engraved. A little below, a motto in Greek and another in Latin are engraved: “ΧΡΟΝΟΧ ΑΝΤΑΧΟ Υ ΑΝΕΜΕΙ” (Time resists winds). “AMBIGUIS ALIX LABILIS HORA VOLAT” (The fleeting hour flies on mysterious wings). In agreement with the authors of the book, I add a different translation reported by Mons. Pietro Vispi, also based on the identification of a Greek "p" partially canceled by a crack in the tile: "ΧΡΟΝΟΣ (Π) ΑΝΤΑΚΟΥ ΔΙΕΠΕΙ" (Time always arranges everything) “ΑΜΒΙGUIS ALIS LABILIS HORA VOLAT” (Time that passes flies with elusive wings). I gladly report the two translations, both fascinating, also to demonstrate the complexity in the interpretation of the thoughts handed down to us from the past. The inscription “AD ALTITUD GRAD 43” confirms that it was built for our latitude. The symbols of the four main zodiac signs are represented: Cancer, Capricorn, Aries and Libra. The names of the winds are engraved on the external frame: Mezzodì, Garbino (term used on the Adriatic coast to indicate the Libeccio wind), Ponente, Maestro, Tramontana, Greco, Levante, Scirocco. THE CLUES Hypotheses on the events of the sundial can be deduced starting from the information concerning the measurement of time in the castle of Fratta and the function of the existing buildings in the area of the discovery (Piazza Fortebraccio, Via Alberti, Piaggiola). A recording dated 1477 refers to a Porta della Campana (figure 2), open towards Montone in the north corner of the castle walls, at the top of the Piaggiola. Originally, a tower 22 meters high rose above the gate. In the 16th century it was raised with a wooden tower of 11 m, at the base of which a niche was obtained, with the painted image of the Madonna. At the top a small loggia was opened to house the public bell. The building became one of the main references for the people, so much so that the entire surrounding district took the name of Terziere della Campana. The donzello of the Municipality was in charge of ringing the big [bell] to signal, in addition to extraordinary events, the canonical hours: Lodi (at dawn), Prima (around 6), Terza (at 9), Sesta (at 12) , Nona (at 15), Vespers (at sunset) and Compline [sic], before going to bed. Where the bell was not within earshot, it was the position of the sun in the sky that marked the time or, if the sky was cloudy, the intensity of the light was enough to mark the slow life of our ancestors. Then, with the spread of mechanical clocks, one was installed below the bell. The task of supervising, maintaining and charging it passed to the moderator of the public clock [moderator: who knows if this name meant inviting the spheres not to be in too much of a hurry?]. It is likely that the imprecision of those first mechanisms made it necessary to put them back at the right time almost daily. This function, in the absence of today's time signals on the radio, could only be performed by a sundial. The symbiosis between the two instruments is confirmed by the coincidence of the presumable period of the installation of the mechanical clock (17th century) and the year (1658) engraved on the Fratta sundial. The room of the discovery (outlined in green in figures 3 and 4) is located on the southern edge of the fifth of buildings of the current Piazza Fortebraccio, originally "Piazza Grande del Comune", in front of the Rocca "(platea comunis dicti castri ante cassarum) . There are several documents that allow us to deduce the evolution of the buildings on the corner between Piazza Fortebraccio and Via Alberti. In the fourteenth century the building in which the sundial was found did not exist, but in its place there was an external ramp (figure 5), which was demolished (figure 6) when it became encumbered for the drawbridge that would lower towards the square from the Rocca under construction: in fact, among the works commissioned to Trocascio (27 May 1385) there was also that of demolishing it and rebuilding it inside ("Eo Trocascio I promise ... remove the staircase of the podesta's palace and remake it inside the said palace or elsewhere, so that it does not harm the cassaro [Rocca] "). Figures 5 and 6 show details regarding the rear building, towards the west, taken from deeds of the notary Nicola di Antonio. First of all it belonged to the Municipality, as shown in a document dated July 1443: "... in the square of said castle, in front of the Palazzo del Podestà and the Rocca (... in the stalls dicti castri ante palatium potestatis et arcem)" ...; in 1448, "in the Town Hall and residence of the said Podestà of the said Castle, in the upper room of the said palace (... in the palatio Communis et residentiae dicti potestatis dicti castri in the upper room dicti palatii) ..." (1). In another act of the following year we speak of the "lower room" (2). He refers to "upper room" in acts of 1464 and 1466 (3). It is therefore assumed that in the building there was a large room on the ground floor (current service entrance to the theater in Via Alberti, 22), which could be used for the meetings of the City Council, and an apartment on the first floor (with entrance at no.20 ) in use by the Podestà, which was accessed by an external staircase. Today the new staircase, whose intrados is visible just to the left of the entrance at no. 22, allows you to go up to the first floor from the entrance to n. 20 of Via Alberti. A map by Anonymous dating back to 1730 (figure 7) shows us that the building where the find was not yet existed. The same indication comes from a drawing by Fabretti of 1780 (see final note), which also highlights the existence of a chapel annexed to the Monastery of the Nuns of Castelvecchio, indicated in figure 4. THE DEDUCTIONS On the basis of the clues described above, I tried to reconstruct the events of our sundial. In the first place, it is presumable that it was not part of the religious complex adjacent to the site of the discovery. In fact, the monastery of the Nuns of S. Maria di Castelvecchio had been suppressed at the end of the fourteenth century, two centuries before the construction of the sundial. Furthermore, the hours engraved on the surface of the octagon - Italic hours for civil use, rather than Italic for bells used for bell towers - support the hypothesis of a civil use and exclude the religious one. A further trace: the small distance - a few tens of meters - of the room where the sundial was found from the civic tower of the Bell (and, later, of the Clock), suggests that the two systems of time measurement were in close symbiosis, confirmed by the coincidence of the respective construction periods. The adjacency to the hall of the municipal council and to the seat of the Podestà suggests that it was exhibited somewhere in the square. The window sill of the "upper room", on the first floor of via Alberti 20, was probably the ideal point (figure 8) on which to display it in the horizontal position for which it was conceived. In fact it was sunny and protected, within reach of the highest authority of the castle. Mauro Bifani confirmed the validity of this hypothesis, found in other situations: inside the Sperelliana library in Gubbio, the sundial originally exhibited on the window is preserved, where traces of the well-oriented seat in which it was positioned remain; also in the Marches there is another, still in its place, which makes a good impression on a window sill. The Platonic marriage between the solar instrument and the mechanical one, not consummated due to the distance of their respective residences, went into crisis in the nineteenth century, for various reasons. The signs of old age arrived for the bell tower: in 1815, due to a subsidence of the foundations, it had been shortened, but with poor results: in 1820 it was completely demolished. But the clock was too important for the inhabitants of Fratta to do without it: at the same time a new tower was built (figure 9) in the central square - Piazza del Grano - in front of the current Town Hall, which had become the new center of gravity of the country. But the purchase of a new watch resulted in the death sentence of the old one, already in bad shape due to worn and rusty wheels. The solution proved to be precarious because, after just half a century, in 1873 it was decided to enlarge the Piazza del Grano to give air to the current Piazza Mazzini; to make room, the fledgling tower was sentenced to death at the bitter age of 53. As can be seen, even in the past, not all choices were far-sighted. Even for the sundial, widowed, the end loomed. To put a load of eleven there was the construction of the building at number 9 of Piazza Fortebraccio, as shown by a plan of the Gregorian Cadastre (figure 10) dating back to the period 1830-1850. From that moment on, the area assumed its current shape. The new construction "blinded" the window of the upper room where the sundial had lived, depriving it of its function. As a result, she was fired and evicted. He found refuge in the room where it was found, downgraded to a simple decorative element, albeit with the advantage of protection from the elements. Subsequently it raged, segregating it under the plaster. In short: in addition to life, the solar instrument and the mechanical one also seemed united in the end. But there was a surprise for the sundial. THE FINAL REST Rediscovered in the third millennium, by the owner the sundial has been moved to its natural environment, outside a pleasant cottage in the sweet Umbrian countryside. Although hanged vertically - contrary to its nature to relax horizontally - and with a random orientation with respect to the cardinal points, it is very happy to have rejoined the sun, remaining an interesting testimony of the history of Fratta. THE HEIRS Since the appetite comes with eating, I was intrigued to know who took over the sundial and the clock her husband, in the task of marking the time of our community after the demolition in 1872 of the ephemeral tower in the square. Nobody could tell us better than Egino Villarini, who joined me at the PC keyboard. In November 1876 the works for the enlargement of the old Piazza del Grano were completed, decided by the Municipality due to the increase in the volume of commercial activities, the growth of the population and the fact that it "was in a cramped confined space. "; last but not least, "the not very decent appearance of the buildings" which impoverished the Sorbello palace, seat of the Municipality. The square (now Piazza Matteotti) took the name of Umberto I. A new bell clock was placed in the center of the building opposite the town hall (Figure 11). It was operated by large stone blocks which, hung from a chain, descended from the top floor to the ground, where the Post Office was located. In more recent times, the task of turning the crank to raise the weights could not fail to be entrusted to Gino Vannoni, watchmaker. It was the engineer Villarini himself who relieved him of his duty by automating the operation. In 1918, the primary school clock (Fig. 12) entered the life of the people of Umbria, with the task of informing the schoolchildren, at a quarter past 8, that it was time to set off and, at 8:30, that the it was closing. Today, clocks are everywhere - on the streets, in the squares, on everyone - to synchronize with the hasty rhythms of modern life. But it would be quite another sensation to respond, as yesterday, to the call from the voice of the school: a solemn rite of the community, testifying to the collective concern reserved for the process of integrating young people into the cycle of social life. Those familiar tolls were then perceived by everyone, thanks to the silence in the town and the concentration of the houses; today they would perhaps be suffocated by the noise of cars and muffled by the remoteness of the suburbs. Yet they could represent the symbol of a cohesive and harmonious community, sickened by decades of excessive individualism. They would be especially appropriate in these times of seclusion. NOTE Regarding the volume of Fabretti, I want to tell a singular detail. Together with Amedeo Massetti we were consulting it in the Augusta Library in Perugia, when we came across a map referring to “Fratta” (figure 13, left), but it appeared totally different from that of our country. We thought it was the result of an error, also likely due to the low quality of the drawing, attributable to a novice author. After various considerations, we discovered the dilemma: the image had been copied against the light on a window pane, but on the wrong side. It was enough to do the opposite operation - this time with the PC - to get the right drawing, but with the name “Fratta” inverted (figure 13, in the center). An enlargement of the plan (figure 13, right) reveals the lack of the building of the find. There is also an interesting detail: a small church is marked with a cross (barely perceptible) - indicating that it was still officiated - annexed to the adjacent monastery of the Nuns of S. Maria di Castelvecchio. NOTES TO THE TEXT: Arch. Notar. di Umbertide, Notary Nicola di Antonio, acts 1448 - 1450, cat. 276/74, card 11 / v Arch. Notar. di Umbertide, Notary Nicola di Antonio, acts 1448 - 1450, cat. 276/74, card 99 / Arch. Notar. di Umbertide, Notary Nicola di Antonio, acts 1464 - 1466, cat. 283/5, cards 10 / r, 120 / v, 225 / v THANKS For this little research, I have made extensive use of the work of friends: Renato Codovini, generous initiator and prompter for all researchers of local history, who exhumed historical documents otherwise destined to remain buried in the archives; Amedeo Massetti, unforgettable friend and perfect citizen; Egino Villarini, an inexhaustible source of the innovations introduced in the country, with the reliability and details of having been the protagonist; Adriano Bottaccioli, who imagined the missing pieces of our country from every point of view, reconstructing them with the artist's ability and with the affection of the ex-emigrant; Mauro Bifani and Manlio Suvieri, who provided the technical information necessary for the reconstruction of a plausible history for our sundial. Fabio Mariotti, who checked the text (once I relied on Amedeo), enriching it with images. La Meridiana della Piazza Grande della Fratta

La vita durante il ventennio fascista ad Umbertide. Memoria della vita di Aristide. Aristide and the twenty years curated by Francesco Deplanu Aristide Guardabassi, the first on the left in the photo was born in 1912, became an adult during the Fascist period. After the military started in 1931, participated in the "Ethiopian enterprise" from 1935 to '36, the era of the "great consensus", then he was recalled in 1941 in the military battalions of the "shirts." black " and died in 1942 at the "mouths of Cattaro" together with a commissioner, Massetti, from Città di Castello affected from "friendly" batteries. The remains of his body were tracked down by the Maggior Suppa of the Italian army only after twenty years and brought back to a now democratic and pacified Umbertide. His funeral, in a very cold March 1960, with the banner of the Municipality in front, climbed on foot to the cemetery with all the citizens in tow, after having crossed a plain that still showed the promiscuous culture of the vine, the last landscape of an ancient world. He had reached the "sixth" elementary and so on long years of military service and then as a "black shirt", volunteer for the AOI and recalled for the Second World War, he had a very long correspondence with his wife, Olinda Guardabassi. Linda, as she was called, responded less to difficulties between work as a "tobacconist" and other jobs to be able to live and raise the little daughter; moreover, like many girls before the war, he was prevented from finishing elementary school because he was "a woman". After the second class, in fact, it had been held home to provide for family needs ... his writing was therefore more tiring. In addition to many documents of the time among the many letters left, where they are substantially absent i references to the "enemy" e to war, there are affections, memories and common life as in an "escape" from a present that is difficult to live and tell. Linda kept everything she had left in her wooden barber box: her compass and sewing supplies, letters, postcards, some documents, the metal plate found with the remains of her body, the newspaper with the 'announcement of death and some letters from friends to alleviate his loss. The barber's box contained about 300 letters, 144 postcards, filled for almost all the space available, and some telegrams written in the decade 1932-42. Almost all the letters are by Aristide some by Linda. The letters are concentrated above all in the second year of the war, as many as 110 letters, when he was recalled and left for the conflict, and in 1942, third year of the war, 52 letters before dying. In particular 68 letters were kept during his military service and 10 postcards; between 1934 and 1936, during the African campaign, 66 letters, 1 telegram and 29 postcards remain; 170 letters, 105 postcards and 3 telegrams remain for the period of the World War: 1932 - 4 letters, 1933 - 61 letters from Vercelli, 10 postcards, 4 edelweiss, 1934 - 3 missives, 1935 - 38 missives 1 telegram and 29 postcards, 1936 - 25 letters, 1939 - 2 telegrams and 15 postcards, 1941 - 110 missives 2 post card, 2 telegrams 70 postcards, 1942 - 59 missives 4 postcards 1 telegram 35 postcards and 1 letter from Alberto Burri to his wife Linda after her death. Interno della cassetta da barbiere In addition, many personal photos were kept in the box, 30 photos of the funeral that took place in the post-war period in Umbertide, various personal and time documents, "Various materials" including, a compass used in the AOI, a needle holder and wooden thread, a branded cigarette holder with still some cigarettes inside, a small santino di Sant'Antonio kept inside a small bussolotto, the identification plate kept in a green canvas bag with the personal data, the flag with which the small chest with the remains of Aristide was displayed in the Collegiate Church for the funeral about twenty years after his death; Linda after many years used to say that only at that moment, when the remains were brought back in a small box, did she really stop hoping for his return ... A decade of alternating correspondence for a few years, after the "unlimited leave" from military service, first from the "African enterprise" and then from the outbreak of the conflict. A very long correspondence in which Aristide wrote almost exclusively of love, affection and everyday life; an aspect that goes hand in hand with the historical moments in which he writes, writes from Vercelli and Biella to the compulsory service of the state, writes from the "steamer" that takes him to Africa for the Empire, sends postcards where the propaganda phrases of the "Fascism" as he greets his Lindina, postcards that have as their theme the geographical map of the AOI or busts of beautiful African girls that the regime shows as trophies, he writes more and more often when he is sent to the coasts of Albania and present-day Montenegro . He wrote from Podgorica, from the "very Italian" Boka Kotorska, until his death at the hands of his own army in an Italy that soon will be divided in two, with the central part and its Umbertide that from that moment will live another story: drama and liberation. In addition to the correspondence, the preserved documents tell us about that moment: the cards of the fascist, workers and women's organizations, the lists of members of the Umbertidese militias of the "black shirts", the recall orders for the lack of behavior of these Umbertidesi militiamen on the part of the Perugian nucleus, an internal propaganda theme made to write to the daughter for the return of the father who will never return ... A remarkable material to be investigated at another time because it is too vast. The affections for the young Linda, first girlfriend then wife and mother of a child seem to be almost the exclusive subject to communicate. Here are some examples as a soldier of Leva in 1933 and then as a husband in '39 and on the day of his death in July '42: "Biella 04/21/1933 - IX EF ("Fascist year and period" Ed.) I reply to yours ("letter" Ed.) With a little nervousness caused by your silence. Lindina you will never imagine how I desire one of yours ("letter" Ed), and not receiving it, the saddest thoughts assault my brain, and the most phantasmagoric visions come before my eyes making me see who knows how many times you that you no longer think of me, that you do not love me, and who knows how many other bad things that my miserable language cannot pronounce ... " "Sora 16-7-39 - VII" ("fascist year" Ed.) Dearest love, with the greatest joy, I reply to your dear letter, which has reached me today. Lindina you will want to excuse me if sometimes in my letters I am a little impulsive, but you must understand, that it is the love I have towards you that makes me insane. Not a minute of the day goes by, that my thoughts are not turned towards you, and I remember all our talks, all our walks, every intimate we had with you and I wonder: what will my Linda do now without me? Maybe he will think of his distant love? And my heart answers yes. " "(Place not present for military reasons) - 29/07/1942 - XX ... I really liked the two conchigline I found in the letter of the 22nd from Imperia. Do you think Linda wanted to be a little bird, and see our daughter how he looked for them, and what he told you when he gave them to you to send them to me. I think of you how happy you will be, that you see Imperia growing like a flower, and that you guide it, and you look at it as you look at an angel. But for my part, I am happy all the same, because when it is joy for you, it is happiness for me too. Perhaps you will be even more worried than me, as despite being happy you have the constant thought for me, and who knows how many times you will repeat a name that with the help of our good God, will return safe and sound. "... He died immediately after the last letter together with his friend Massetti from Città di Castello, the other Umbertidesi present with him in Podgorica buried him. We insert here some images of 1933-34, the love letters and the envelope that Linda carefully preserved with the 6 edelweiss that Aristide had sent him; the letter of departure for the AOI; postcards, front and back from Eritrea with images that are racist and sexist in our eyes today; sheets for the symbols of the 1: 25000 tablets of the IGM, the patriotic propaganda theme made to write in class to the daughter ... 1/1 Linda also replied, although less frequently, moreover only a few letters have survived, those reported in the few licenses by Aristide. The writing is more tiring and with spelling errors that we decided to leave to remember the female condition of the time where compulsory schooling was not respected especially for girls. The last letter visible in the images inserted above was from Linda but he returned only later with the remains of Aristide in 1960; it was probably kept in its uniform. "Arille" was the affectionate way in which he called Aristide, and as usual the family affections dominate the thoughts of the two but the letter also briefly describes the situation of rationing during the war in Umbertide "nothing is found" and the solidarity between women with the wife of another "recalled" who brought food to their little daughter. “Recalled” indicates those who, like Aristide, had obtained “unlimited leave” but were “recalled” to arms with the worsening of the conflict; condition according to Linda suffered by Aristide and the other young people from Umbertide who left in '41. Linda also used to tell how the conflict led Aristide to moments of despair and that once, returning from leave, he seriously asked her to throw all three under the train nearby. "Umbertide 3-5-942 My dearest Aristide For a few days, I have not heard from you, the last of yours on the 22nd, Rille my thoughts vague, that again you will be moved, for another action, this is the thought that does not give me peace, Arille with a contracted heart , and full of hope I never tire of praying our good God, who is so good and merciful, will always watch over you, to make you return as soon as possible to your home, which is always full of your memories, where Imperia remembers its father a hundred, but a hundred times a day, your caresses, your sweet little words, full of fatherly love, Arille when our little one reminds me of your compliments, a knot tightens my tears, my heart no longer knows how to fight it has this great pain, of this your distance, that I do not know what I would give just to let me pass by in a moment to see you, and see the state you are in, Arille in these days that are without news from you the saddest thoughts assail me and make me suffer so much, Arille mirror everything as long as I get a line of comfort from you and relief, explaining the delay of this post. Arillino days ago I sent you the photo Imperia I hope it has reached you. Arille as I told you, indeed you will know, that times are difficult now and nothing can be found, but I tell you that our Imperia has lacked for nothing up to now, because there are the wives of those recalled who are with you that every so much they bring me eggs and flour, today Gigino di Dalai's wife came and brought Imperia 10 eggs and flour, dear kisses Linda and Imperia. " Linda young and still beautiful, with her darker and lighter eyes, peculiarity given by a benign neoplasm to the eye, found herself facing a life in poverty with a small daughter but with great strength and courage; with the bombing of Umbertide he welcomed Pompeo who was one year older than his daughter, who was orphaned by his whole family. They grew up as brothers until he had to send them far away to give them the future by making them come back whenever possible. Linda didn't want to anymore no one close to him waiting secretly and irrationally, in his heart, that Aristide's death had been communicated by mistake; conviction that ended at the return of the petty cash with what remained of his body. In addition to the family story, Aristide's documents tell us about our local history. Among the various documents that you can see in the gallery above, for example, there is one that can shed light, although it is undated, on the composition and structuring of the "umbertidesi fasci" system, part of history for obvious reasons not much in-depth since the war. up to the present day. In the typed document, with the caption "FEDERATION OF THE COMBAT BANDS OF PERUGIA" at the head, continuing underneath with the words "BAND OF UMBERTIDE", the distinction of the city is evident in at least five sectors, since this was the fifth. This "sector" concerned the area of Piazza S. Francesco, Via Secoli, Via Soli, Via Spoletini, Via Stella, Via Cesare Battisti. There was the "head of the sector": Ramaccioni Gino e 3 "nuclei". At the "head" of the first "nucleus" there was just Guardabassi Aristide with the particularity of being registered without the reference to be a "(CN)", or a black shirt. This writing instead appears next to the names of the "head" of the "II nucleus", Ramaccioni Dino, and of the "III nucleus", Pucci Carlo. Thus the list seems to have been written before the '' African enterprise, when Aristide was certainly a "Black Shirt" but was also used later ( 1935-'38) seen that in pencil you can read next to various names of the components of the "nuclei" the military destination of some: Bologna, Africa, Milan, Albania. However the components of this list are 17 in first “nucleus”, 17 the second and 23 the third. Overall, the "V sector" alone therefore counted on 61 belonging to the "Fasci di Umbertide". Here are the names present in the document relating to the "V sector" of the "Fascio di Umbertide": V sector (Piazza S. Francesco - Via Secoli - Via Soli - Via Spoletini - Via Stella - Via Cesare Battisti) Head of Sector - Ramaccioni Gino I Nucleus Head of core Guardabassi Aristide Burzigotti Eugenio Cardinals John Marine limestones Bebi Carlo Bebi Fausto Bico Antonio Cingolani Beetle Martini Adolfo Panzarola Nello Pini Giulio Ramaccioni Fortunato Ramaccioni Silvio Reggiani Francesco Santini Giovanni Tarragoni Ginetto pupils Tarragoni Students Enrico Zurli Arnaldo II Core Head of nucleus Ramaccioni Dino (CN) Alberti Alvaro Alberti Quintilio Angeletti Giuseppe Oreste children Baldelli Dante Ciocchetti Oliviero Corradi Anteo Fiorucci Thales Jets Decio Mancini Carlo Mancini Giuseppe Domenico Pucci Puletti Calisto Ramaccioni Ramiro Renzini Alessandro Renzini Pietro Renzini Oberdan III Core Head of Core Pucci Carlo (CN) Tullini Elmo students Anastasi Amedeo Bartoccini Pietro Becchetti Tito Giuseppe Becchetti Caldari Bruno Andrea Cecchetti Cerrini Renzo Ghisalberti Adolfo Lucaccioni Riccardo Lucaccioni Antonio Mariotti Ettore Giuseppe screeds Palazzetti Nazzareno Paoletti Antonio Paoletti Natale Rondini Aldo Rossi Vincenzo Starnini Warrior Serafino Fiorentino Tosti Quintilio Tognaccini Romeo Other letters speak to us, however, of historical events of national significance such as the departure for the AOI when he writes from from the ship Princess Giovanna: "Sender: Aristide Guardabassi Black Shirt, First Division CC. NN. March 23 202 th Legion, First BTG Second company, East Africa. 08/28/1939 - XIII EF ("Fascist Year and Epoch" Ed.) Dear Linda, first of all, I extend my affection to you, with the best wishes for a goodbye soon (before it is possible). Linda as she announces by telegram that you left on Sunday evening, the last 25th, with the ship Principessa Giovanna, and indeed it was. Our ship has lifted the anchors to head to Massawa in Eritrea, at 5 and 45 minutes, and we will arrive on 2 September the same day. Linda when the ship left the quay, to head towards the East, the immense crowd that filled the port, gave us a warm show of sympathy and affection, (and some faces were covered with tears) that you cannot imagine ... " An analysis of the long correspondence in search of historical elements as well as affective ones could reveal further information on the modalities of life during Fascism in the upper Tiber Valley and in our country. The correspondence is interrupted with the life of Aristide, just a end of July 1942, after 18 years his remains will return to Umbertide. A red envelope Linda kept inside the wooden box contained the last one missive written by Aristide, one page newspaper with the news of the death and the letter from her friend, Alberto Burri, written to Linda at the time of the news of the killing in July 1942. Burri, 3 years younger, was captured in Tunisia the following year, on 8 May 1943, and after several trips he was taken to the concentration camps of the United States . This is the text of the letter: " Dear Madam, You know how great our friendship was and you can understand how I too suffer for the loss of dear Aristide. However, the knowledge that he has left us in fulfilling all his duty as an Italian and a Fascist must help you and help us to bear this pain. He will always be alive in our memory with his eternally smiling face and with his good humor that increased with the difficulties of the moment. He was an excellent soldier and an excellent father, and little Imperia can be proud of him. You like mine Madam best regards. Alberto Burri " alberto burri 1 alberto burri 2 alberto burri 1 1/2 Aristide was one of the 93 dead or missing in the war of our country, but in addition to them the toll of lives for this war was very conspicuous because 70 died under the bombing of 1944 people, 22 were killed in retaliation (in Penetola, Serra Partucci, Civitella Ranieri and Montecastelli), 34 people died as a result of the war, 1 in prison camps and 2 at the front after 8 September as partisans. For those wishing to see their complete list, you can read the precious text by Mario Tosti " Beautiful works. Information, documents, testimonies and images on life and death events that took place in the Municipality of Umbertide during the Second World War ." Municipality of Umbertide, 25 April 1995. In total, therefore, a good two hundred and eighty-two Umbertidesi died during this conflict. Source: - Family archive of the Micucci-Guardabassi family - Oral source Fam. Guardabassi-Deplanu - Mario Tosti: " Beautiful works. Information, documents, testimonies and images on life and death events that occurred in the Municipality of Umbertide during the Second World War . Edited by Mario Tosti. Municipality of Umbertide, 25 April 1995. - Photo: Family archive of the Micucci-Guardabassi family